data.json

[{"title":"今日精选","subjects":[{"userPic":"https://img1.doubanio.com/icon/u124889336-8.jpg","userName":"国生","title":"虹桥路的商务宾馆","review":"他犹豫了好一会儿。起先想喝拿铁，又担心晚上睡不着；想喝星冰乐，我告诉他里面也有咖啡。他站在柜台前，认真地研究起写了饮料列表的黑板。又一趟车到站了，进来买咖啡的人越来越多。你怎么这么麻烦。我用胳膊肘...","detailUrl":"https://www.douban.com/note/634785027/","detailContent":{"introduction":"","pArray":[],"imgs":[]}},{"userPic":"https://img3.doubanio.com/icon/u3340912-63.jpg","userName":"魏小河","title":"她的书，我敢打赌你会喜欢的","review":"一这几天在看李娟的《羊道》三部曲，一看就停不下来，喜欢得一塌糊涂。李娟的书我推荐过不止一次。最早读《我的阿勒泰》，惊为天人，原来这个时代还藏着这么一位绝世高手。后来读《冬牧场》，更加不知道说什么...","detailUrl":"https://www.douban.com/note/635233606/","detailContent":{"introduction":"","pArray":["","一","这几天在看李娟的《羊道》三部曲，一看就停不下来，喜欢得一塌糊涂。","李娟的书我推荐过不止一次。最早读《我的阿勒泰》，惊为天人，原来这个时代还藏着这么一位绝世高手。后来读《冬牧场》，更加不知道说什么好，唯有打心底里赞叹。","《羊道》其实不是新书，2012年和《冬牧场》一起出版过，那时候没有来得及看。这回出了新版，厚厚三大本，四十万字，看得过瘾。","","就像刘亮程所说，读李娟的书是幸福的。","因为“我们这个时代的作家已经很难写出这种东西了。”潜心于文章的人往往只知道写文章，没有了生活，最后越写越干瘪。生活充沛的人，又多半不怎么鼓捣文字。真实的生活一天天从我们身边流走，真正写出来的却少之又少。","只有李娟，兴高采烈的生活，兴高采烈的写作。","","二","","李娟1979年出生于新疆奎屯建设兵团，当时李娟的妈妈是兵团农场的职工。","说到李娟，不能不提她的妈妈。","李娟的文章，有好多都是记录和妈妈相处的日常。而只要写到妈妈，几乎每一篇都可以让你笑到肚痛。","李娟妈妈是个好玩的人，没有什么长辈架子，活得兴兴轰轰，自由自在，她没事会教哈萨克小孩用汉语骂人，会把钱藏在垃圾桶里结果把垃圾倒了，会在大年初一提议带着家里的三条狗一起来一次荒野散步……","她永远保持着面对生活的激情，消耗不完的好奇心，当然，她也足够勇敢——很少有人会像她那样离开安定的农场，跑到牧区里开一家小卖部。","作为祖籍四川的汉人，深入哈萨克牧民聚居地，随着牧场的迁徙而迁徙，并没有我们说起来这么轻易。而正是妈妈的选择，将李娟带入了那片她日后不断书写的荒野牧场。","","按理说，像李娟这样的孩子，正常的轨迹应该是县里上高中，市里上大学，然后一步步离开牧区，越走越远。","但李娟不喜欢上学，她没有走这条路，高中没读完就辍学了，回家和妈妈一起开小卖部，辗转于阿勒泰的各个牧场之间，参加他们的拖依(哈萨克族的舞会)，进入他们的生活。","如果没有这一段生活，几乎不可能有日后的《羊道》和《冬牧场》。这是李娟之所以能够成为李娟的前提，她是汉人，是个外来者，但同时，她又和他们一起生活过，她会一些哈族语言，知道他们的生活细节。","李娟少年时期的这段经历，为她日后的写作埋下了伏笔。","","三","十八九岁，李娟离开牧区，到乌鲁木齐打工。那时候，她已经开始写作。","所有写作的人都想要发表，可这个年轻的姑娘谁也不认识。她独自一人跑到《中国西部文学》的编辑部投稿，“惶恐又孤独”。","她后来在接受采访时回忆，那时候打工很苦，想改变生活，就写了一篇文章跑去投稿。","到了编辑部，人问：“写的是什么？”","李娟答：“散文”。","那人又说：“散文给刘亮程……”","于是，李娟的第一篇稿子找到了出路。刘亮程是新疆著名作家，他的《一个人的村庄》写得别具一格，把农村写出了诗意。毫无疑问，他是散文行家。","刘亮程初次读到李娟的文章就很喜欢，他后来接受采访时回忆：","“当时她的稿子到了编辑部之后，我就发现非常好，这个小女孩还不到20岁吧，一个老编辑问我会不会是抄的，我说不可能是抄的，她找谁去抄，中国文学没有这样一个范本让她去抄，这只能是野生的。她一个人独自在阿勒泰这样的荒山之中过生活，独自想一些事情，独自冥想，独自书写，最后形成了一种独特的文字。”","那是一篇写树的文章，具体内容李娟自己也记不清了。","因为刘亮程，李娟和文学界算是搭上线了。《人民文学》2001年第七期发表了李娟的《九篇雪》，这对她意义重大。无论如何，这是国内一流文学杂志对她的认可。","2003年，通过朋友介绍，她在阿勒泰地委宣传部找到了一份工作。“当时我想能给我找个看大门的工作就很高兴了，谁知道是宣传部这样的单位，我吓坏了，之后跟所有领导、同事都成了好朋友。而且我在阿尔泰待了5年，我从来没有在一个地方待这么长时间。”","她后来出版的《走夜路请放声歌唱》《阿勒泰的角落》以及《我的阿勒泰》都是在这种循规蹈矩的工作之余写成的。她说，那时“笔下的阿勒泰，是对记忆的临摹，也是心里的渴望。”","2007年春天，李娟离开办公室，进入了扎克拜妈妈一家，和他们一起生活了三个月。这是她第一次主动投入哈萨克牧民的生活，想要记录一些什么。","2008年，她存够五千块钱，辞去工作，到江南一带打工、恋爱、生活。同时开始回忆那段日子，一边写，一边在《人民文学》发表，大约用了三年时间，终于写成了这本《羊道》。","2010年，李娟又接受《人民文学》非虚构写作计划的邀请，在当年冬天随哈萨克牧民一起进入冬牧场。至此，李娟关于哈萨克牧民生活的书写，正式告一段落。","","四","小时候渴望记述哈萨克世界的愿望已经实现。李娟还要写什么呢？王安忆曾经在研讨会上提出了相似的问题：“写了十来年阿勒泰乡村旮旯里琐碎生活和纯粹自然之后，今后怎么写？”","确实，自2012年出版《冬牧场》以来，李娟已经很久没有新作，直到今年才出版散文集《记一忘三二》。","这本新书留待下次再说，今天，我们还是回到对她最重要的作品——《羊道》（这是她主动拓宽自己写作半径，用力最深的一次探险）。","","在新版《羊道》的《写在前面》中，李娟写道：","“实际上我对这个系列的文字有着更复杂的情感。这场书写不是一时的兴致，下笔之前已为之准备了多年。当我还是个八九岁的孩子时，就渴望成为作家，渴望记述所闻所见的哈萨克世界。它强烈的吸引着我，无论过去多少年仍然念念不忘，急于诉说。","“直到后来，我鼓足勇气参与扎克拜妈妈一家的生活，之后又积累了几十万文字，才有些模模糊糊地明白吸引我的是什么。那大约是这个世界正在失去的一种古老而虔诚的、纯真的人间秩序……难以概括，只能以巨大的文字力量细细打捞，使之渐渐水落石出。”","我常说，散文最大的好处在于抓住时间，这个时间，可以是个人的时间，也可以是更大的时间，比如时代，比如历史进程。不论是哪一种时间，只要写到极致，就可以留得下来。","李娟过去的写作，比如《我的阿勒泰》《阿勒泰角落》，都是前者，私人、日常，精彩、有趣。","而《羊道》和《冬牧场》则是两种时间的结合，当然还是一贯的个人书写，她说过“我的写作只与我的个人生活有关”，但是，它同时也包含了对时代，对一个更大的时间的记录。","","关于《羊道》，最值得注意是作者的视角。她和扎克拜妈妈一家一起生活，成为家里的一员，每天负责打水，洗衣服，做饭，招待客人，煮一遍又一遍的茶。","但是，她始终是个外来者。她写下每一个人的故事，扎克拜妈妈、卡西、斯马胡力；她写下每一场舞会，每一次换场；写下羊的事，狗的事，牛的事，骆驼的事。她写得真细，因为一切对她来说都是新鲜的，陌生的，可以记述的，如果没有这一陌生化的视角，面对荒漠的生活，收获的可能是贫瘠。","但同时，她又是懂得的。牧民们有很多和城市人不同的心态，比如他们丝毫不畏下雨，不怕脏，他们对待死亡也没有那样惊奇，有时候他们甚至会为了一群羊，而放弃一个人的生命。","李娟虽然从外来者的目光记录着一切，但是她懂得她所能写下的只是极少的一部分。她说，“所有文字都在制造距离，所有文字都在强调他们的与众不同。而我，更感动于他们与世人相同的那部分，那些相同的欢乐、相同的忧虑和相同的希望。”","李娟以理解的视角去写独特，才可以写得如此体贴、舒服。而这一切，当然和她自己的生长经历有关。","有时候，有些书只能由某一个人去写。就像哈萨克牧区只能由李娟来写。","","五","李娟的写作特点以前已经说过了，虽然她写的是散文，但是与众不同。","首先，她肯定不是董桥式的散文，不是那种前世明月梦里打捞的风雅旧物人情，她没有华丽到浓艳的文字风格；她不是贾平凹王安忆这些小说作者的另一只手，她没有那样强的作家气，文人气；她也不是周成林、野夫这样以沉重记忆为材料的冷调叙述；也不是洁尘毛尖池莉这类女作家的城市生活小品；不是豆瓣系作者们的文艺气息旺盛。她谁都不是，唯独她一个，她是李娟。她的文字干干净净，有风吹过。","她的文章，如果只说一个词，我想说：明亮。","明亮，不是谁都能明亮得起来的，特别还是写哈萨克牧区。如果换成新华社记者，保证可以写出完全不同的祖国大好形势，换成新闻周刊的记者，一定可以写出煽情而沉重的生存故事。但李娟不那么写，她和扎克拜妈妈站在一起，她亲切的看待每一个人。明亮的底子是尊重，是懂得，是草原的空气。","技术上，李娟特别会写对话，写场景，很多日常的小事，经她一写，就生动好玩起来。特别喜欢她笔下的几个小孩，六岁的胡安西、两岁的沙吾列、三四岁的玛妮拉。当然，还有那个永远丢三落四的卡西，好吃而天真的大男孩斯马胡力。","一天接着一天的生活，是不容易概括的，那些日常中的精华，只有你自己读了书才能知道。","我好像已经说得够多了。到此为止。","-----"],"imgs":["https://img1.doubanio.com/view/note/llarge/public/p45041357.jpg","https://img1.doubanio.com/view/note/large/public/p45041358.jpg","https://img1.doubanio.com/view/note/large/public/p45041359.jpg","https://img3.doubanio.com/view/note/large/public/p45041360.jpg","https://img3.doubanio.com/view/note/llarge/public/p45041361.jpg","https://img3.doubanio.com/view/note/llarge/public/p45041362.jpg"]}},{"userPic":"https://img3.doubanio.com/icon/u54553470-2.jpg","userName":"苗子兮","title":"在汉朝，十二星座如何选择合适的升仙座驾","review":"每个时代的人民，都有其崇高的理想与追求，就如同我朝人民的共同理想是实现中华民族伟大复兴的中国梦那样，在汉朝，人民普遍追求的是——升仙。升仙梦发端于先秦，据说楚国人好言神仙之事，大诗人屈原曾想“美往...","detailUrl":"https://www.douban.com/note/635199485/","detailContent":{"intr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t":{"introduction":"","pArray":[],"imgs":[]}},{"userPic":"https://img1.doubanio.com/icon/u2109295-7.jpg","userName":"小力子百合","title":"雪域色达","review":"这是一篇游记，记录5月份四天三夜的旅行-观音桥-色达-甲居藏寨-四姑娘山照片都由本人所拍，更多照片在这里：https://www.douban.com/photos/album/1651717275/一飞雪我在五月目睹了一场漫天飞雪。...","detailUrl":"https://www.douban.com/note/635228761/","detailContent":{"introduction":"","pArray":["这是一篇游记，记录5月份四天三夜的旅行","-观音桥-色达-甲居藏寨-四姑娘山","照片都由本人所拍，更多照片在这里：https://www.douban.com/photos/album/1651717275/","","","","","","","我在五月目睹了一场漫天飞雪。","汽车行驶在通往色达县的路上。从成都出发，这是在路上的第三天。绻在最后一排，中排的人们已然昏昏入睡，前面一向精神，积极的星姐也静了下来。大家都倦了。车里，时间仿佛凝固，一片静默，阒然无声，就连发动机的轰鸣和车轮压过路面的摩擦声也变得遥远。","尼哥边把着方向盘边吐着烟，烟雾结合着大家疲惫的呼吸朦胧着车窗。在近四千米高海拔的稀薄空气中，在暮色近临苍茫的青藏高原上，倦意洗涤着回忆。这些天看到的美景，经历的喜悦–一切似乎都模糊了可却又无比清晰，沁入骨髓，正如窗外的漫天飞雪，洗涤着一切色彩，却凸显着山峦本身的形态-巍峨，巉峻，黑压压地直到地平线的尽头。","","本该是墨绿的大地被雪覆盖后只剩一片暗沉的灰，天空更是黯然，一片萧瑟，不见人烟，恰如诗中描述的“千山鸟飞绝，万径人踪灭”。忽然，我看到远处的牧人，在苍茫的画面中沧海一粟。数头牦牛，孤身一人，巍然着，笃定着，伫立于飘然的白雪和呼啸的飓风中。我和他隔着很远，只能去想象他的寂寞孤独，他的凛然无畏，可无论如何，都是一副足以让人心动的画面。","我匆匆地让尼哥停了车，飞速地冲下去，拿起相机，按下快门。","外面的空气无比冷冽，新鲜，加上雪花飘打着肌肤的寒冷刺痛，顿时清醒。疲倦仿佛也被飞雪洗涤，那天，我再未困过，直到很深的夜。","晚饭是丰盛的藏餐–牦牛肉，酥油茶，青稞酒。酒精，结合高原的缺氧带来一种迷离恍惚的兴奋，当众人都欹卧在柔软的沙发上，胸闷，头疼，奄奄一息，我决定晚上出去拍拍色达的夜景，慰藉不能去佛学院看夜景的遗憾。","半夜10点的色达县空旷无人，我漫无目的的闲逛，没有月光，没有星辰，霓虹灯和偶尔车辆的灯光扰着夜的宁静-色达，似乎和普通县城没有区别。可瞥见路边的积雪，我知道，待天明，一定是一片白皑的美好。","次日，初入眼帘的是一片纯净的蓝白。","","挥洒了一宿，天空终于如释重负。床很软，被很暖，可终是抵挡不住那通透的蓝，一颗向往明媚的心早在初醒朦胧的一瞥间就已怦然。那天清晨的二小时是四天中最晴朗的，出了旅馆便没了遗憾。","","沿着大路朝佛学院的方向而行，高原的缺氧感在温和的晨光中荡然无存。无论是快走还是小跑，气息从容，头脑清醒，于眼，于心，保持着对一切的敏感。","昨日迎雪而来，一到县城就见到了路边高耸的佛塔，瑟瑟寒风中它瞻望鹄立着，迎接着我们。有了佛塔，心就安了，它是藏民们寄托祈福的场所，它更是我的坐标系，不论走到哪里，只要瞥见它金光闪闪的塔顶，我便不会迷路。","佛塔越来越近，可真正打动我的，却是后面广袤无际的雪域。我见过很多雪景，还从未见过如此纯净的雪域。山峦披着银白，无始无尽，一切色彩仿佛都是多余，大片白色耀眼夺目，除了天的浩瀚，又有什么能与之相匹？","","","","","无论红尘俗世多么烦忧，无论人心多么复杂，无论我们因成长而不得不带上多少面具，我始终相信，每个人内心都始终有一片纯净的底色，恰如那银白的雪域。久久凝视，刹那间我突然明白，佛塔，寺庙，风景，它们都不是主角，他们只是在衬托，衬托着世界，衬托着信仰，衬托着灵魂。","","","","有信仰的人大概是可以通过他们的方式寻找到自己的纯净，或许只在顷刻间，却愿意为其叩首，愿意转经许愿，在寒冷的清晨，俗世生活开始前认真，虔诚。我知道，待雪化去，世界又会回到它本来的面貌，待虔诚结束，人们又会回到自己喜怒哀乐的世界里。","","","","","绕着佛塔四周转了好大一圈。寺庙，民宿，经幡，烟火，小路，藏民，牦牛，狗，世间万物，甚至是拆迁的杂乱，都毫不违和地嵌在那片雪域里。","","","","","","","","","","","","星姐催我赶紧回去吃早饭，回程来得太匆匆。虽然雪景令人留恋，可汽车再次路过那条满是佛塔的小径，只能痴痴地遥望，不知雪域的色达佛学院在金光闪闪的阳光下会何等的壮观夺目？星轨，天空，结合殷红和银白又该是何等的神秘，下次再来是否已然拆得面目全非？对于太多想象而却未见到的画面总是有太多遗憾。","亲眼见到，一定比任何照片里拍的都美。","","佛学院才是心中的色达。","很久以前，一些僧侣怀揣着信仰，在一片近乎与世隔绝不毛之地安定了下来，听课诵经，静坐关心，年复一年，永不懈怠。后来，越来越多人来此修佛，建立起无数红色的木屋子，在喇荣沟的山坡上，撑起了一片信仰，成就了喇荣五明佛学院，亦或色达佛学院。","","","红衣红墙-苍穹下的那片赫红早就深深地嵌在我对色达最殷切的梦中。有人为了信仰而来，有人为了心灵而来，而我，只为了色彩。","","山上山下，只隔着几十分钟的盘山车程，却宛若两个完全不同的世界。山下还被骄阳烤得微热，山上就已寒冷刺骨。或许正是那肃然的清冷才有了色达的仙气，氤氲弥漫着雄伟的大殿，低沉的诵经声喃喃而至，我终于见到了那满目的红，和照片里看到的一摸一样。","","","沿着小路一路向上，高原的跋涉远比想象的困难，可还是要为了这场色彩的朝圣而不断前行。途径喇荣宾馆，再到坛城，越往高处，就越能感觉到那无数红色小木屋在山谷中铺展开来的壮阔，只可惜色达已不是原来的色达。","色达正在拆迁改造。","沿路到处都是拆迁的痕迹，吊车，卡车，废弃的建材，风中更是弥漫着灰尘和吵杂。对于我们而言，拆迁意味着少了处风景，可对于生活在山上的僧侣，觉姆们，好坏却不得而知。至少有这么一种说法，因为佛学院常年风大干旱，密集的木屋极容易引发火灾，拆迁和改造就是为了防范于此。","","","","可当你知道经典的画面即将不复存在，尽管有再多的理由，始终会感觉到一种遗憾和不甘愿。或许只是我自己的执念太深，无数僧侣经过，或独自一人，或搭伴成群，我也未从他们脸上读出太多的不舍和惆怅，只有大家都有的喜怒哀乐，多了些虔诚，敬畏，和真实。","最近读云姑的《居山而行》，摘抄了这段话：","“庙宇如宫廷，这里面的生活并非世人期许的那样没有烟火，没有争斗，真正发心修行的人，也不会躲避这些事，而是在这里不断磨砺自己的心性，这个道理我虽然很多年前就懂得，确是入道之后才有更切身的体会。”","打水的僧侣，修房的觉姆，一幅幅生活的片段更让我感受到出家的生活并非只是念经拜佛，同我们一样，他们也要为世俗之事操劳，在佛学院里上课，下课，生活的琐碎，人际的烦恼，大致和我们的生活并无两样。","因此，我既没有权利要求他们保持精神的纯净，也没有理由阻止他们追求物质的充盈。","可看着大片被拆却还未重建的废墟，看着格格不入的新式楼房，还是自私地希望红袍中的信仰不要随着拆迁而面目全非，无关色达的样貌，也无关信仰的形式，而是信仰本身，折射在每一双澄澈的双眸里，真挚的笑容间。毕竟，那才是千万人来此求缘朝拜，来此洗净纤尘的理由。","","在坛城，我转了三圈祈福许愿。","一场风雪忽然而至，一片漆黑，只有转经筒还骄傲地闪闪发光。因高反而未上山的同伴在下面催我回去，只能迎着风雪寻找下山的路。风雪交加，电闪雷鸣，山上已不见任何游客，我有些害怕，也不知顶着风雪走了多久，终于找到了下山的台阶。仰头一看，对面的山坡已然全白。","","那场不经意的降雪大概就是我与色达不解的缘分。我期待过艳阳高照藏蓝天空下的色达，我期待过夜幕降临星辰漫天的色达，却从未期待五月的雪域色达，可当瞥见苍穹下那片浩瀚的红白，我终于明白了那才是我最喜欢的搭配，那才是我一直向往却未敢向往的风景。白色是最纯净的自然，红色是浓烈的信仰，两者交融在一起，我仿佛窥到了色达的灵魂。","拿起相机，迫切地想要记录下来，可镜头已是一片雨雪，拍出来一片模糊。只好用纸随便擦了擦，也顾不上山下的催促，试了好久终于拍到一张清晰的照片。匆匆跑下去，总算是没误了下山的巴士。","我们那车人，有人是虔诚的佛教徒，怀揣着朝圣之意前去摩拜，而我的虔诚则在于摄影。她如了愿，见了法师，听了课，我却因为还有太多景色没有看到，太多小径没有探索而始终遗憾。想要随缘，可还是依依不舍地眺望着渐行渐远的红，直至消失。","“一切有为法，如梦幻泡影。”在佛学院滞留的两小时里，就像一场梦。我大概可以理解为什么那么多人宁愿呆在物质匮乏环境恶略的山上，为什么那么多游客去了遍不愿回来——其实，不管是浓烈的信仰还是旅途的跋涉，都是为了用生命去刻下一段刻骨铭心，为迎接死亡最好的铺垫。","一只秃鹰盘旋在最远处的山顶，雪依旧无情地下着，天葬的情景历历在目。","","当所有的诵经，修行都是为了来生的轮回，死亡就变得无比神圣。","","天葬是藏民对于死亡最神圣的仪式，是最尊贵的“布施”，只有德高望重的人才有资格。让鹰禽吞食亡者的尸体，待肉体被殆尽时灵魂也被带到天堂。","尸陀林——神圣而高贵的天葬台透着死亡的气息，阴森，神秘。还未靠近，腐烂的味道就阵阵地袭着我们，有人脸上露出了恶心的表情，有人带上了几层口罩。阎罗宫殿的阎罗王张着大大的嘴吞噬着每一个死去的灵魂，死后人人都必定要去他那里接受公正的审判；宫殿里满是森森的白骨，每一个骷髅都凝视着我们，无刻不在提醒着人们在美丽奢华的生命死后也不过如此。旁边，死者的头发悬至在铜塔上随风飘扬。","","","","","","后面的山坡是布施“执行者”的家。数不清地秃鹫就栖居在山顶上，远远地眺望着，一只只黑色的影子虎视眈眈，随时准备着一场饕餮盛宴。尸体一被带出，秃鹰们便躁动不安，成千上万地盘旋于天际，黑压压地让人感觉到死亡的压迫。不一会儿，小小的天葬台前已然聚满了秃鹰，待仪式一结束，就蜂拥而至地扑上去，塞满了葬台，煽动着翅膀，扭曲着身躯，争前恐后地“帮助”死者轮回。","","","","","那么多秃鹫，那么点尸体，我只怀疑他们不够吃——还好仪式每天都进行，在下午两点半。。。。。","","","尸体每天都有，毕竟人终有一死。最终——每个人都得自己孤独的面对死亡，无一例外。可直到那一刻，我们都在刻意回避，即便是目睹了一场天葬，也只愿意毫不动容地做一个看客，只是震惊于那或残忍或神秘的异文化，不愿意过多地去思考死亡本身。","其实死亡离我们很近，在我不长的人生里，很多有过交集的人都已逝去，有老有少，大部分早被遗忘。天葬，那血腥的场面，那腐臭的味道，那野蛮的饕餮，刺激着我们最不情愿的感官，以最激烈的方式将死亡呈现于面前，逼着我们去面对轮回中生死不由自主的无奈，去思索人生，无常，生命的意义。","","","海德格尔认为人类应该向死而生，这大概和轮回不谋而合。唵嘛呢叭咪哞！","山坡上也有不少可爱的土拨鼠，他们每天悄然地目睹着天葬，无动于衷。传说，人们从来没见过秃鹫的尸体，在它们预感自己即将死亡的之时，会一直拼命往高空飞去，一直朝着太阳的方向，腾空万里，直到太阳和气流把他们的躯体消融一尽。而土拨鼠，只是会在地里自然地死去，化为尘土。死对于他们没有意义，因为死不会伤害到它们。它们既不是死亡的使者也没有值得祭奠的生命","","","","","","叙利亚诗人阿多尼斯说，“万物都会走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