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{"lesson":{"1100000":{"title":"Introduction: The Ultimate Collection of Piano Music","subtitle":"The Piano Encyclopedia","description":"Over three centuries worth of compositions, from history\u2019s all-time most iconic musicians. Browse the ultimate catalog, with hundreds of interactive video lessons, exclusive sheet music, and fascinating facts about every piece, and composer that ever lived. Watch this video to get an introduction on how to use this amazing product.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/introduction.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/685310560?h=017fe2be82","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100000,"order":"1"},"1100001":{"title":"Fur Elise","subtitle":"Beethoven, Ludwig Van","description":"Beethoven\u2019s Bagatelle in a (Fuer Elise) was composed on April 27, 1810 as a leaf in an album. Ludwig Nohl, who discovered the manuscript and published it in 1867, appears to have misread Beethoven\u2019s writing of the name &quot;Therese&quot; (von Brunswick). She was the woman Beethoven reputedly loved and it was in her papers that the manuscript of Fuer Elise was discovered. It is one of the very best known and loved short works for piano.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/001.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/434458451?h=87e39df1dd","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100001,"order":"1"},"1200001":{"title":"Sheet Music of 'Fur Elise'","subtitle":"Beethoven, Ludwig Van","description":"Beethoven\u2019s Bagatelle in a (Fuer Elise) was composed on April 27, 1810 as a leaf in an album. Ludwig Nohl, who discovered the manuscript and published it in 1867, appears to have misread Beethoven\u2019s writing of the name &quot;Therese&quot; (von Brunswick). She was the woman Beethoven reputedly loved and it was in her papers that the manuscript of Fuer Elise was discovered. It is one of the very best known and loved short works for piano.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/001.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/434458451?h=87e39df1dd","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200001,"order":"2"},"1100002":{"title":"How to Play 'Rustles of Spring'","subtitle":"Sinding, Christian","description":"Rustles of Spring (or Fruehlingsrauschen, composed 1896 and published in 1909 as part of no. 1 of 6 pieces, opus 32) has been a popular favorite and exists in many arrangements. Christian Sinding (1856-1941) was a Norwegian composer and pianist who produced many compositions ranging from songs to opera. ","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/002.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/435153769?h=958d637b7a","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100002,"order":"1"},"1200002":{"title":"Sheet Music of 'Rustles of Spring'","subtitle":"Sinding, Christian","description":"Rustles of Spring (or Fruehlingsrauschen, composed 1896 and published in 1909 as part of no. 1 of 6 pieces, opus 32) has been a popular favorite and exists in many arrangements. Christian Sinding (1856-1941) was a Norwegian composer and pianist who produced many compositions ranging from songs to opera. ","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/002.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/435153769?h=958d637b7a","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200002,"order":"2"},"1100003":{"title":"How to Play 'Jesu Joy of Man\u2019s Desiring'","subtitle":"Bach, J.S","description":"Jesu Joy of Man\u2019s Desiring (Jesu, belibet meine Freude) from Canata no. 147 is one of J.S. Bach\u2019s most famous chorale melodies. It was originally composed for trumpet, oboe, strings and organ, but is perhaps best known in this arrangement written by British pianist Dame Myra Hess (1890-1965). In the early 1900\u2019s, Hess perservered with what was to become the more modern style of performance which emphasized clarity, balance, faithfulness to the written manuscript rather than the pianist\u2019s personal display. She was outmuscled for many years by more flamboyant pianists, but did not abandon her career, achieving world stature by the 1920\u2019s. Hess built her repertoire around composers such as Bach, Mozart, Beethoven, Brahms and Schubert. ","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/003.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/435153815?h=8eb49df547","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100003,"order":"1"},"1200003":{"title":"Sheet Music of 'Jesu Joy of Man\u2019s Desiring'","subtitle":"Bach, J.S","description":"Jesu Joy of Man\u2019s Desiring (Jesu, belibet meine Freude) from Canata no. 147 is one of J.S. Bach\u2019s most famous chorale melodies. It was originally composed for trumpet, oboe, strings and organ, but is perhaps best known in this arrangement written by British pianist Dame Myra Hess (1890-1965). In the early 1900\u2019s, Hess perservered with what was to become the more modern style of performance which emphasized clarity, balance, faithfulness to the written manuscript rather than the pianist\u2019s personal display. She was outmuscled for many years by more flamboyant pianists, but did not abandon her career, achieving world stature by the 1920\u2019s. Hess built her repertoire around composers such as Bach, Mozart, Beethoven, Brahms and Schubert. ","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/003.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/435153815?h=8eb49df547","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200003,"order":"2"},"1100004":{"title":"How to Play 'Clair de lune'","subtitle":"Debussy, Claude","description":"Debussy\u2019s Clair de lune was once called the world\u2019s most famous piano piece. It was published in May or June 1905 as the third piece in the Suite bergamasque. It may have been composed as early as 1890. The title recalls the poem by Paul Verlaine, which was set to music by Gabriel Faure (also included in The Pianist). Listening to the dream-like melody, and lilting rhythm, one can imagine a young couple waltzing in the moonlight.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/004.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/435153882?h=ce1149ee7d","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100004,"order":"1"},"1200004":{"title":"Sheet Music of 'Clair de lune'","subtitle":"Debussy, Claude","description":"Debussy\u2019s Clair de lune was once called the world\u2019s most famous piano piece. It was published in May or June 1905 as the third piece in the Suite bergamasque. It may have been composed as early as 1890. The title recalls the poem by Paul Verlaine, which was set to music by Gabriel Faure (also included in The Pianist). Listening to the dream-like melody, and lilting rhythm, one can imagine a young couple waltzing in the moonlight.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/004.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/435153882?h=ce1149ee7d","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200004,"order":"2"},"1100005":{"title":"How to Play 'The Girl with the Flaxen Hair'","subtitle":"Debussy, Claude","description":"La fille aux cheveux de lin (The Girl with the Flaxen Hair) is from Debussy\u2019s collection of Preludes for the piano. This lovely miniature has a wistful, dream-like melody and gently persuasive harmonies. Debussy\u2019s Preludes are made up of two books of short pieces, the first book composed in 1910 and the second from 1910-13. They are fine examples of the composer\u2019s ability to vividly describe things of both real and imaginary worlds in music. Preludes were a popular type of piano composition from the Romantic period onwards. Inspired by the Preludes and Fugues by J.S. Bach, the Prelude became a complete piece (rather than an introduction to something else). Composers such as Chopin, Debussy and Rachmaninov wrote many examples of these descriptive gems.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/005.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/435153960?h=ddb723004f","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100005,"order":"1"},"1200005":{"title":"Sheet Music of 'The Girl with the Flaxen Hair'","subtitle":"Debussy, Claude","description":"La fille aux cheveux de lin (The Girl with the Flaxen Hair) is from Debussy\u2019s collection of Preludes for the piano. This lovely miniature has a wistful, dream-like melody and gently persuasive harmonies. Debussy\u2019s Preludes are made up of two books of short pieces, the first book composed in 1910 and the second from 1910-13. They are fine examples of the composer\u2019s ability to vividly describe things of both real and imaginary worlds in music. Preludes were a popular type of piano composition from the Romantic period onwards. Inspired by the Preludes and Fugues by J.S. Bach, the Prelude became a complete piece (rather than an introduction to something else). Composers such as Chopin, Debussy and Rachmaninov wrote many examples of these descriptive gems.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/005.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/435153960?h=ddb723004f","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200005,"order":"2"},"1100006":{"title":"How to Play 'Two Arabesques, Arabesque No. 1 in E'","subtitle":"Debussy, Claude","description":"Published in 1888, Debussy\u2019s Deux Arabesques (Two Arabesques) have grace and charm, reflecting the style of the Romantic salon piece. Debussy\u2019s Arabesque No. 1 in E has an easy, flowing grace. It has been a popular choice, and a rhythmic challenge, for many piano students.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/006.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/435154047?h=88c71e5e51","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100006,"order":"1"},"1200006":{"title":"Sheet Music of 'Two Arabesques, Arabesque No. 1 in E'","subtitle":"Debussy, Claude","description":"Published in 1888, Debussy\u2019s Deux Arabesques (Two Arabesques) have grace and charm, reflecting the style of the Romantic salon piece. Debussy\u2019s Arabesque No. 1 in E has an easy, flowing grace. It has been a popular choice, and a rhythmic challenge, for many piano students.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/006.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/435154047?h=88c71e5e51","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200006,"order":"2"},"1100007":{"title":"How to Play 'Two Arabesques, Arabesque No. 2 in G'","subtitle":"Debussy, Claude","description":"Published in 1888, Debussy\u2019s Deux Arabesques (Two Arabesques) have grace and charm, reflecting the style of the Romantic salon piece. Arabesque No. 2 in G is the more playful and brilliant of the two. The rhythmic motif which opens and then dominates the music is quick, incisive, and the right hand must scurry and hop about the keyboard with lightness and clarity.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/007.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/435154084?h=ee66c3eeed","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100007,"order":"1"},"1200007":{"title":"Sheet Music of 'Two Arabesques, Arabesque No. 2 in G'","subtitle":"Debussy, Claude","description":"Published in 1888, Debussy\u2019s Deux Arabesques (Two Arabesques) have grace and charm, reflecting the style of the Romantic salon piece. Arabesque No. 2 in G is the more playful and brilliant of the two. The rhythmic motif which opens and then dominates the music is quick, incisive, and the right hand must scurry and hop about the keyboard with lightness and clarity.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/007.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/435154084?h=ee66c3eeed","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200007,"order":"2"},"1100008":{"title":"How to Play 'Barcarolle, Op.60'","subtitle":"Chopin, Fr\u00e9d\u00e9ric ","description":"Chopin\u2019s only Baracarolle, Opus 60, was written 1845-6 and is one of his finest compositions. The Barcarolle, at the time, was supposed to be reminiscent of the kind of songs that Venetian gondoliers sang to their patrons as they taxied through through the city\u2019s canals. Those songs have long disappeared, but one can imagine the feeling of ease and flowing grace mixed into the opening of this great work.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/008.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/435154120?h=e473072e93","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100008,"order":"1"},"1200008":{"title":"Sheet Music of 'Barcarolle, Op.60'","subtitle":"Chopin, Fr\u00e9d\u00e9ric ","description":"Chopin\u2019s only Baracarolle, Opus 60, was written 1845-6 and is one of his finest compositions. The Barcarolle, at the time, was supposed to be reminiscent of the kind of songs that Venetian gondoliers sang to their patrons as they taxied through through the city\u2019s canals. Those songs have long disappeared, but one can imagine the feeling of ease and flowing grace mixed into the opening of this great work.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/008.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/435154120?h=e473072e93","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200008,"order":"2"},"1100009":{"title":"How to Play 'Etude in G-flat, op. 10, no. 5'","subtitle":"Chopin, Fr\u00e9d\u00e9ric ","description":"Chopin\u2019s Etude in G-flat, op. 10, no. 5 (the so-called &quot;Black Note&quot; Etude) is played largely on the black keys of the piano. The music is fast and brilliant, with an enthralling cascading effect in the right hand, punctuated by rhythmic chords in the left, which rivets your attention from beginning to end.  The twelve etudes of Opus 10 were written 1829-32 (and completed when Chopin was only 22 years old). They were published in 1833. The twelve Opus 25 etudes were composed from 1832-6. They are all marvels of composition and unique in the way Chopin has managed to parcel exercises in specific technical difficulties into a fully integreted and artistic miniature of music. They are such remarkable pieces of music that it is impossible to think of theme as mere etudes.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/009.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/435154148?h=8ac336f68d","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100009,"order":"1"},"1200009":{"title":"Sheet Music of 'Etude in G-flat, op. 10, no. 5'","subtitle":"Chopin, Fr\u00e9d\u00e9ric ","description":"Chopin\u2019s Etude in G-flat, op. 10, no. 5 (the so-called &quot;Black Note&quot; Etude) is played largely on the black keys of the piano. The music is fast and brilliant, with an enthralling cascading effect in the right hand, punctuated by rhythmic chords in the left, which rivets your attention from beginning to end.  The twelve etudes of Opus 10 were written 1829-32 (and completed when Chopin was only 22 years old). They were published in 1833. The twelve Opus 25 etudes were composed from 1832-6. They are all marvels of composition and unique in the way Chopin has managed to parcel exercises in specific technical difficulties into a fully integreted and artistic miniature of music. They are such remarkable pieces of music that it is impossible to think of theme as mere etudes.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/009.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/435154148?h=8ac336f68d","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200009,"order":"2"},"1100010":{"title":"How to Play 'Ballade No. 1'","subtitle":"Chopin, Fr\u00e9d\u00e9ric ","description":"Chopin\u2019s Ballade No. 1. Chopin\u2019s four Ballades are very special works for the piano. They blend poetry and brilliance, drama and tenderness, and all the wonderful musical qualities that people have come to love in Chopin. They also display a unique construction that pulls the listener into the story and keeps him spellbound throughout. The first Ballade in g is one of the most frequently heard. From its opening dramatic octaves, through its heart throb melodies, to its bravura passages, the musical expression is direct and effective. ","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/010.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/435154195?h=c5e6b849a9","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100010,"order":"1"},"1200010":{"title":"Sheet Music of 'Ballade No. 1'","subtitle":"Chopin, Fr\u00e9d\u00e9ric ","description":"Chopin\u2019s Ballade No. 1. Chopin\u2019s four Ballades are very special works for the piano. They blend poetry and brilliance, drama and tenderness, and all the wonderful musical qualities that people have come to love in Chopin. They also display a unique construction that pulls the listener into the story and keeps him spellbound throughout. The first Ballade in g is one of the most frequently heard. From its opening dramatic octaves, through its heart throb melodies, to its bravura passages, the musical expression is direct and effective. ","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/010.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/435154195?h=c5e6b849a9","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200010,"order":"2"},"1100011":{"title":"How to Play 'Waltz in D-flat, op. 64, no. 1'","subtitle":"Chopin, Fr\u00e9d\u00e9ric ","description":"In many ways, Chopin\u2019s treatment of the waltz is akin to the way Baroque composers treated the court dances of their time. The layout of the music is simple, the music elegant and charming, but the waltzes are not intended to be great artistic statements.  Also nicknamed the &quot;Dog Waltz&quot;, Chopin\u2019s Waltz in D-flat, op. 64, no. 1 (the &quot;Minute Waltz&quot;) is supposed to take only one minute to perform. This animated waltz, despite its nickname, is longer than a minute. Composed between 1846-7 and first published in 1847, this waltz is one of Chopin\u2019s most famous compositions.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/011.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/435154230?h=4561e662ab","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100011,"order":"1"},"1200011":{"title":"Sheet Music of 'Waltz in D-flat, op. 64, no. 1'","subtitle":"Chopin, Fr\u00e9d\u00e9ric ","description":"In many ways, Chopin\u2019s treatment of the waltz is akin to the way Baroque composers treated the court dances of their time. The layout of the music is simple, the music elegant and charming, but the waltzes are not intended to be great artistic statements.  Also nicknamed the &quot;Dog Waltz&quot;, Chopin\u2019s Waltz in D-flat, op. 64, no. 1 (the &quot;Minute Waltz&quot;) is supposed to take only one minute to perform. This animated waltz, despite its nickname, is longer than a minute. Composed between 1846-7 and first published in 1847, this waltz is one of Chopin\u2019s most famous compositions.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/011.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/435154230?h=4561e662ab","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200011,"order":"2"},"1100012":{"title":"How to Play 'Etude in E, Op. 10, No. 3'","subtitle":"Chopin, Fr\u00e9d\u00e9ric ","description":"Chopin\u2019s Etude in E, Op. 10, No. 3, was most likely modeled after a vocal form of music. Its slow theme seems almost suitable for the human voice, and is reminiscent of Italian opera. Curiously, the melody has found its way into 20th century American pop music. When played with simplicity and understatement, this etude is one of Chopin\u2019s most beautiful. The lovely slow melody is interrupted by an animated and increasingly chromatic forceful middle section. The twelve etudes of Opus 10 were written 1829-32 (and completed when Chopin was only 22 years old). They were published in 1833. The twelve Opus 25 etudes were composed from 1832-6. They are all marvels of composition and unique in the way Chopin has managed to parcel exercises in specific technical difficulties into a fully integreted and artistic miniature of music. They are such remarkable pieces of music that it is impossible to think of theme as mere etudes.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/012.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/435154278?h=c03b9f0835","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100012,"order":"1"},"1200012":{"title":"Sheet Music of 'Etude in E, Op. 10, No. 3'","subtitle":"Chopin, Fr\u00e9d\u00e9ric ","description":"Chopin\u2019s Etude in E, Op. 10, No. 3, was most likely modeled after a vocal form of music. Its slow theme seems almost suitable for the human voice, and is reminiscent of Italian opera. Curiously, the melody has found its way into 20th century American pop music. When played with simplicity and understatement, this etude is one of Chopin\u2019s most beautiful. The lovely slow melody is interrupted by an animated and increasingly chromatic forceful middle section. The twelve etudes of Opus 10 were written 1829-32 (and completed when Chopin was only 22 years old). They were published in 1833. The twelve Opus 25 etudes were composed from 1832-6. They are all marvels of composition and unique in the way Chopin has managed to parcel exercises in specific technical difficulties into a fully integreted and artistic miniature of music. They are such remarkable pieces of music that it is impossible to think of theme as mere etudes.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/012.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/435154278?h=c03b9f0835","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200012,"order":"2"},"1100013":{"title":"How to Play 'Nocturne in F sharp, Op. 15, No. 2'","subtitle":"Chopin, Fr\u00e9d\u00e9ric ","description":"Chopin\u2019s Nocturnes have a special beauty which comes from their slow, elegantly expressive right melodies and the rich supporting left hand accompaniment. Chopin\u2019s Irish contemporary John Field (1782-1837) was actually the first composer to write a &quot;nocturne&quot; (a work conveying the mood of evening) for piano solo. Chopin modelled his after Field\u2019s.  In the Nocturne in F sharp, Op. 15, No. 2, Chopin begins with a Larghetto melody whose simplicity is rippled with surprising twists of brilliance. The middle section surges with increasing movement and sonority before the languid opening melody returns.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/013.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/435154346?h=490025c8ee","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100013,"order":"1"},"1200013":{"title":"Sheet Music of 'Nocturne in F sharp, Op. 15, No. 2'","subtitle":"Chopin, Fr\u00e9d\u00e9ric ","description":"Chopin\u2019s Nocturnes have a special beauty which comes from their slow, elegantly expressive right melodies and the rich supporting left hand accompaniment. Chopin\u2019s Irish contemporary John Field (1782-1837) was actually the first composer to write a &quot;nocturne&quot; (a work conveying the mood of evening) for piano solo. Chopin modelled his after Field\u2019s.  In the Nocturne in F sharp, Op. 15, No. 2, Chopin begins with a Larghetto melody whose simplicity is rippled with surprising twists of brilliance. The middle section surges with increasing movement and sonority before the languid opening melody returns.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/013.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/435154346?h=490025c8ee","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200013,"order":"2"},"1100014":{"title":"How to Play 'To The Spring, Op. 43, No. 6'","subtitle":"Grieg, Edvard","description":"Edvard Grieg\u2019s most characteristic piano writing is found in his many volumes of short works called Lyric Pieces. They reflect his strong nationalism and one can find in them the folk music of Norway. They are technically quite easy and also simply structured. To The Spring, Op. 43, No. 6, was published in 1886. It is short and very straightforward in style.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/014.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/435154420?h=5a8a9547e9","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100014,"order":"1"},"1200014":{"title":"Sheet Music of 'To The Spring, Op. 43, No. 6'","subtitle":"Grieg, Edvard","description":"Edvard Grieg\u2019s most characteristic piano writing is found in his many volumes of short works called Lyric Pieces. They reflect his strong nationalism and one can find in them the folk music of Norway. They are technically quite easy and also simply structured. To The Spring, Op. 43, No. 6, was published in 1886. It is short and very straightforward in style.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/014.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/435154420?h=5a8a9547e9","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200014,"order":"2"},"1100015":{"title":"How to Play 'March of the Dwarfs, Op. 54, No. 3'","subtitle":"Grieg, Edvard","description":"Edvard Grieg\u2019s most characteristic piano writing is found in his many volumes of short works called Lyric Pieces. They reflect his strong nationalism and one can find in them the folk music of Norway. They are technically quite easy and also simply structured. March of the Dwarfs, Op. 54, No. 3 was published in 1891. It is an amusing and quite substantial piece with a staccato bass line and exciting little swoops of melody in the right hand.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/015.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/435154498?h=89679748b0","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100015,"order":"1"},"1200015":{"title":"Sheet Music of 'March of the Dwarfs, Op. 54, No. 3'","subtitle":"Grieg, Edvard","description":"Edvard Grieg\u2019s most characteristic piano writing is found in his many volumes of short works called Lyric Pieces. They reflect his strong nationalism and one can find in them the folk music of Norway. They are technically quite easy and also simply structured. March of the Dwarfs, Op. 54, No. 3 was published in 1891. It is an amusing and quite substantial piece with a staccato bass line and exciting little swoops of melody in the right hand.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/015.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/435154498?h=89679748b0","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200015,"order":"2"},"1100016":{"title":"How to Play 'Wedding Day at Troldhaugen, Op. 65, No. 6'","subtitle":"Grieg, Edvard","description":"Edvard Grieg\u2019s most characteristic piano writing is found in his many volumes of short works called Lyric Pieces. They reflect his strong nationalism and one can find in them the folk music of Norway. They are technically quite easy and also simply structured. Wedding Day at Troldhaugen, Op. 65, No. 6 is probably the most well-known of all the Lyric Pieces. It was published in 1897 and has a sparkling melody and vigorous march-like rhythm. There is a wonderful climax with alternating chords in both hands slowy building in loudness and reaching a series of towering chordal bars before the opening theme returns.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/016.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/435154519?h=8e697fa48a","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100016,"order":"1"},"1200016":{"title":"Sheet Music of 'Wedding Day at Troldhaugen, Op. 65, No. 6'","subtitle":"Grieg, Edvard","description":"Edvard Grieg\u2019s most characteristic piano writing is found in his many volumes of short works called Lyric Pieces. They reflect his strong nationalism and one can find in them the folk music of Norway. They are technically quite easy and also simply structured. Wedding Day at Troldhaugen, Op. 65, No. 6 is probably the most well-known of all the Lyric Pieces. It was published in 1897 and has a sparkling melody and vigorous march-like rhythm. There is a wonderful climax with alternating chords in both hands slowy building in loudness and reaching a series of towering chordal bars before the opening theme returns.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/016.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/435154519?h=8e697fa48a","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200016,"order":"2"},"1100017":{"title":"How to Play 'Nocturne in E-flat, op. 9, no. 2'","subtitle":"Chopin, Fr\u00e9d\u00e9ric ","description":"Chopin\u2019s Nocturnes have a special beauty which comes from their slow, elegantly expressive right melodies and the rich supporting left hand accompaniment. Chopin\u2019s Irish contemporary John Field (1782-1837) was actually the first composer to write a &quot;nocturne&quot; (a work conveying the mood of evening) for piano solo. Chopin modelled his after Field\u2019s.  In the Nocturne in E-flat, op. 9, no. 2, Chopin repeats a melodic idea several times. The intention of this repetition is to intensify the original idea. Like many lyrical pieces of the time, this Nocturne is made up of regular eight-bar periods.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/017.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/435154556?h=ca9f303c09","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100017,"order":"1"},"1200017":{"title":"Sheet Music of 'Nocturne in E-flat, op. 9, no. 2'","subtitle":"Chopin, Fr\u00e9d\u00e9ric ","description":"Chopin\u2019s Nocturnes have a special beauty which comes from their slow, elegantly expressive right melodies and the rich supporting left hand accompaniment. Chopin\u2019s Irish contemporary John Field (1782-1837) was actually the first composer to write a &quot;nocturne&quot; (a work conveying the mood of evening) for piano solo. Chopin modelled his after Field\u2019s.  In the Nocturne in E-flat, op. 9, no. 2, Chopin repeats a melodic idea several times. The intention of this repetition is to intensify the original idea. Like many lyrical pieces of the time, this Nocturne is made up of regular eight-bar periods.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/017.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/435154556?h=ca9f303c09","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200017,"order":"2"},"1100018":{"title":"How to Play 'Nocturne in D flat, Op. 27, No. 2'","subtitle":"Chopin, Fr\u00e9d\u00e9ric ","description":"Chopin\u2019s Nocturnes have a special beauty which comes from their slow, elegantly expressive right melodies and the rich supporting left hand accompaniment. Chopin\u2019s Irish contemporary John Field (1782-1837) was actually the first composer to write a &quot;nocturne&quot; (a work conveying the mood of evening) for piano solo. Chopin modelled his after Field\u2019s.  In the Nocturne in D flat, Op. 27, No. 2, Chopin states the melody differently three times. Each time, Chopin uses musical colour to vary the effect of the melody. This technique is known as chromatic variance.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/018.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/435154602?h=61dc40c605","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100018,"order":"1"},"1200018":{"title":"Sheet Music of 'Nocturne in D flat, Op. 27, No. 2'","subtitle":"Chopin, Fr\u00e9d\u00e9ric ","description":"Chopin\u2019s Nocturnes have a special beauty which comes from their slow, elegantly expressive right melodies and the rich supporting left hand accompaniment. Chopin\u2019s Irish contemporary John Field (1782-1837) was actually the first composer to write a &quot;nocturne&quot; (a work conveying the mood of evening) for piano solo. Chopin modelled his after Field\u2019s.  In the Nocturne in D flat, Op. 27, No. 2, Chopin states the melody differently three times. Each time, Chopin uses musical colour to vary the effect of the melody. This technique is known as chromatic variance.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/018.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/435154602?h=61dc40c605","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200018,"order":"2"},"1100019":{"title":"How to Play 'Waltz in C sharp minor, Op. 64, No. 2'","subtitle":"Chopin, Fr\u00e9d\u00e9ric ","description":"In many ways, Chopin\u2019s treatment of the waltz is akin to the way Baroque composers treated the court dances of their time. The layout of the music is simple, the music elegant and charming, but the waltzes are not intended to be great artistic statements.  The Waltz in C sharp minor, Op. 64, No. 2 is very popular. It\u2019s memorable features include the sparkling right hand refrain that returns repeatedly, and a particularly moving second melody. The overall musical effect is more satisfying than most of his other waltzes. It was composed between 1846-7 and first published in 1847.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/019.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/435154654?h=6a9b044a94","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100019,"order":"1"},"1200019":{"title":"Sheet Music of 'Waltz in C sharp minor, Op. 64, No. 2'","subtitle":"Chopin, Fr\u00e9d\u00e9ric ","description":"In many ways, Chopin\u2019s treatment of the waltz is akin to the way Baroque composers treated the court dances of their time. The layout of the music is simple, the music elegant and charming, but the waltzes are not intended to be great artistic statements.  The Waltz in C sharp minor, Op. 64, No. 2 is very popular. It\u2019s memorable features include the sparkling right hand refrain that returns repeatedly, and a particularly moving second melody. The overall musical effect is more satisfying than most of his other waltzes. It was composed between 1846-7 and first published in 1847.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/019.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/435154654?h=6a9b044a94","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200019,"order":"2"},"1100020":{"title":"How to Play 'Waltz in E minor, Op. Posth.'","subtitle":"Chopin, Fr\u00e9d\u00e9ric ","description":"Chopin\u2019s Waltz in E minor, Op. Posth. is a quick a capricious piece of fluff. Its rhythmic grazioso opening theme is introduced by an arpeggio- like pattern which begins low and quickly rises four octaves. There is a lovely contrasting dolce melody before the opening theme returns and scampers to the end.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/020.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/435154678?h=3baa0f519e","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100020,"order":"1"},"1200020":{"title":"Sheet Music of 'Waltz in E minor, Op. Posth.'","subtitle":"Chopin, Fr\u00e9d\u00e9ric ","description":"Chopin\u2019s Waltz in E minor, Op. Posth. is a quick a capricious piece of fluff. Its rhythmic grazioso opening theme is introduced by an arpeggio- like pattern which begins low and quickly rises four octaves. There is a lovely contrasting dolce melody before the opening theme returns and scampers to the end.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/020.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/435154678?h=3baa0f519e","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200020,"order":"2"},"1100021":{"title":"How to Play 'Fantasie Impromptu in C sharp minor, Op. 66'","subtitle":"Chopin, Fr\u00e9d\u00e9ric ","description":"Chopin\u2019s Impromptus are not considered to be his best work because they can not match the substance of the Etudes and the Preludes. However, of the four Impromptus written by Chopin, the Fantasie- Impromptu in C sharp minor, Op. 66 is considered to be the most passionate. It was composed in 1835 (when Chopin was 25 years old) and first published 1855.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/021.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/435154705?h=012db21094","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100021,"order":"1"},"1200021":{"title":"Sheet Music of 'Fantasie Impromptu in C sharp minor, Op. 66'","subtitle":"Chopin, Fr\u00e9d\u00e9ric ","description":"Chopin\u2019s Impromptus are not considered to be his best work because they can not match the substance of the Etudes and the Preludes. However, of the four Impromptus written by Chopin, the Fantasie- Impromptu in C sharp minor, Op. 66 is considered to be the most passionate. It was composed in 1835 (when Chopin was 25 years old) and first published 1855.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/021.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/435154705?h=012db21094","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200021,"order":"2"},"1100022":{"title":"How to Play 'Prelude No. 21 in B-flat'","subtitle":"Bach, J.S","description":"Bach\u2019s Prelude No. 21 in B-flat (WTC BK 1) is a sparkling, toccata- like work with a true improvisary feeling. The left hand punctuates the beats while the right hand completes broken chords with almost tremolo speed. It is a roller coaster ride from beginning to end, with but the slightest hesitation before the final roll.  Wohltemperiertes Klavier, or Well Tempered Clavier, was published by Bach in two volumes of 24 Preludes and Fugues each. The first was released in 1722, and the second around 1740. By using all major and minor keys, this collection of works was taking advantage of a new advance in keyboard technology: tempered tuning. A &quot;tempered&quot; keyboard allowed performance in any key without retuning the instrument-- something that had previously been impossible.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/022.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/435154751?h=1976164922","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100022,"order":"1"},"1200022":{"title":"Sheet Music of 'Prelude No. 21 in B-flat'","subtitle":"Bach, J.S","description":"Bach\u2019s Prelude No. 21 in B-flat (WTC BK 1) is a sparkling, toccata- like work with a true improvisary feeling. The left hand punctuates the beats while the right hand completes broken chords with almost tremolo speed. It is a roller coaster ride from beginning to end, with but the slightest hesitation before the final roll.  Wohltemperiertes Klavier, or Well Tempered Clavier, was published by Bach in two volumes of 24 Preludes and Fugues each. The first was released in 1722, and the second around 1740. By using all major and minor keys, this collection of works was taking advantage of a new advance in keyboard technology: tempered tuning. A &quot;tempered&quot; keyboard allowed performance in any key without retuning the instrument-- something that had previously been impossible.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/022.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/435154751?h=1976164922","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200022,"order":"2"},"1100023":{"title":"How to Play 'Fugue to Bach\u2019s Prelude No. 21 in B-flat'","subtitle":"Bach, J.S","description":"This matching Fugue to Bach\u2019s Prelude No. 21 in B-flat (WTC Bk. 1) is in three voices and carries itself with thoughtful elegance. It is not technically difficult.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/023.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/435154779?h=4748a7015d","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100023,"order":"1"},"1200023":{"title":"Sheet Music of 'Fugue to Bach\u2019s Prelude No. 21 in B-flat'","subtitle":"Bach, J.S","description":"This matching Fugue to Bach\u2019s Prelude No. 21 in B-flat (WTC Bk. 1) is in three voices and carries itself with thoughtful elegance. It is not technically difficult.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/023.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/435154779?h=4748a7015d","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200023,"order":"2"},"1100024":{"title":"How to Play 'Nocturne in B, Op. 32, No. 1'","subtitle":"Chopin, Fr\u00e9d\u00e9ric ","description":"Chopin\u2019s Nocturnes have a special beauty which comes from their slow, elegantly expressive right melodies and the rich supporting left hand accompaniment. Chopin\u2019s Irish contemporary John Field (1782-1837) was actually the first composer to write a &quot;nocturne&quot; (a work conveying the mood of evening) for piano solo. Chopin modelled his after Field\u2019s. The Nocturne in B, Op. 32, No. 1 is one the most beautiful of these works. Its melody and harmony are filled with interesting inflections and mood twists. It seems to tell a story which remains a mystery almost right up to its quickly dramatic close.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/024.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/435154810?h=3480925404","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100024,"order":"1"},"1200024":{"title":"Sheet Music of 'Nocturne in B, Op. 32, No. 1'","subtitle":"Chopin, Fr\u00e9d\u00e9ric ","description":"Chopin\u2019s Nocturnes have a special beauty which comes from their slow, elegantly expressive right melodies and the rich supporting left hand accompaniment. Chopin\u2019s Irish contemporary John Field (1782-1837) was actually the first composer to write a &quot;nocturne&quot; (a work conveying the mood of evening) for piano solo. Chopin modelled his after Field\u2019s. The Nocturne in B, Op. 32, No. 1 is one the most beautiful of these works. Its melody and harmony are filled with interesting inflections and mood twists. It seems to tell a story which remains a mystery almost right up to its quickly dramatic close.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/024.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/435154810?h=3480925404","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200024,"order":"2"},"1100025":{"title":"How to Play 'Nocturne in G minor, Op. 37, No. 1'","subtitle":"Chopin, Fr\u00e9d\u00e9ric ","description":"Chopin\u2019s Nocturnes have a special beauty which comes from their slow, elegantly expressive right melodies and the rich supporting left hand accompaniment. Chopin\u2019s Irish contemporary John Field (1782-1837) was actually the first composer to write a &quot;nocturne&quot; (a work conveying the mood of evening) for piano solo. Chopin modelled his after Field\u2019s. In the Nocturne in G minor, Op. 37, No. 1, Chopin\u2019s use of a dramatic downward sweep at the beginning serves to increase the melancholy of the piece, and sets a pensive mood.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/025.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/435154853?h=8ee3da30b9","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100025,"order":"1"},"1200025":{"title":"Sheet Music of 'Nocturne in G minor, Op. 37, No. 1'","subtitle":"Chopin, Fr\u00e9d\u00e9ric ","description":"Chopin\u2019s Nocturnes have a special beauty which comes from their slow, elegantly expressive right melodies and the rich supporting left hand accompaniment. Chopin\u2019s Irish contemporary John Field (1782-1837) was actually the first composer to write a &quot;nocturne&quot; (a work conveying the mood of evening) for piano solo. Chopin modelled his after Field\u2019s. In the Nocturne in G minor, Op. 37, No. 1, Chopin\u2019s use of a dramatic downward sweep at the beginning serves to increase the melancholy of the piece, and sets a pensive mood.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/025.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/435154853?h=8ee3da30b9","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200025,"order":"2"},"1100026":{"title":"How to Play 'Nocturne in E, Op. 62, No. 2'","subtitle":"Chopin, Fr\u00e9d\u00e9ric ","description":"Chopin\u2019s Nocturnes have a special beauty which comes from their slow, elegantly expressive right melodies and the rich supporting left hand accompaniment. Chopin\u2019s Irish contemporary John Field (1782-1837) was actually the first composer to write a &quot;nocturne&quot; (a work conveying the mood of evening) for piano solo. Chopin modelled his after Field\u2019s. The Nocturne in E, Op. 62, No. 2 begins and ends with a slow sostenuto melody, sandwiching an agitated middle section.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/026.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/435154872?h=007a1ae47d","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100026,"order":"1"},"1200026":{"title":"Sheet Music of 'Nocturne in E, Op. 62, No. 2'","subtitle":"Chopin, Fr\u00e9d\u00e9ric ","description":"Chopin\u2019s Nocturnes have a special beauty which comes from their slow, elegantly expressive right melodies and the rich supporting left hand accompaniment. Chopin\u2019s Irish contemporary John Field (1782-1837) was actually the first composer to write a &quot;nocturne&quot; (a work conveying the mood of evening) for piano solo. Chopin modelled his after Field\u2019s. The Nocturne in E, Op. 62, No. 2 begins and ends with a slow sostenuto melody, sandwiching an agitated middle section.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/026.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/435154872?h=007a1ae47d","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200026,"order":"2"},"1100027":{"title":"How to Play 'Etude in A flat, Op. 25, No. 1'","subtitle":"Chopin, Fr\u00e9d\u00e9ric ","description":"The melody of Chopin\u2019s Etude in A flat, Op. 25, No. 1 is revealed in a series of scintillating arpeggios. This demonstrates Chopin\u2019s talent for creating melody out of harmonies.  The twelve etudes of Opus 10 were written 1829-32 (and completed when Chopin was only 22 years old). They were published in 1833. The twelve Opus 25 etudes were composed from 1832-6. They are all marvels of composition and unique in the way Chopin has managed to parcel exercises in specific technical difficulties into a fully integreted and artistic miniature of music. They are such remarkable pieces of music that it is impossible to think of theme as mere etudes.  ","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/027.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/435154901?h=f235c680be","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100027,"order":"1"},"1200027":{"title":"Sheet Music of 'Etude in A flat, Op. 25, No. 1'","subtitle":"Chopin, Fr\u00e9d\u00e9ric ","description":"The melody of Chopin\u2019s Etude in A flat, Op. 25, No. 1 is revealed in a series of scintillating arpeggios. This demonstrates Chopin\u2019s talent for creating melody out of harmonies.  The twelve etudes of Opus 10 were written 1829-32 (and completed when Chopin was only 22 years old). They were published in 1833. The twelve Opus 25 etudes were composed from 1832-6. They are all marvels of composition and unique in the way Chopin has managed to parcel exercises in specific technical difficulties into a fully integreted and artistic miniature of music. They are such remarkable pieces of music that it is impossible to think of theme as mere etudes.  ","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/027.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/435154901?h=f235c680be","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200027,"order":"2"},"1100028":{"title":"How to Play 'Etude in G sharp minor, Op. 25, No. 6'","subtitle":"Chopin, Fr\u00e9d\u00e9ric ","description":"Chopin\u2019s Etude in G sharp minor, Op. 25, No. 6 is considered by most pianists to be very difficult because it contains liberal use of parallel thirds. The twelve etudes of Opus 10 were written 1829-32 (and completed when Chopin was only 22 years old). They were published in 1833. The twelve Opus 25 etudes were composed from 1832-6. They are all marvels of composition and unique in the way Chopin has managed to parcel exercises in specific technical difficulties into a fully integreted and artistic miniature of music. They are such remarkable pieces of music that it is impossible to think of theme as mere etudes. ","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/028.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/435154936?h=ced0801438","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100028,"order":"1"},"1200028":{"title":"Sheet Music of 'Etude in G sharp minor, Op. 25, No. 6'","subtitle":"Chopin, Fr\u00e9d\u00e9ric ","description":"Chopin\u2019s Etude in G sharp minor, Op. 25, No. 6 is considered by most pianists to be very difficult because it contains liberal use of parallel thirds. The twelve etudes of Opus 10 were written 1829-32 (and completed when Chopin was only 22 years old). They were published in 1833. The twelve Opus 25 etudes were composed from 1832-6. They are all marvels of composition and unique in the way Chopin has managed to parcel exercises in specific technical difficulties into a fully integreted and artistic miniature of music. They are such remarkable pieces of music that it is impossible to think of theme as mere etudes. ","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/028.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/435154936?h=ced0801438","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200028,"order":"2"},"1100029":{"title":"How to Play 'Etude in C minor, Op. 10, No. 12'","subtitle":"Chopin, Fr\u00e9d\u00e9ric ","description":"The dramatic, surging scales of Chopin\u2019s Etude in C minor, Op. 10, No. 12 (the &quot;Revolutionary&quot;) are intended to incite revolutionary feelings. It was written soon after the Russians took Poland in 1831. The study expresses first Chopin\u2019s sadness, then his anger at the cature of his homeland. The twelve etudes of Opus 10 were written 1829-32 (and completed when Chopin was only 22 years old). They were published in 1833. The twelve Opus 25 etudes were composed from 1832-6. They are all marvels of composition and unique in the way Chopin has managed to parcel exercises in specific technical difficulties into a fully integreted and artistic miniature of music. They are such remarkable pieces of music that it is impossible to think of theme as mere etudes. ","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/029.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/435154978?h=bf8d897f1c","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100029,"order":"1"},"1200029":{"title":"Sheet Music of 'Etude in C minor, Op. 10, No. 12'","subtitle":"Chopin, Fr\u00e9d\u00e9ric ","description":"The dramatic, surging scales of Chopin\u2019s Etude in C minor, Op. 10, No. 12 (the &quot;Revolutionary&quot;) are intended to incite revolutionary feelings. It was written soon after the Russians took Poland in 1831. The study expresses first Chopin\u2019s sadness, then his anger at the cature of his homeland. The twelve etudes of Opus 10 were written 1829-32 (and completed when Chopin was only 22 years old). They were published in 1833. The twelve Opus 25 etudes were composed from 1832-6. They are all marvels of composition and unique in the way Chopin has managed to parcel exercises in specific technical difficulties into a fully integreted and artistic miniature of music. They are such remarkable pieces of music that it is impossible to think of theme as mere etudes. ","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/029.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/435154978?h=bf8d897f1c","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200029,"order":"2"},"1100030":{"title":"How to Play 'Etude in C sharp minor, Op. 25, No. 7'","subtitle":"Chopin, Fr\u00e9d\u00e9ric ","description":"Chopin\u2019s Etude in C sharp minor, Op. 25, No. 7 is often referred to as the &quot;Cello Etude&quot;. The left hand plays a broad melody, while another makes its entrance in the right hand. The effect of this is a beautiful interplay between the two themes. The twelve etudes of Opus 10 were written 1829-32 (and completed when Chopin was only 22 years old). They were published in 1833. The twelve Opus 25 etudes were composed from 1832-6. They are all marvels of composition and unique in the way Chopin has managed to parcel exercises in specific technical difficulties into a fully integreted and artistic miniature of music. They are such remarkable pieces of music that it is impossible to think of theme as mere etudes.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/030.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/435155009?h=2d10530ae4","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100030,"order":"1"},"1200030":{"title":"Sheet Music of 'Etude in C sharp minor, Op. 25, No. 7'","subtitle":"Chopin, Fr\u00e9d\u00e9ric ","description":"Chopin\u2019s Etude in C sharp minor, Op. 25, No. 7 is often referred to as the &quot;Cello Etude&quot;. The left hand plays a broad melody, while another makes its entrance in the right hand. The effect of this is a beautiful interplay between the two themes. The twelve etudes of Opus 10 were written 1829-32 (and completed when Chopin was only 22 years old). They were published in 1833. The twelve Opus 25 etudes were composed from 1832-6. They are all marvels of composition and unique in the way Chopin has managed to parcel exercises in specific technical difficulties into a fully integreted and artistic miniature of music. They are such remarkable pieces of music that it is impossible to think of theme as mere etudes.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/030.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/435155009?h=2d10530ae4","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200030,"order":"2"},"1100031":{"title":"How to Play 'Intermezzo in A major, Op.118, No. 2'","subtitle":"Brahms, Johannes","description":"Some of the most moving works of Brahms\u2019 distinguished composing career are the short piano works he wrote late in his life. The six pieces Opus 118 were composed in 1892 when Brahms was 59 years old. No. 2, the Intermezzo in A major has endearing sentiment, and a feeling of sweet sadness. It has one of the composer\u2019s most memorable singing melodies.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/031.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/435155048?h=61c1524f8c","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100031,"order":"1"},"1200031":{"title":"Sheet Music of 'Intermezzo in A major, Op.118, No. 2'","subtitle":"Brahms, Johannes","description":"Some of the most moving works of Brahms\u2019 distinguished composing career are the short piano works he wrote late in his life. The six pieces Opus 118 were composed in 1892 when Brahms was 59 years old. No. 2, the Intermezzo in A major has endearing sentiment, and a feeling of sweet sadness. It has one of the composer\u2019s most memorable singing melodies.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/031.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/435155048?h=61c1524f8c","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200031,"order":"2"},"1100032":{"title":"How to Play 'Ballade in G minor, Op.118, No. 3'","subtitle":"Brahms, Johannes","description":"Some of the most moving works of Brahms\u2019 distinguished composing career are the short piano works he wrote late in his life. The six pieces Opus 118 were composed in 1892 when Brahms was 59 years old. No. 3, the Ballade in G minor has an exciting chordal opening theme and a lovely duet-like middle section.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/032.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/435155095?h=25f1ca797d","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100032,"order":"1"},"1200032":{"title":"Sheet Music of 'Ballade in G minor, Op.118, No. 3'","subtitle":"Brahms, Johannes","description":"Some of the most moving works of Brahms\u2019 distinguished composing career are the short piano works he wrote late in his life. The six pieces Opus 118 were composed in 1892 when Brahms was 59 years old. No. 3, the Ballade in G minor has an exciting chordal opening theme and a lovely duet-like middle section.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/032.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/435155095?h=25f1ca797d","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200032,"order":"2"},"1100033":{"title":"How to Play 'Intermezzo in E flat minor, Op.118, No. 6'","subtitle":"Brahms, Johannes","description":"Some of the most moving works of Brahms\u2019 distinguished composing career are the short piano works he wrote late in his life. The six pieces Opus 118 were composed in 1892 when Brahms was 59 years old. No. 6, the Intermezzo in E flat minor is filled with mystery and wonderful pianistic shadings. It builds to a powerful climax.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/033.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510532550?h=c1bdbe309c","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100033,"order":"1"},"1200033":{"title":"Sheet Music of 'Intermezzo in E flat minor, Op.118, No. 6'","subtitle":"Brahms, Johannes","description":"Some of the most moving works of Brahms\u2019 distinguished composing career are the short piano works he wrote late in his life. The six pieces Opus 118 were composed in 1892 when Brahms was 59 years old. No. 6, the Intermezzo in E flat minor is filled with mystery and wonderful pianistic shadings. It builds to a powerful climax.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/033.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510532550?h=c1bdbe309c","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200033,"order":"2"},"1100034":{"title":"How to Play 'Andante & Rondo Capriciosso, Op. 14'","subtitle":"Mendelssohn, Felix","description":"The Andante & Rondo Capriciosso, Op. 14, with its wide variety of technical challenges is one of Mendelssohn\u2019s most familiar works. The Rondo is in a scherzo style, and a barrage of staccatos in 6\/8 time. It is an excellent example of Mendelssohn\u2019s clear keyboard writing style. The work was published in 1833 although likely composed much earlier. ","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/034.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/437289867?h=a2d5c347a6","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100034,"order":"1"},"1200034":{"title":"Sheet Music of 'Andante & Rondo Capriciosso, Op. 14'","subtitle":"Mendelssohn, Felix","description":"The Andante & Rondo Capriciosso, Op. 14, with its wide variety of technical challenges is one of Mendelssohn\u2019s most familiar works. The Rondo is in a scherzo style, and a barrage of staccatos in 6\/8 time. It is an excellent example of Mendelssohn\u2019s clear keyboard writing style. The work was published in 1833 although likely composed much earlier. ","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/034.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/437289867?h=a2d5c347a6","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200034,"order":"2"},"1100035":{"title":"How to Play 'Three Gymnopedies (1888), No. 1'","subtitle":"Satie, Erik","description":"Of Erik Satie\u2019s Three Gymnopedies (1888), No. 1 seems to convey a mood of innocent wonder, in spite of its performance indication of &quot;slowly and mournfully&quot;. All of the Gymnopedies are curiously calming. One smiles at Satie\u2019s footnote to the title calling them &quot;ceremonial choral dances performed at ancient Greek festivals&quot;. Erik Satie (1866-1925) seems to have been as enigmatic as his music. A contemporary of Debussy (who he met in 1890), his economical writing style, featuring simple melody and often unresolved harmonies, became trendy among young Parisian composers beginning around 1910. An interesting listen is Debussy\u2019s orchestral arrangement of the Gymnopedies.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/035.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/437289921?h=8361e35dde","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100035,"order":"1"},"1200035":{"title":"Sheet Music of 'Three Gymnopedies (1888), No. 1'","subtitle":"Satie, Erik","description":"Of Erik Satie\u2019s Three Gymnopedies (1888), No. 1 seems to convey a mood of innocent wonder, in spite of its performance indication of &quot;slowly and mournfully&quot;. All of the Gymnopedies are curiously calming. One smiles at Satie\u2019s footnote to the title calling them &quot;ceremonial choral dances performed at ancient Greek festivals&quot;. Erik Satie (1866-1925) seems to have been as enigmatic as his music. A contemporary of Debussy (who he met in 1890), his economical writing style, featuring simple melody and often unresolved harmonies, became trendy among young Parisian composers beginning around 1910. An interesting listen is Debussy\u2019s orchestral arrangement of the Gymnopedies.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/035.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/437289921?h=8361e35dde","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200035,"order":"2"},"1100036":{"title":"How to Play 'Three Gymnopedies (1888), No. 2'","subtitle":"Satie, Erik","description":"The instructions for Erik Satie\u2019s Gymnopedie No. 2 are &quot;slowly and sadly&quot;, perhaps befitting the &quot;ceremonial choral dances performed at ancient Greek festivals&quot; known as the Three Gymnopedies (1888). Erik Satie (1866-1925) seems to have been as enigmatic as his music. A contemporary of Debussy (who he met in 1890), his economical writing style, featuring simple melody and often unresolved harmonies, became trendy among young Parisian composers beginning around 1910. An interesting listen is Debussy\u2019s orchestral arrangement of the Gymnopedies.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/036.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/437292292?h=51fcfd40e4","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100036,"order":"1"},"1200036":{"title":"Sheet Music of 'Three Gymnopedies (1888), No. 2'","subtitle":"Satie, Erik","description":"The instructions for Erik Satie\u2019s Gymnopedie No. 2 are &quot;slowly and sadly&quot;, perhaps befitting the &quot;ceremonial choral dances performed at ancient Greek festivals&quot; known as the Three Gymnopedies (1888). Erik Satie (1866-1925) seems to have been as enigmatic as his music. A contemporary of Debussy (who he met in 1890), his economical writing style, featuring simple melody and often unresolved harmonies, became trendy among young Parisian composers beginning around 1910. An interesting listen is Debussy\u2019s orchestral arrangement of the Gymnopedies.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/036.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/437292292?h=51fcfd40e4","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200036,"order":"2"},"1100037":{"title":"How to Play 'Three Gymnopedies (1888), No. 3'","subtitle":"Satie, Erik","description":"Of Erik Satie\u2019s Three Gymnopedies (1888), No. 3 seems the purest and simplest because of its lack of any sharps or flats. It is marked &quot;slowly and solemnly&quot; and calming sings it way through the white keys of the piano. Like the other Gymnopedies, it has a hypnotic, bare bones left hand accompaniment. Erik Satie (1866-1925) seems to have been as enigmatic as his music. A contemporary of Debussy (who he met in 1890), his economical writing style, featuring simple melody and often unresolved harmonies, became trendy among young Parisian composers beginning around 1910. An interesting listen is Debussy\u2019s orchestral arrangement of the Gymnopedies.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/037.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/437290093?h=4fa78d59e3","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100037,"order":"1"},"1200037":{"title":"Sheet Music of 'Three Gymnopedies (1888), No. 3'","subtitle":"Satie, Erik","description":"Of Erik Satie\u2019s Three Gymnopedies (1888), No. 3 seems the purest and simplest because of its lack of any sharps or flats. It is marked &quot;slowly and solemnly&quot; and calming sings it way through the white keys of the piano. Like the other Gymnopedies, it has a hypnotic, bare bones left hand accompaniment. Erik Satie (1866-1925) seems to have been as enigmatic as his music. A contemporary of Debussy (who he met in 1890), his economical writing style, featuring simple melody and often unresolved harmonies, became trendy among young Parisian composers beginning around 1910. An interesting listen is Debussy\u2019s orchestral arrangement of the Gymnopedies.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/037.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/437290093?h=4fa78d59e3","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200037,"order":"2"},"1100038":{"title":"How to Play 'Album for the Young, Op. 39, Waltz (No. 8)'","subtitle":"Tchaikovsky, Pyotr Ilyich","description":"Aside from his Piano Concerto, little of Tchaikovsky\u2019s piano music is heard these days. Unfortunately, the master of orchestral ballets never garnered a reputation as a pianist and his output has been largely ignored by performers. However, he did compose marvellous and charming little pieces for children which offer the appealing qualities of his music without the difficulty. The Album for the Young, Op. 39, made up of 24 little piano pieces, was composed in 1878. Waltz (No. 8) is a moderately fast with momentum and energy typical of some of his finer ballet waltzes.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/038.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/437290170?h=00082e7912","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100038,"order":"1"},"1200038":{"title":"Sheet Music of 'Album for the Young, Op. 39, Waltz (No. 8)'","subtitle":"Tchaikovsky, Pyotr Ilyich","description":"Aside from his Piano Concerto, little of Tchaikovsky\u2019s piano music is heard these days. Unfortunately, the master of orchestral ballets never garnered a reputation as a pianist and his output has been largely ignored by performers. However, he did compose marvellous and charming little pieces for children which offer the appealing qualities of his music without the difficulty. The Album for the Young, Op. 39, made up of 24 little piano pieces, was composed in 1878. Waltz (No. 8) is a moderately fast with momentum and energy typical of some of his finer ballet waltzes.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/038.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/437290170?h=00082e7912","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200038,"order":"2"},"1100039":{"title":"How to Play 'Album for the Young, Op. 39, Song of the Lark (No. 22)'","subtitle":"Tchaikovsky, Pyotr Ilyich","description":"Aside from his Piano Concerto, little of Tchaikovsky\u2019s piano music is heard these days. Unfortunately, the master of orchestral ballets never garnered a reputation as a pianist and his output has been largely ignored by performers. However, he did compose marvellous and charming little pieces for children which offer the appealing qualities of his music without the difficulty. The Album for the Young, Op. 39, made up of 24 little piano pieces, was composed in 1878. Song of the Lark (No. 22) is characterized by a scampering little triplet &quot;trill&quot; figure and bright staccatos in the right hand. The harmonies and the music are happy. ","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/039.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/437290245?h=9246f60e73","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100039,"order":"1"},"1200039":{"title":"Sheet Music of 'Album for the Young, Op. 39, Song of the Lark (No. 22)'","subtitle":"Tchaikovsky, Pyotr Ilyich","description":"Aside from his Piano Concerto, little of Tchaikovsky\u2019s piano music is heard these days. Unfortunately, the master of orchestral ballets never garnered a reputation as a pianist and his output has been largely ignored by performers. However, he did compose marvellous and charming little pieces for children which offer the appealing qualities of his music without the difficulty. The Album for the Young, Op. 39, made up of 24 little piano pieces, was composed in 1878. Song of the Lark (No. 22) is characterized by a scampering little triplet &quot;trill&quot; figure and bright staccatos in the right hand. The harmonies and the music are happy. ","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/039.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/437290245?h=9246f60e73","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200039,"order":"2"},"1100040":{"title":"How to Play 'Album for the Young, Op. 39, Sweet Dream (No. 21)'","subtitle":"Tchaikovsky, Pyotr Ilyich","description":"Aside from his Piano Concerto, little of Tchaikovsky\u2019s piano music is heard these days. Unfortunately, the master of orchestral ballets never garnered a reputation as a pianist and his output has been largely ignored by performers. However, he did compose marvellous and charming little pieces for children which offer the appealing qualities of his music without the difficulty. The Album for the Young, Op. 39, made up of 24 little piano pieces, was composed in 1878. Sweet Dream (No. 21) is marked with the indication &quot;with great feeling&quot;. The melody surges forward with insistent support from the harmonies. There is a nice touch of that typical Russian bitter sweetness.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/040.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/437290316?h=59c60dfd55","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100040,"order":"1"},"1200040":{"title":"Sheet Music of 'Album for the Young, Op. 39, Sweet Dream (No. 21)'","subtitle":"Tchaikovsky, Pyotr Ilyich","description":"Aside from his Piano Concerto, little of Tchaikovsky\u2019s piano music is heard these days. Unfortunately, the master of orchestral ballets never garnered a reputation as a pianist and his output has been largely ignored by performers. However, he did compose marvellous and charming little pieces for children which offer the appealing qualities of his music without the difficulty. The Album for the Young, Op. 39, made up of 24 little piano pieces, was composed in 1878. Sweet Dream (No. 21) is marked with the indication &quot;with great feeling&quot;. The melody surges forward with insistent support from the harmonies. There is a nice touch of that typical Russian bitter sweetness.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/040.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/437290316?h=59c60dfd55","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200040,"order":"2"},"1100041":{"title":"How to Play 'Album for the Young, Op. 39, Neapolitan Song (No. 18)'","subtitle":"Tchaikovsky, Pyotr Ilyich","description":"Aside from his Piano Concerto, little of Tchaikovsky\u2019s piano music is heard these days. Unfortunately, the master of orchestral ballets never garnered a reputation as a pianist and his output has been largely ignored by performers. However, he did compose marvellous and charming little pieces for children which offer the appealing qualities of his music without the difficulty. The Album for the Young, Op. 39, made up of 24 little piano pieces, was composed in 1878. Neapolitan Song (No. 18), with its carefree little left hand staccato chord accompaniment, seems a little silly by modern tastes. With the right attitude, you\u2019ll find it a sunny little charmer.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/041.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/437290354?h=8084a073a5","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100041,"order":"1"},"1200041":{"title":"Sheet Music of 'Album for the Young, Op. 39, Neapolitan Song (No. 18)'","subtitle":"Tchaikovsky, Pyotr Ilyich","description":"Aside from his Piano Concerto, little of Tchaikovsky\u2019s piano music is heard these days. Unfortunately, the master of orchestral ballets never garnered a reputation as a pianist and his output has been largely ignored by performers. However, he did compose marvellous and charming little pieces for children which offer the appealing qualities of his music without the difficulty. The Album for the Young, Op. 39, made up of 24 little piano pieces, was composed in 1878. Neapolitan Song (No. 18), with its carefree little left hand staccato chord accompaniment, seems a little silly by modern tastes. With the right attitude, you\u2019ll find it a sunny little charmer.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/041.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/437290354?h=8084a073a5","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200041,"order":"2"},"1100042":{"title":"How to Play 'Album for the Young, Op. 39, Old French Song (No. 16)'","subtitle":"Tchaikovsky, Pyotr Ilyich","description":"Aside from his Piano Concerto, little of Tchaikovsky\u2019s piano music is heard these days. Unfortunately, the master of orchestral ballets never garnered a reputation as a pianist and his output has been largely ignored by performers. However, he did compose marvellous and charming little pieces for children which offer the appealing qualities of his music without the difficulty. The Album for the Young, Op. 39, made up of 24 little piano pieces, was composed in 1878. Old French Song (No. 16) is well known to students of the Suzuki Method of music instruction. An arrangement of this lovely melody is one of the first pieces any Suzuki student learns. There is a touch of sadness to the music and some lovely counter melodies in the left hand.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/042.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/437290406?h=ee8bb65394","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100042,"order":"1"},"1200042":{"title":"Sheet Music of 'Album for the Young, Op. 39, Old French Song (No. 16)'","subtitle":"Tchaikovsky, Pyotr Ilyich","description":"Aside from his Piano Concerto, little of Tchaikovsky\u2019s piano music is heard these days. Unfortunately, the master of orchestral ballets never garnered a reputation as a pianist and his output has been largely ignored by performers. However, he did compose marvellous and charming little pieces for children which offer the appealing qualities of his music without the difficulty. The Album for the Young, Op. 39, made up of 24 little piano pieces, was composed in 1878. Old French Song (No. 16) is well known to students of the Suzuki Method of music instruction. An arrangement of this lovely melody is one of the first pieces any Suzuki student learns. There is a touch of sadness to the music and some lovely counter melodies in the left hand.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/042.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/437290406?h=ee8bb65394","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200042,"order":"2"},"1100043":{"title":"How to Play 'Album for the Young, Op. 39, Mazurka (No. 10)'","subtitle":"Tchaikovsky, Pyotr Ilyich","description":"Aside from his Piano Concerto, little of Tchaikovsky\u2019s piano music is heard these days. Unfortunately, the master of orchestral ballets never garnered a reputation as a pianist and his output has been largely ignored by performers. However, he did compose marvellous and charming little pieces for children which offer the appealing qualities of his music without the difficulty. The Album for the Young, Op. 39, made up of 24 little piano pieces, was composed in 1878. Mazurka (No. 10) has the typical rhythm and touch of sadness of the Polish dance.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/043.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/437290456?h=b82c84edbb","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100043,"order":"1"},"1200043":{"title":"Sheet Music of 'Album for the Young, Op. 39, Mazurka (No. 10)'","subtitle":"Tchaikovsky, Pyotr Ilyich","description":"Aside from his Piano Concerto, little of Tchaikovsky\u2019s piano music is heard these days. Unfortunately, the master of orchestral ballets never garnered a reputation as a pianist and his output has been largely ignored by performers. However, he did compose marvellous and charming little pieces for children which offer the appealing qualities of his music without the difficulty. The Album for the Young, Op. 39, made up of 24 little piano pieces, was composed in 1878. Mazurka (No. 10) has the typical rhythm and touch of sadness of the Polish dance.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/043.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/437290456?h=b82c84edbb","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200043,"order":"2"},"1100044":{"title":"How to Play 'Prelude in C sharp minor, Op. 3, No. 2'","subtitle":"Rachmaninov, Sergei","description":"Serge Rachmaninov (1873-1843) is known today not only for his compositions but for his reputation as one of the finest pianists of the 20th century. His music is in the tradition of the Romantic period. There are clear, memorable melodies and chromatic yet accessible harmonies. His Prelude in C sharp minor, Op. 3, No. 2 is one of his most opular short works. Its dramatic opening and towering chords envelope exciting passage work.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/044.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/437290514?h=a67e8cb7bf","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100044,"order":"1"},"1200044":{"title":"Sheet Music of 'Prelude in C sharp minor, Op. 3, No. 2'","subtitle":"Rachmaninov, Sergei","description":"Serge Rachmaninov (1873-1843) is known today not only for his compositions but for his reputation as one of the finest pianists of the 20th century. His music is in the tradition of the Romantic period. There are clear, memorable melodies and chromatic yet accessible harmonies. His Prelude in C sharp minor, Op. 3, No. 2 is one of his most opular short works. Its dramatic opening and towering chords envelope exciting passage work.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/044.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/437290514?h=a67e8cb7bf","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200044,"order":"2"},"1100045":{"title":"How to Play 'Waltz in A flat, Op. 39, No. 15'","subtitle":"Brahms, Johannes","description":"Brahms\u2019 Waltz in A flat, Op. 3, No. 15, was published in September 1866 as part of Waltzer fuer das Pianoforte zu vier Haenden. The waltzes were composed in 1865.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/045.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/437290565?h=680626924a","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100045,"order":"1"},"1200045":{"title":"Sheet Music of 'Waltz in A flat, Op. 39, No. 15'","subtitle":"Brahms, Johannes","description":"Brahms\u2019 Waltz in A flat, Op. 3, No. 15, was published in September 1866 as part of Waltzer fuer das Pianoforte zu vier Haenden. The waltzes were composed in 1865.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/045.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/437290565?h=680626924a","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200045,"order":"2"},"1100046":{"title":"How to Play 'The Engulfed Cathedral'","subtitle":"Debussy, Claude","description":"La cathedrale engloutie (The Engulfed Cathedral), from Book One of Debussy\u2019s Preludes, is drawn from the world of legend. It is probably inspired by the story of the legendary kingdom of Ys, a tale which Edouard Lalo expanded and turned into his opera Le Roi d\u2019Ys. Debussy uses a series of parallel fifths and octaves to give a mystical feeling. An undulating motive in the piano\u2019s lower register suggests swirling waters. With a mighty surge the cathedral rises out of the sea. Chantlike melody is heard before the cathedral returns to its watery home. Debussy\u2019s Preludes are made up of two books of short pieces, the first book composed in 1910 and the second from 1910-13. They are fine examples of the composer\u2019s ability to vividly describe things of both real and imaginary worlds in music. Preludes were a popular type of piano composition from the Romantic period onwards. Inspired by the Preludes and Fugues by J.S. Bach, the Prelude became a complete piece (rather than an introduction to something else). Composers such as Chopin, Debussy and Rachmaninov wrote many examples of these descriptive gems.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/046.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/437290626?h=dbf328a251","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100046,"order":"1"},"1200046":{"title":"Sheet Music of 'The Engulfed Cathedral'","subtitle":"Debussy, Claude","description":"La cathedrale engloutie (The Engulfed Cathedral), from Book One of Debussy\u2019s Preludes, is drawn from the world of legend. It is probably inspired by the story of the legendary kingdom of Ys, a tale which Edouard Lalo expanded and turned into his opera Le Roi d\u2019Ys. Debussy uses a series of parallel fifths and octaves to give a mystical feeling. An undulating motive in the piano\u2019s lower register suggests swirling waters. With a mighty surge the cathedral rises out of the sea. Chantlike melody is heard before the cathedral returns to its watery home. Debussy\u2019s Preludes are made up of two books of short pieces, the first book composed in 1910 and the second from 1910-13. They are fine examples of the composer\u2019s ability to vividly describe things of both real and imaginary worlds in music. Preludes were a popular type of piano composition from the Romantic period onwards. Inspired by the Preludes and Fugues by J.S. Bach, the Prelude became a complete piece (rather than an introduction to something else). Composers such as Chopin, Debussy and Rachmaninov wrote many examples of these descriptive gems.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/046.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/437290626?h=dbf328a251","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200046,"order":"2"},"1100047":{"title":"How to Play 'Reverie'","subtitle":"Debussy, Claude","description":"Debussy was one of the finest composers of piano music. Reverie, written in 1890 when the composer was 28 years old, is hardly one of his most serious works. But its beautiful and soothing melody has moved many hearts. Many people are familiar with the orchestral arrangement.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/047.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/437290683?h=381fc03245","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100047,"order":"1"},"1200047":{"title":"Sheet Music of 'Reverie'","subtitle":"Debussy, Claude","description":"Debussy was one of the finest composers of piano music. Reverie, written in 1890 when the composer was 28 years old, is hardly one of his most serious works. But its beautiful and soothing melody has moved many hearts. Many people are familiar with the orchestral arrangement.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/047.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/437290683?h=381fc03245","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200047,"order":"2"},"1100048":{"title":"How to Play 'Ten Woodland Sketches, Op. 51, To a Wild Rose'","subtitle":"MacDowell, Edward","description":"&quot;To a Wild Rose&quot; is the first piece from Woodland Sketches, Op. 51, by the American composer Edward MacDowell. It was completed in 1896 and first published by Breitkopf and H\u00e4rtel. Alan Levy, the critic and biographer, wrote: Marian recalled how her husband would regularly write a few measures during breakfast \u2014 &quot;like exercise&quot; \u2014 before going off to the cabin. Normally, MacDowell discarded such fragments, and this particular morning he crumpled the paper and tossed it at the fireplace. He happened to miss the target, however, and rather than summarily throwing it away, Marian later picked up the paper, uncrumpled it, and looked it over. She played it at the piano and decided to keep it. When Edward later returned from the cabin she showed it to him and said: &quot;This is a charming little melody.&quot; Edward looked at it anew and agreed, &quot;It is not bad \u2014 very simple. It makes me think of wild roses near the cabin.&quot;. The composer's love for roses was so great that he was buried under a boulder, around which many rose plants grew.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/048.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/437290762?h=143e372b11","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100048,"order":"1"},"1200048":{"title":"Sheet Music of 'Ten Woodland Sketches, Op. 51, To a Wild Rose'","subtitle":"MacDowell, Edward","description":"&quot;To a Wild Rose&quot; is the first piece from Woodland Sketches, Op. 51, by the American composer Edward MacDowell. It was completed in 1896 and first published by Breitkopf and H\u00e4rtel. Alan Levy, the critic and biographer, wrote: Marian recalled how her husband would regularly write a few measures during breakfast \u2014 &quot;like exercise&quot; \u2014 before going off to the cabin. Normally, MacDowell discarded such fragments, and this particular morning he crumpled the paper and tossed it at the fireplace. He happened to miss the target, however, and rather than summarily throwing it away, Marian later picked up the paper, uncrumpled it, and looked it over. She played it at the piano and decided to keep it. When Edward later returned from the cabin she showed it to him and said: &quot;This is a charming little melody.&quot; Edward looked at it anew and agreed, &quot;It is not bad \u2014 very simple. It makes me think of wild roses near the cabin.&quot;. The composer's love for roses was so great that he was buried under a boulder, around which many rose plants grew.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/048.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/437290762?h=143e372b11","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200048,"order":"2"},"1100049":{"title":"How to Play 'Prelude in A, op. 28, no. 7'","subtitle":"Chopin, Fr\u00e9d\u00e9ric ","description":"The twenty-four Preludes were composed from 1836-9 and first published in 1839. Like Bach\u2019s Preludes from the Well-Tempered Clavier (upon which these were modelled), Chopin composed one in each major and minor key. Often the prelude is based on a single idea, sometimes only a motive. They are true romantic miniatures, each pointedly expressing a feeling or idea. They work as individual pieces, but when played as a set, they display a true, cohesive emotional spectrum of the highest artistry. The Prelude in A, op. 28, no. 7 is the shortest of the set, lasting only 16 short bars. Its very brevity makes it a challenge to interpret.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/049.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/437290786?h=b613f5bb20","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100049,"order":"1"},"1200049":{"title":"Sheet Music of 'Prelude in A, op. 28, no. 7'","subtitle":"Chopin, Fr\u00e9d\u00e9ric ","description":"The twenty-four Preludes were composed from 1836-9 and first published in 1839. Like Bach\u2019s Preludes from the Well-Tempered Clavier (upon which these were modelled), Chopin composed one in each major and minor key. Often the prelude is based on a single idea, sometimes only a motive. They are true romantic miniatures, each pointedly expressing a feeling or idea. They work as individual pieces, but when played as a set, they display a true, cohesive emotional spectrum of the highest artistry. The Prelude in A, op. 28, no. 7 is the shortest of the set, lasting only 16 short bars. Its very brevity makes it a challenge to interpret.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/049.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/437290786?h=b613f5bb20","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200049,"order":"2"},"1100050":{"title":"How to Play 'Prelude in D flat, op. 28, no. 15'","subtitle":"Chopin, Fr\u00e9d\u00e9ric ","description":"The twenty-four Preludes were composed from 1836-9 and first published in 1839. Like Bach\u2019s Preludes from the Well-Tempered Clavier (upon which these were modelled), Chopin composed one in each major and minor key. Often the prelude is based on a single idea, sometimes only a motive. They are true romantic miniatures, each pointedly expressing a feeling or idea. They work as individual pieces, but when played as a set, they display a true, cohesive emotional spectrum of the highest artistry. The dripping of rain outside his study window is supposed to have given Chopin the idea for the repeated notes in his Prelude in D flat, op. 28, no. 15 (the &quot;Raindrop&quot;). The repeated notes of this Prelude suggest the steady drumming of raindrops on the roof. Listen for the passages representing the storm\u2019s rolling thunder. The piece was written in Majorca in 1838.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/050.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/437290810?h=49c6905a97","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100050,"order":"1"},"1200050":{"title":"Sheet Music of 'Prelude in D flat, op. 28, no. 15'","subtitle":"Chopin, Fr\u00e9d\u00e9ric ","description":"The twenty-four Preludes were composed from 1836-9 and first published in 1839. Like Bach\u2019s Preludes from the Well-Tempered Clavier (upon which these were modelled), Chopin composed one in each major and minor key. Often the prelude is based on a single idea, sometimes only a motive. They are true romantic miniatures, each pointedly expressing a feeling or idea. They work as individual pieces, but when played as a set, they display a true, cohesive emotional spectrum of the highest artistry. The dripping of rain outside his study window is supposed to have given Chopin the idea for the repeated notes in his Prelude in D flat, op. 28, no. 15 (the &quot;Raindrop&quot;). The repeated notes of this Prelude suggest the steady drumming of raindrops on the roof. Listen for the passages representing the storm\u2019s rolling thunder. The piece was written in Majorca in 1838.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/050.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/437290810?h=49c6905a97","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200050,"order":"2"},"1100051":{"title":"How to Play 'Fantasy in D minor, K. 397'","subtitle":"Mozart, Amadeus","description":"Mozart\u2019s Fantasy in D minor, K. 397 is considered one of the composer\u2019s finest works for piano. It is not technically difficult to play. The beauty of this work is in the many contrasts of mood that Mozart achieves.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/051.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/437290837?h=42416afd49","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100051,"order":"1"},"1200051":{"title":"Sheet Music of 'Fantasy in D minor, K. 397'","subtitle":"Mozart, Amadeus","description":"Mozart\u2019s Fantasy in D minor, K. 397 is considered one of the composer\u2019s finest works for piano. It is not technically difficult to play. The beauty of this work is in the many contrasts of mood that Mozart achieves.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/051.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/437290837?h=42416afd49","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200051,"order":"2"},"1100052":{"title":"How to Play 'The Flight of the Bumble Bee'","subtitle":"Rimsky-Korsakov, Nikolai","description":"There have been many arrangements of The Flight of the Bumble Bee, originally an orchestral interlude in Rimsky-Korsakov\u2019s opera The Legend of Tsar Saltan (1900) but achieving more fame than the opera ever did. Composers and performers have since relished its potential as a virtuoso showpiece for all kinds of instruments. Rachmaninov wrote this brilliant piano arrangement.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/052.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/437291001?h=cc2bbccc62","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100052,"order":"1"},"1200052":{"title":"Sheet Music of 'The Flight of the Bumble Bee'","subtitle":"Rimsky-Korsakov, Nikolai","description":"There have been many arrangements of The Flight of the Bumble Bee, originally an orchestral interlude in Rimsky-Korsakov\u2019s opera The Legend of Tsar Saltan (1900) but achieving more fame than the opera ever did. Composers and performers have since relished its potential as a virtuoso showpiece for all kinds of instruments. Rachmaninov wrote this brilliant piano arrangement.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/052.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/437291001?h=cc2bbccc62","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200052,"order":"2"},"1100053":{"title":"How to Play 'Liebstraume No. 1 in A-flat'","subtitle":"Liszt, Franz","description":"Liszt composed three Liebestraum (or Dreams of Love) in 1850 when he was 39 years old. They are nocturnes and have a dreamy, romantic mood appropriate to the title. Liebstraume No. 1 in A-flat is prefaced by a poem by Uhland: &quot;Within Love\u2019s arms to bliss invited; To ye life\u2019s sweet enjoyments call: On me one glance alone has lighted, Yet I am rich beyond you all. I yield Earth\u2019s joys without resistance, And as a martyr, gaze on high, For over me, in golden distance, There opens a celestial sky.&quot;","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/053.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/437291024?h=b96ea26d55","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100053,"order":"1"},"1200053":{"title":"Sheet Music of 'Liebstraume No. 1 in A-flat'","subtitle":"Liszt, Franz","description":"Liszt composed three Liebestraum (or Dreams of Love) in 1850 when he was 39 years old. They are nocturnes and have a dreamy, romantic mood appropriate to the title. Liebstraume No. 1 in A-flat is prefaced by a poem by Uhland: &quot;Within Love\u2019s arms to bliss invited; To ye life\u2019s sweet enjoyments call: On me one glance alone has lighted, Yet I am rich beyond you all. I yield Earth\u2019s joys without resistance, And as a martyr, gaze on high, For over me, in golden distance, There opens a celestial sky.&quot;","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/053.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/437291024?h=b96ea26d55","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200053,"order":"2"},"1100054":{"title":"How to Play 'Liebstraume No. 3 in A-flat major'","subtitle":"Liszt, Franz","description":"Liszt composed three Liebestraum (or Dreams of Love) in 1850 when he was 39 years old. They are nocturnes and have a dreamy, romantic mood appropriate to the title. Liebstraume No. 3 in A-flat major with its familiar melody is the most popular of the set. The accompanying poem by F. Freiligrath begins: &quot;O love! O love, so long as e\u2019er thou canst, or dost on love believe; The time shall come, when thou by graves shalt stand and grieve....&quot;","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/054.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/437291046?h=43c6e1f956","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100054,"order":"1"},"1200054":{"title":"Sheet Music of 'Liebstraume No. 3 in A-flat major'","subtitle":"Liszt, Franz","description":"Liszt composed three Liebestraum (or Dreams of Love) in 1850 when he was 39 years old. They are nocturnes and have a dreamy, romantic mood appropriate to the title. Liebstraume No. 3 in A-flat major with its familiar melody is the most popular of the set. The accompanying poem by F. Freiligrath begins: &quot;O love! O love, so long as e\u2019er thou canst, or dost on love believe; The time shall come, when thou by graves shalt stand and grieve....&quot;","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/054.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/437291046?h=43c6e1f956","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200054,"order":"2"},"1100055":{"title":"How to Play 'Arabeske, Op. 18'","subtitle":"Schumann, Robert","description":"The Arabeske, Op. 18, is one of Schumann\u2019s less difficult works to play, but it has a substantial length and lovely flow. In the middle is a more rigidly rhythmic contrasting section.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/055.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/437291076?h=bd8c0f715b","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100055,"order":"1"},"1200055":{"title":"Sheet Music of 'Arabeske, Op. 18'","subtitle":"Schumann, Robert","description":"The Arabeske, Op. 18, is one of Schumann\u2019s less difficult works to play, but it has a substantial length and lovely flow. In the middle is a more rigidly rhythmic contrasting section.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/055.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/437291076?h=bd8c0f715b","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200055,"order":"2"},"1100056":{"title":"How to Play 'Concert Etude No. 3 in D flat, \u201cUn Sospiro\u201d'","subtitle":"Liszt, Franz","description":"Liszt\u2019s Concert Etude No. 3 in D flat, more commonly known as Un Sospiro, features a beauty melody which rides on the crest of rolling arpeggios. It was composed in 1848","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/056.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/437291103?h=2535407e5b","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100056,"order":"1"},"1200056":{"title":"Sheet Music of 'Concert Etude No. 3 in D flat, \u201cUn Sospiro\u201d'","subtitle":"Liszt, Franz","description":"Liszt\u2019s Concert Etude No. 3 in D flat, more commonly known as Un Sospiro, features a beauty melody which rides on the crest of rolling arpeggios. It was composed in 1848","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/056.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/437291103?h=2535407e5b","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200056,"order":"2"},"1100057":{"title":"How to Play 'Valse-Impromptu in A-flat'","subtitle":"Liszt, Franz","description":"Liszt\u2019s Valse-Impromptu in A-flat is a light salon piece with no serious intentions other than to entertain and delight. It was first published in 1853.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/057.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/437291120?h=39090118f3","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100057,"order":"1"},"1200057":{"title":"Sheet Music of 'Valse-Impromptu in A-flat'","subtitle":"Liszt, Franz","description":"Liszt\u2019s Valse-Impromptu in A-flat is a light salon piece with no serious intentions other than to entertain and delight. It was first published in 1853.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/057.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/437291120?h=39090118f3","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200057,"order":"2"},"1100058":{"title":"How to Play 'Au bord d\u2019une source (On the Edge of a Spring)'","subtitle":"Liszt, Franz","description":"Liszt\u2019s Au bord d\u2019une source (On the Edge of a Spring) is one of the finest works in Suisse, the first book of Pilgrim Years (inspired by the composer\u2019s visits to Switzerland). It is a charming but difficult work. The music seems to sparkle, with the melody notes plucked out of a delightful dance of notes. It was composed in 1855.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/058.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/437291145?h=d7886100e5","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100058,"order":"1"},"1200058":{"title":"Sheet Music of 'Au bord d\u2019une source (On the Edge of a Spring)'","subtitle":"Liszt, Franz","description":"Liszt\u2019s Au bord d\u2019une source (On the Edge of a Spring) is one of the finest works in Suisse, the first book of Pilgrim Years (inspired by the composer\u2019s visits to Switzerland). It is a charming but difficult work. The music seems to sparkle, with the melody notes plucked out of a delightful dance of notes. It was composed in 1855.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/058.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/437291145?h=d7886100e5","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200058,"order":"2"},"1100059":{"title":"How to Play 'Valse Oubliee'","subtitle":"Liszt, Franz","description":"The Valse Oubliee was written between 1881-85 when composer Liszt was in his seventies! It is a light salon piece that dances with a touch of delightful virtuosity. Liszt composed three other works with the same name.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/059.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/437291174?h=cc5ee10e60","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100059,"order":"1"},"1200059":{"title":"Sheet Music of 'Valse Oubliee'","subtitle":"Liszt, Franz","description":"The Valse Oubliee was written between 1881-85 when composer Liszt was in his seventies! It is a light salon piece that dances with a touch of delightful virtuosity. Liszt composed three other works with the same name.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/059.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/437291174?h=cc5ee10e60","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200059,"order":"2"},"1100060":{"title":"How to Play 'Jeux d\u2019eau (Fountains)'","subtitle":"Ravel, Maurice","description":"Of his Jeux d\u2019eau (Fountains), Ravel wrote: Inspired by the noise of water, cascades, springs, the Jeux d\u2019eau is based on two motives, in the manner of first-movement sonata form without, however, conforming to the classic tonal scheme.&quot; A weighty description indeed! Perhaps the preface to the published music is more descriptive: &quot;The river god laughing from the water which is tickling him.&quot; Composed in 1901, Jeux d\u2019eau is considered one of Ravel\u2019s finest works for piano. ","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/060.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/437291208?h=f52b35ca07","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100060,"order":"1"},"1200060":{"title":"Sheet Music of 'Jeux d\u2019eau (Fountains)'","subtitle":"Ravel, Maurice","description":"Of his Jeux d\u2019eau (Fountains), Ravel wrote: Inspired by the noise of water, cascades, springs, the Jeux d\u2019eau is based on two motives, in the manner of first-movement sonata form without, however, conforming to the classic tonal scheme.&quot; A weighty description indeed! Perhaps the preface to the published music is more descriptive: &quot;The river god laughing from the water which is tickling him.&quot; Composed in 1901, Jeux d\u2019eau is considered one of Ravel\u2019s finest works for piano. ","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/060.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/437291208?h=f52b35ca07","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200060,"order":"2"},"1100061":{"title":"How to Play 'Minuet in G, S.Anh 114'","subtitle":"Bach, J.S","description":"Bach\u2019s Minuet in G is from the Anna Magdalena Notebook, composed by Bach for his second wife to help her with her harpsichord lessons. It remains very popular with keyboard students to this day.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/061.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/437291227?h=686d76a1c6","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100061,"order":"1"},"1200061":{"title":"Sheet Music of 'Minuet in G, S.Anh 114'","subtitle":"Bach, J.S","description":"Bach\u2019s Minuet in G is from the Anna Magdalena Notebook, composed by Bach for his second wife to help her with her harpsichord lessons. It remains very popular with keyboard students to this day.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/061.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/437291227?h=686d76a1c6","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200061,"order":"2"},"1100062":{"title":"How to Play 'Minuet in G, S.Anh 116'","subtitle":"Bach, J.S","description":"Bach\u2019s Minuet in G is from the Anna Magdalena Notebook, composed by Bach for his second wife to help her with her harpsichord lessons. Its lilting, tuneful melody has made it very popular with keyboard students to this day.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/062.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/437291249?h=28661cac60","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100062,"order":"1"},"1200062":{"title":"Sheet Music of 'Minuet in G, S.Anh 116'","subtitle":"Bach, J.S","description":"Bach\u2019s Minuet in G is from the Anna Magdalena Notebook, composed by Bach for his second wife to help her with her harpsichord lessons. Its lilting, tuneful melody has made it very popular with keyboard students to this day.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/062.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/437291249?h=28661cac60","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200062,"order":"2"},"1100063":{"title":"How to Play 'March in D'","subtitle":"Bach, J.S","description":"Bach\u2019s March in D is from the Anna Magdalena Notebook, composed by Bach for his second wife to help her with her harpsichord lessons. The quarter notes in the left hand keep the time as the spritely melody marches forward.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/063.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/437291284?h=0372d1f5a1","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100063,"order":"1"},"1200063":{"title":"Sheet Music of 'March in D'","subtitle":"Bach, J.S","description":"Bach\u2019s March in D is from the Anna Magdalena Notebook, composed by Bach for his second wife to help her with her harpsichord lessons. The quarter notes in the left hand keep the time as the spritely melody marches forward.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/063.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/437291284?h=0372d1f5a1","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200063,"order":"2"},"1100064":{"title":"How to Play 'Musette in D'","subtitle":"Bach, J.S","description":"Bach\u2019s Musette in D is from the Anna Magdalena Notebook, composed by Bach for his second wife to help her with her harpsichord lessons. Musette is what they used to call a bagpipe in France. The baroque court dance of the same name always has a left hand &quot;drone&quot; (usually in fifths or an octave) which imitates a bagpipe. Listen for the left hand octaves and the surprising little jumps for both hands.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/064.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/437291326?h=f2a5b18d4e","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100064,"order":"1"},"1200064":{"title":"Sheet Music of 'Musette in D'","subtitle":"Bach, J.S","description":"Bach\u2019s Musette in D is from the Anna Magdalena Notebook, composed by Bach for his second wife to help her with her harpsichord lessons. Musette is what they used to call a bagpipe in France. The baroque court dance of the same name always has a left hand &quot;drone&quot; (usually in fifths or an octave) which imitates a bagpipe. Listen for the left hand octaves and the surprising little jumps for both hands.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/064.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/437291326?h=f2a5b18d4e","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200064,"order":"2"},"1100065":{"title":"How to Play 'Romance in D flat'","subtitle":"Sibelius, Jean","description":"Sibelius\u2019 Romance in D flat is one of Sibelius\u2019 more popular short salon pieces. It has a charm and lightness which is not really representative of most of the composer\u2019s works.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/065.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/437291347?h=524c5576ca","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100065,"order":"1"},"1200065":{"title":"Sheet Music of 'Romance in D flat'","subtitle":"Sibelius, Jean","description":"Sibelius\u2019 Romance in D flat is one of Sibelius\u2019 more popular short salon pieces. It has a charm and lightness which is not really representative of most of the composer\u2019s works.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/065.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/437291347?h=524c5576ca","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200065,"order":"2"},"1100066":{"title":"How to Play 'Pavane for a Dead Infanta'","subtitle":"Ravel, Maurice","description":"Ravel\u2019s Pavane, pour une infante defunte (Pavane for a Dead Infanta) is usually heard in the composer\u2019s own orchestral arrangement. Ravel actually became increasingly unimpressed with this piece as he grew older, and compared to his other fine works for the piano, it has no great formal or technical merit. It does, however, have a captivating melody and harmonies which has moved many musical souls. It was composed in 1899.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/066.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/437292002?h=89b4ded77d","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100066,"order":"1"},"1200066":{"title":"Sheet Music of 'Pavane for a Dead Infanta'","subtitle":"Ravel, Maurice","description":"Ravel\u2019s Pavane, pour une infante defunte (Pavane for a Dead Infanta) is usually heard in the composer\u2019s own orchestral arrangement. Ravel actually became increasingly unimpressed with this piece as he grew older, and compared to his other fine works for the piano, it has no great formal or technical merit. It does, however, have a captivating melody and harmonies which has moved many musical souls. It was composed in 1899.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/066.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/437292002?h=89b4ded77d","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200066,"order":"2"},"1100067":{"title":"How to Play 'Song without Words, Op. 19, No. 1'","subtitle":"Mendelssohn, Felix","description":"The Songs without Words (Lieder ohne Worte) continue the Romantic tradition of writing short, lyrical pieces for the piano. Melodic or lyric style is combined with harmonic, instrumental style. Mendelssohn wrote a total of 48 Songs without Words, published in sets of six. Opus 19 was composed between 1830-32. In the very first Song without Words, Op. 19, No. 1, Mendelssohn floats a simple cantabile melody above a gentle accompaniment of broken chords and a bass line.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/067.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/437292060?h=131189040f","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100067,"order":"1"},"1200067":{"title":"Sheet Music of 'Song without Words, Op. 19, No. 1'","subtitle":"Mendelssohn, Felix","description":"The Songs without Words (Lieder ohne Worte) continue the Romantic tradition of writing short, lyrical pieces for the piano. Melodic or lyric style is combined with harmonic, instrumental style. Mendelssohn wrote a total of 48 Songs without Words, published in sets of six. Opus 19 was composed between 1830-32. In the very first Song without Words, Op. 19, No. 1, Mendelssohn floats a simple cantabile melody above a gentle accompaniment of broken chords and a bass line.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/067.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/437292060?h=131189040f","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200067,"order":"2"},"1100068":{"title":"How to Play 'Song without Words, Op. 38, No. 2'","subtitle":"Mendelssohn, Felix","description":"The Songs without Words (Lieder ohne Worte) continue the Romantic tradition of writing short, lyrical pieces for the piano. Melodic or lyric style is combined with harmonic, instrumental style. Mendelssohn wrote a total of 48 Songs without Words, published in sets of six. Opus 38 was published in 1837. The engaging melody and rhythmically pulsating accompaniment of the Song without Words, Op. 38, No. 2 will captivate you.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/068.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/437292135?h=b791423968","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100068,"order":"1"},"1200068":{"title":"Sheet Music of 'Song without Words, Op. 38, No. 2'","subtitle":"Mendelssohn, Felix","description":"The Songs without Words (Lieder ohne Worte) continue the Romantic tradition of writing short, lyrical pieces for the piano. Melodic or lyric style is combined with harmonic, instrumental style. Mendelssohn wrote a total of 48 Songs without Words, published in sets of six. Opus 38 was published in 1837. The engaging melody and rhythmically pulsating accompaniment of the Song without Words, Op. 38, No. 2 will captivate you.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/068.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/437292135?h=b791423968","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200068,"order":"2"},"1100069":{"title":"How to Play 'Song without Words, op. 67, Bee\u2019s Wedding, No. 4'","subtitle":"Mendelssohn, Felix","description":"The Songs without Words (Lieder ohne Worte) continue the Romantic tradition of writing short, lyrical pieces for the piano. Melodic or lyric style is combined with harmonic, instrumental style. Mendelssohn wrote a total of 48 Songs without Words, published in sets of six. Opus 67 was published in 1845. Composed in 1845, Mendelssohn\u2019s Spinner\u2019s Song (Spinnerlied) or Song without Words, op. 67, no. 4 has also been nicknamed the &quot;Bee\u2019s Wedding&quot;. It begins with a Flight of the Bumblebees style swirl of sixteenth notes and the energy continues throughout this substantial piece of music.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/069.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/437292182?h=068d28e59f","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100069,"order":"1"},"1200069":{"title":"Sheet Music of 'Song without Words, op. 67, Bee\u2019s Wedding, No. 4'","subtitle":"Mendelssohn, Felix","description":"The Songs without Words (Lieder ohne Worte) continue the Romantic tradition of writing short, lyrical pieces for the piano. Melodic or lyric style is combined with harmonic, instrumental style. Mendelssohn wrote a total of 48 Songs without Words, published in sets of six. Opus 67 was published in 1845. Composed in 1845, Mendelssohn\u2019s Spinner\u2019s Song (Spinnerlied) or Song without Words, op. 67, no. 4 has also been nicknamed the &quot;Bee\u2019s Wedding&quot;. It begins with a Flight of the Bumblebees style swirl of sixteenth notes and the energy continues throughout this substantial piece of music.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/069.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/437292182?h=068d28e59f","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200069,"order":"2"},"1100070":{"title":"How to Play 'Song without Words, Op. 62, Song of Spring, No. 6'","subtitle":"Mendelssohn, Felix","description":"The Songs without Words (Lieder ohne Worte) continue the Romantic tradition of writing short, lyrical pieces for the piano. Melodic or lyric style is combined with harmonic, instrumental style. Mendelssohn wrote a total of 48 Songs without Words, published in sets of six. Opus 62 was published in 1844. The Song without Words, Op. 62, No. 6 is entitled Song of Spring (Fruehlingslied). It has an innocent charm which made it popular as the background for cartoons (was that the loss of innocence?). You\u2019ll recognize it immediately.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/070.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/437292232?h=bcb64047aa","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100070,"order":"1"},"1200070":{"title":"Sheet Music of 'Song without Words, Op. 62, Song of Spring, No. 6'","subtitle":"Mendelssohn, Felix","description":"The Songs without Words (Lieder ohne Worte) continue the Romantic tradition of writing short, lyrical pieces for the piano. Melodic or lyric style is combined with harmonic, instrumental style. Mendelssohn wrote a total of 48 Songs without Words, published in sets of six. Opus 62 was published in 1844. The Song without Words, Op. 62, No. 6 is entitled Song of Spring (Fruehlingslied). It has an innocent charm which made it popular as the background for cartoons (was that the loss of innocence?). You\u2019ll recognize it immediately.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/070.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/437292232?h=bcb64047aa","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200070,"order":"2"},"1100071":{"title":"How to Play 'Song without Words, Op. 85, No. 1'","subtitle":"Mendelssohn, Felix","description":"The Songs without Words (Lieder ohne Worte) continue the Romantic tradition of writing short, lyrical pieces for the piano. Melodic or lyric style is combined with harmonic, instrumental style. Mendelssohn wrote a total of 48 Songs without Words, published in sets of six. Opus 85 was published after the composer\u2019s death. The Song without Words, Op. 85, No. 1 has a gently rolling arpeggio accompaniment with a simple, expressive melody.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/071.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510409124?h=d42176d06d","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100071,"order":"1"},"1200071":{"title":"Sheet Music of 'Song without Words, Op. 85, No. 1'","subtitle":"Mendelssohn, Felix","description":"The Songs without Words (Lieder ohne Worte) continue the Romantic tradition of writing short, lyrical pieces for the piano. Melodic or lyric style is combined with harmonic, instrumental style. Mendelssohn wrote a total of 48 Songs without Words, published in sets of six. Opus 85 was published after the composer\u2019s death. The Song without Words, Op. 85, No. 1 has a gently rolling arpeggio accompaniment with a simple, expressive melody.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/071.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510409124?h=d42176d06d","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200071,"order":"2"},"1100072":{"title":"How to Play 'Solvejg\u2019s Song, Op. 52, No. 4'","subtitle":"Grieg, Edvard","description":"Grieg\u2019s Solvejg\u2019s Song, Op. 52, No. 4 is the story of Solvejg, a beautiful village girl, and Peer Gynt. They declare their love for each other, but he asks her to wait and goes off on his adventures. After many years, he returns to her, ever faithful. She sings this tender song to him. &quot;For to whatever fate God\u2019s will may doom me, I love thee, dear, I love thee now and for eternity.&quot;","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/072.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510409268?h=bea74d86b8","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100072,"order":"1"},"1200072":{"title":"Sheet Music of 'Solvejg\u2019s Song, Op. 52, No. 4'","subtitle":"Grieg, Edvard","description":"Grieg\u2019s Solvejg\u2019s Song, Op. 52, No. 4 is the story of Solvejg, a beautiful village girl, and Peer Gynt. They declare their love for each other, but he asks her to wait and goes off on his adventures. After many years, he returns to her, ever faithful. She sings this tender song to him. &quot;For to whatever fate God\u2019s will may doom me, I love thee, dear, I love thee now and for eternity.&quot;","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/072.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510409268?h=bea74d86b8","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200072,"order":"2"},"1100073":{"title":"How to Play 'The Nocturne, Op. 54, No. 4'","subtitle":"Grieg, Edvard","description":"Edvard Grieg\u2019s most characteristic piano writing is found in his many volumes of short works called Lyric Pieces. They reflect his strong nationalism and one can find in them the folk music of Norway. They are technically quite easy and also simply structured. The Nocturne, Op. 54, No. 4 was published in 1891. It has mildly intriguing harmony and some light syncopation in the accompaniment figures.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/073.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510409411?h=b86f198014","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100073,"order":"1"},"1200073":{"title":"Sheet Music of 'The Nocturne, Op. 54, No. 4'","subtitle":"Grieg, Edvard","description":"Edvard Grieg\u2019s most characteristic piano writing is found in his many volumes of short works called Lyric Pieces. They reflect his strong nationalism and one can find in them the folk music of Norway. They are technically quite easy and also simply structured. The Nocturne, Op. 54, No. 4 was published in 1891. It has mildly intriguing harmony and some light syncopation in the accompaniment figures.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/073.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510409411?h=b86f198014","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200073,"order":"2"},"1100074":{"title":"How to Play 'Romanze in F sharp, Op. 28, No. 2'","subtitle":"Schumann, Robert","description":"The Romanze in F sharp, Op. 28, No. 2, is one of Schumann\u2019s more beautiful pieces. Its charming melody has made it a favorite.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/074.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510409590?h=c49647307d","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100074,"order":"1"},"1200074":{"title":"Sheet Music of 'Romanze in F sharp, Op. 28, No. 2'","subtitle":"Schumann, Robert","description":"The Romanze in F sharp, Op. 28, No. 2, is one of Schumann\u2019s more beautiful pieces. Its charming melody has made it a favorite.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/074.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510409590?h=c49647307d","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200074,"order":"2"},"1100075":{"title":"How to Play 'The Little Bird, Op. 43, No. 4'","subtitle":"Grieg, Edvard","description":"Edvard Grieg\u2019s most characteristic piano writing is found in his many volumes of short works called Lyric Pieces. They reflect his strong nationalism and one can find in them the folk music of Norway. They are technically quite easy and also simply structured. The Little Bird, Op. 43, No. 4 has a cute little trill figure in both hands. This short piece was published in 1886.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/075.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510409749?h=15a3f2b05b","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100075,"order":"1"},"1200075":{"title":"Sheet Music of 'The Little Bird, Op. 43, No. 4'","subtitle":"Grieg, Edvard","description":"Edvard Grieg\u2019s most characteristic piano writing is found in his many volumes of short works called Lyric Pieces. They reflect his strong nationalism and one can find in them the folk music of Norway. They are technically quite easy and also simply structured. The Little Bird, Op. 43, No. 4 has a cute little trill figure in both hands. This short piece was published in 1886.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/075.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510409749?h=15a3f2b05b","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200075,"order":"2"},"1100076":{"title":"How to Play 'I Love Thee'","subtitle":"Grieg, Edvard","description":"I Love Thee is a song written for Grieg\u2019s wife to be, Nina, and transcribed for piano. It is a genuine outpouring of emotion.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/076.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510409916?h=1ad4bfefb8","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100076,"order":"1"},"1200076":{"title":"Sheet Music of 'I Love Thee'","subtitle":"Grieg, Edvard","description":"I Love Thee is a song written for Grieg\u2019s wife to be, Nina, and transcribed for piano. It is a genuine outpouring of emotion.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/076.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510409916?h=1ad4bfefb8","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200076,"order":"2"},"1100077":{"title":"How to Play 'Minuet'","subtitle":"Boccherini, Luigi","description":"Luigi Boccherini (1743-1805) was a contemporary of Haydn and his music is tuneful with adventurous harmonies. The famous Minuet, heard here in piano arrangement, is actually a movement from one of his string quartets.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/077.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510410128?h=2f3814c2da","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100077,"order":"1"},"1200077":{"title":"Sheet Music of 'Minuet'","subtitle":"Boccherini, Luigi","description":"Luigi Boccherini (1743-1805) was a contemporary of Haydn and his music is tuneful with adventurous harmonies. The famous Minuet, heard here in piano arrangement, is actually a movement from one of his string quartets.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/077.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510410128?h=2f3814c2da","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200077,"order":"2"},"1100078":{"title":"How to Play 'Tango'","subtitle":"Albeniz, Isaac","description":"Tango is a charming little piece from Isaac Albeniz\u2019s Album of Eight Pieces. ","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/078.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510410322?h=fcf4ce8186","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100078,"order":"1"},"1200078":{"title":"Sheet Music of 'Tango'","subtitle":"Albeniz, Isaac","description":"Tango is a charming little piece from Isaac Albeniz\u2019s Album of Eight Pieces. ","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/078.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510410322?h=fcf4ce8186","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200078,"order":"2"},"1100079":{"title":"How to Play 'The Entertainer'","subtitle":"Joplin, Scott","description":"American rag-time composer and pianist Scott Joplin (1868-1917) played in the brothels of St. Louis and Chicago before eventually settling in New York city. His rags included the Maple Leaf Rag and the Wall Street Rag, and he even wrote a rag-time opera (A Guest of Honour). Some credit the revival of Joplin\u2019s music to American pianist\/musicologist Joshua Rifkin. It might have more to do with the 1973 hit movie The Sting, with Robert Redford and Paul Newman, in which Joplin\u2019s The Entertainer (1902) was featured.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/079.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510410586?h=979d380418","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100079,"order":"1"},"1200079":{"title":"Sheet Music of 'The Entertainer'","subtitle":"Joplin, Scott","description":"American rag-time composer and pianist Scott Joplin (1868-1917) played in the brothels of St. Louis and Chicago before eventually settling in New York city. His rags included the Maple Leaf Rag and the Wall Street Rag, and he even wrote a rag-time opera (A Guest of Honour). Some credit the revival of Joplin\u2019s music to American pianist\/musicologist Joshua Rifkin. It might have more to do with the 1973 hit movie The Sting, with Robert Redford and Paul Newman, in which Joplin\u2019s The Entertainer (1902) was featured.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/079.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510410586?h=979d380418","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200079,"order":"2"},"1100080":{"title":"How to Play 'Sonatine (1905), No.2, Menuet on the name of Haydn'","subtitle":"Ravel, Maurice","description":"Ravel\u2019s Menuet on the name of Haydn is the second movement of his Sonatine (1905). There is a warmth to the music which, combined with its simplicity, gives it undeniable charm.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/080.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510410742?h=39e670a50e","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100080,"order":"1"},"1200080":{"title":"Sheet Music of 'Sonatine (1905), No.2, Menuet on the name of Haydn'","subtitle":"Ravel, Maurice","description":"Ravel\u2019s Menuet on the name of Haydn is the second movement of his Sonatine (1905). There is a warmth to the music which, combined with its simplicity, gives it undeniable charm.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/080.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510410742?h=39e670a50e","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200080,"order":"2"},"1100081":{"title":"How to Play 'Prelude in G minor, Op. 23, No. 5'","subtitle":"Rachmaninov, Sergei","description":"Prelude in G minor, Op. 23, No. 5, is one of Rachmaninov\u2019s most popular pieces. Its repeated chords create a huge range of sound on the piano.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/081.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510410915?h=24d0404b8f","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100081,"order":"1"},"1200081":{"title":"Sheet Music of 'Prelude in G minor, Op. 23, No. 5'","subtitle":"Rachmaninov, Sergei","description":"Prelude in G minor, Op. 23, No. 5, is one of Rachmaninov\u2019s most popular pieces. Its repeated chords create a huge range of sound on the piano.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/081.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510410915?h=24d0404b8f","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200081,"order":"2"},"1100082":{"title":"How to Play 'Reflets dans l\u2019eau (Reflections in the Water)'","subtitle":"Debussy, Claude","description":"Reflets dans l\u2019eau (Reflections in the Water) is one of Debussy\u2019s masterpieces for the piano. It is part of his set of pieces called Images (book one), composed in 1905 when the composer was 43 years old. One can imagine flecks of sunlight glittering on the waves. Beneath the surface, however, is a carefully crafted and balanced gem of music.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/082.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510411076?h=b2511cee03","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100082,"order":"1"},"1200082":{"title":"Sheet Music of 'Reflets dans l\u2019eau (Reflections in the Water)'","subtitle":"Debussy, Claude","description":"Reflets dans l\u2019eau (Reflections in the Water) is one of Debussy\u2019s masterpieces for the piano. It is part of his set of pieces called Images (book one), composed in 1905 when the composer was 43 years old. One can imagine flecks of sunlight glittering on the waves. Beneath the surface, however, is a carefully crafted and balanced gem of music.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/082.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510411076?h=b2511cee03","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200082,"order":"2"},"1100083":{"title":"How to Play 'The Butterfly, Op. 43, No. 1'","subtitle":"Grieg, Edvard","description":"Edvard Grieg\u2019s most characteristic piano writing is found in his many volumes of short works called Lyric Pieces. They reflect his strong nationalism and one can find in them the folk music of Norway. They are technically quite easy and also simply structured. The Butterfly, Op. 43, No. 1 was published in 1886. The clever little melody makes lets you imagine a butterfly soaring than dipping in the wind.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/083.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510469278?h=022c5f1021","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100083,"order":"1"},"1200083":{"title":"Sheet Music of 'The Butterfly, Op. 43, No. 1'","subtitle":"Grieg, Edvard","description":"Edvard Grieg\u2019s most characteristic piano writing is found in his many volumes of short works called Lyric Pieces. They reflect his strong nationalism and one can find in them the folk music of Norway. They are technically quite easy and also simply structured. The Butterfly, Op. 43, No. 1 was published in 1886. The clever little melody makes lets you imagine a butterfly soaring than dipping in the wind.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/083.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510469278?h=022c5f1021","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200083,"order":"2"},"1100084":{"title":"How to Play 'Arietta, Op. 12, No. 1'","subtitle":"Grieg, Edvard","description":"Edvard Grieg\u2019s most characteristic piano writing is found in his many volumes of short works called Lyric Pieces. They reflect his strong nationalism and one can find in them the folk music of Norway. They are technically quite easy and also simply structured. Arietta, Op. 12, No. 1 is a very short, cantabile melody with a middle accompaniment split between the hands. This very first Lyric Piece was published in 1867.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/084.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510469291?h=9e4115b8ce","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100084,"order":"1"},"1200084":{"title":"Sheet Music of 'Arietta, Op. 12, No. 1'","subtitle":"Grieg, Edvard","description":"Edvard Grieg\u2019s most characteristic piano writing is found in his many volumes of short works called Lyric Pieces. They reflect his strong nationalism and one can find in them the folk music of Norway. They are technically quite easy and also simply structured. Arietta, Op. 12, No. 1 is a very short, cantabile melody with a middle accompaniment split between the hands. This very first Lyric Piece was published in 1867.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/084.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510469291?h=9e4115b8ce","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200084,"order":"2"},"1100085":{"title":"How to Play 'Elfin Dance, Op. 12, No. 4'","subtitle":"Grieg, Edvard","description":"Edvard Grieg\u2019s most characteristic piano writing is found in his many volumes of short works called Lyric Pieces. They reflect his strong nationalism and one can find in them the folk music of Norway. They are technically quite easy and also simply structured. Elfin Dance, Op. 12, No. 4 alternates simple chords with a scampering eighth note melody. It was published in 1867.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/085.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510469311?h=3c2f341896","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100085,"order":"1"},"1200085":{"title":"Sheet Music of 'Elfin Dance, Op. 12, No. 4'","subtitle":"Grieg, Edvard","description":"Edvard Grieg\u2019s most characteristic piano writing is found in his many volumes of short works called Lyric Pieces. They reflect his strong nationalism and one can find in them the folk music of Norway. They are technically quite easy and also simply structured. Elfin Dance, Op. 12, No. 4 alternates simple chords with a scampering eighth note melody. It was published in 1867.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/085.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510469311?h=3c2f341896","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200085,"order":"2"},"1100086":{"title":"How to Play 'Impromptu in F minor, Op. 31, No. 2'","subtitle":"Faure, Gabriel","description":"Faure\u2019s Impromptu in F minor, Op. 31, No. 2","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/086.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510469325?h=00837f1110","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100086,"order":"1"},"1200086":{"title":"Sheet Music of 'Impromptu in F minor, Op. 31, No. 2'","subtitle":"Faure, Gabriel","description":"Faure\u2019s Impromptu in F minor, Op. 31, No. 2","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/086.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510469325?h=00837f1110","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200086,"order":"2"},"1100087":{"title":"How to Play 'June, Op. 37, No. 6 '","subtitle":"Tchaikovsky, Pyotr Ilyich","description":"Tchaikovsky\u2019s June, Op. 37, No. 6 is a Barcarolle for children. The Barcarolle was a lilting, dance-like serenade that mimicked the songs of Venetian gondoliers. This one is part of The Seasons, 12 characteristic piano pieces for children that Tchaikovsky wrote between 1875-6. Each piece represents a month of the year.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/087.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510469350?h=b338a43752","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100087,"order":"1"},"1200087":{"title":"Sheet Music of 'June, Op. 37, No. 6 '","subtitle":"Tchaikovsky, Pyotr Ilyich","description":"Tchaikovsky\u2019s June, Op. 37, No. 6 is a Barcarolle for children. The Barcarolle was a lilting, dance-like serenade that mimicked the songs of Venetian gondoliers. This one is part of The Seasons, 12 characteristic piano pieces for children that Tchaikovsky wrote between 1875-6. Each piece represents a month of the year.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/087.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510469350?h=b338a43752","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200087,"order":"2"},"1100088":{"title":"How to Play 'Danse'","subtitle":"Debussy, Claude","description":"Debussy\u2019s Danse is one of his finest early compositions. Its simple name hardly hints at the brilliance of this difficult piece, filled with cross rhythms, fast repeated chords and an exciting climax. It was first published in 1890.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/088.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510469359?h=9c08ef8b32","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100088,"order":"1"},"1200088":{"title":"Sheet Music of 'Danse'","subtitle":"Debussy, Claude","description":"Debussy\u2019s Danse is one of his finest early compositions. Its simple name hardly hints at the brilliance of this difficult piece, filled with cross rhythms, fast repeated chords and an exciting climax. It was first published in 1890.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/088.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510469359?h=9c08ef8b32","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200088,"order":"2"},"1100089":{"title":"How to Play 'Mazurka in F sharp minor, Op. 6, No. 1'","subtitle":"Chopin, Fr\u00e9d\u00e9ric ","description":"Although the Mazurka was a traditional Polish country dance, Chopin stylized it into a refined concert piece with the essential rhythmic spirit and elements of melody from the original.  The Mazurka in F sharp minor, Op. 6, No. 1 has a wistful, almost harmonically enigmatic style which is bewitching.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/089.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510469390?h=e22ef3784d","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100089,"order":"1"},"1200089":{"title":"Sheet Music of 'Mazurka in F sharp minor, Op. 6, No. 1'","subtitle":"Chopin, Fr\u00e9d\u00e9ric ","description":"Although the Mazurka was a traditional Polish country dance, Chopin stylized it into a refined concert piece with the essential rhythmic spirit and elements of melody from the original.  The Mazurka in F sharp minor, Op. 6, No. 1 has a wistful, almost harmonically enigmatic style which is bewitching.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/089.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510469390?h=e22ef3784d","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200089,"order":"2"},"1100090":{"title":"How to Play 'Mazurka in B flat, Op. 7, No. 1'","subtitle":"Chopin, Fr\u00e9d\u00e9ric ","description":"Although the Mazurka was a traditional Polish country dance, Chopin stylized it into a refined concert piece with the essential rhythmic spirit and elements of melody from the original. The Mazurka in B flat, Op. 7, No. 1 has a lively, melodically soaring opening theme, contrasting only briefly by a mysterious sotto voce section.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/090.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510469430?h=1b2583a079","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100090,"order":"1"},"1200090":{"title":"Sheet Music of 'Mazurka in B flat, Op. 7, No. 1'","subtitle":"Chopin, Fr\u00e9d\u00e9ric ","description":"Although the Mazurka was a traditional Polish country dance, Chopin stylized it into a refined concert piece with the essential rhythmic spirit and elements of melody from the original. The Mazurka in B flat, Op. 7, No. 1 has a lively, melodically soaring opening theme, contrasting only briefly by a mysterious sotto voce section.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/090.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510469430?h=1b2583a079","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200090,"order":"2"},"1100091":{"title":"How to Play 'Mazurka in C sharp minor, Op. 63, No. 3'","subtitle":"Chopin, Fr\u00e9d\u00e9ric ","description":"Although the Mazurka was a traditional Polish country dance, Chopin stylized it into a refined concert piece with the essential rhythmic spirit and elements of melody from the original. The Mazurka in C sharp minor, Op. 63, No. 3 has a rhythmic simplicity that makes it technically easier to play than many. ","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/091.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510469464?h=69750d8cd4","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100091,"order":"1"},"1200091":{"title":"Sheet Music of 'Mazurka in C sharp minor, Op. 63, No. 3'","subtitle":"Chopin, Fr\u00e9d\u00e9ric ","description":"Although the Mazurka was a traditional Polish country dance, Chopin stylized it into a refined concert piece with the essential rhythmic spirit and elements of melody from the original. The Mazurka in C sharp minor, Op. 63, No. 3 has a rhythmic simplicity that makes it technically easier to play than many. ","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/091.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510469464?h=69750d8cd4","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200091,"order":"2"},"1100092":{"title":"How to Play 'Mazurka in B minor, Op. 33, No. 4'","subtitle":"Chopin, Fr\u00e9d\u00e9ric ","description":"Although the Mazurka was a traditional Polish country dance, Chopin stylized it into a refined concert piece with the essential rhythmic spirit and elements of melody from the original. The Mazurka in B minor, Op. 33, No. 4 is one of the easier ones to play. However, Chopin offers the interpreter many emotional shades to play with, and the haunting melody sits easily in one\u2019s memory. ","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/092.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510469497?h=ff569cd736","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100092,"order":"1"},"1200092":{"title":"Sheet Music of 'Mazurka in B minor, Op. 33, No. 4'","subtitle":"Chopin, Fr\u00e9d\u00e9ric ","description":"Although the Mazurka was a traditional Polish country dance, Chopin stylized it into a refined concert piece with the essential rhythmic spirit and elements of melody from the original. The Mazurka in B minor, Op. 33, No. 4 is one of the easier ones to play. However, Chopin offers the interpreter many emotional shades to play with, and the haunting melody sits easily in one\u2019s memory. ","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/092.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510469497?h=ff569cd736","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200092,"order":"2"},"1100093":{"title":"How to Play 'Polonaise in A flat, Op. 53'","subtitle":"Chopin, Fr\u00e9d\u00e9ric ","description":"In his Polonaise in A flat, Op. 53, Chopin repeats a melodic idea several times. The intention of this repetition is to intensify the original idea. Like many lyrical pieces of the time, this Polonaise is made up of regular eight-bar periods. Regardless, there is no denying the stirring power of this magnificent, ever popular work. It grips you from its magnificent opening upward surges, to the rivetting left hand staccato octaves, to the sonorous climatic chords. It was composed in 1842 and first published in 1843.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/093.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510469512?h=4aeee9fa39","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100093,"order":"1"},"1200093":{"title":"Sheet Music of 'Polonaise in A flat, Op. 53'","subtitle":"Chopin, Fr\u00e9d\u00e9ric ","description":"In his Polonaise in A flat, Op. 53, Chopin repeats a melodic idea several times. The intention of this repetition is to intensify the original idea. Like many lyrical pieces of the time, this Polonaise is made up of regular eight-bar periods. Regardless, there is no denying the stirring power of this magnificent, ever popular work. It grips you from its magnificent opening upward surges, to the rivetting left hand staccato octaves, to the sonorous climatic chords. It was composed in 1842 and first published in 1843.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/093.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510469512?h=4aeee9fa39","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200093,"order":"2"},"1100094":{"title":"How to Play 'Rhapsody in G minor, Op. 79, No. 2'","subtitle":"Brahms, Johannes","description":"Brahms\u2019 Rhapsody in G minor, Op. 79, No. 2 has been very popular over the years, and perhaps suffers a bit from over-familiarity. Still, there is much drama and worth to be found in this decidedly German romantic music.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/094.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510469535?h=81fa1b4d41","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100094,"order":"1"},"1200094":{"title":"Sheet Music of 'Rhapsody in G minor, Op. 79, No. 2'","subtitle":"Brahms, Johannes","description":"Brahms\u2019 Rhapsody in G minor, Op. 79, No. 2 has been very popular over the years, and perhaps suffers a bit from over-familiarity. Still, there is much drama and worth to be found in this decidedly German romantic music.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/094.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510469535?h=81fa1b4d41","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200094,"order":"2"},"1100095":{"title":"How to Play 'Three pieces Opus 117, No. 1, the Intermezzo in E-flat'","subtitle":"Brahms, Johannes","description":"Some of the most moving works of Brahms\u2019 distinguished composing career are the short piano works he wrote late in his life. The three pieces Opus 117 were composed in 1892 when Brahms was 59 years old. No. 1, the Intermezzo in E-flat has a charming folk melody that must be brought out from between a chordal accompaniment in both hands.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/095.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510469553?h=d56ca1d4c8","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100095,"order":"1"},"1200095":{"title":"Sheet Music of 'Three pieces Opus 117, No. 1, the Intermezzo in E-flat'","subtitle":"Brahms, Johannes","description":"Some of the most moving works of Brahms\u2019 distinguished composing career are the short piano works he wrote late in his life. The three pieces Opus 117 were composed in 1892 when Brahms was 59 years old. No. 1, the Intermezzo in E-flat has a charming folk melody that must be brought out from between a chordal accompaniment in both hands.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/095.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510469553?h=d56ca1d4c8","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200095,"order":"2"},"1100096":{"title":"How to Play 'Three pieces Opus 117, No. 2 Intermezzo in B-flat minor'","subtitle":"Brahms, Johannes","description":"Some of the most moving works of Brahms\u2019 distinguished composing career are the short piano works he wrote late in his life. The three pieces Opus 117 were composed in 1892 when Brahms was 59 years old. No. 2 Intermezzo in B-flat has moving melody which takes harmonic turns filled with serene emotional colorings.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/096.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510469567?h=7ab6bf1053","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100096,"order":"1"},"1200096":{"title":"Sheet Music of 'Three pieces Opus 117, No. 2 Intermezzo in B-flat minor'","subtitle":"Brahms, Johannes","description":"Some of the most moving works of Brahms\u2019 distinguished composing career are the short piano works he wrote late in his life. The three pieces Opus 117 were composed in 1892 when Brahms was 59 years old. No. 2 Intermezzo in B-flat has moving melody which takes harmonic turns filled with serene emotional colorings.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/096.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510469567?h=7ab6bf1053","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200096,"order":"2"},"1100097":{"title":"How to Play 'Three pieces Opus 117, No. 3, Intermezzo in C sharp minor'","subtitle":"Brahms, Johannes","description":"Some of the most moving works of Brahms\u2019 distinguished composing career are the short piano works he wrote late in his life. The three pieces Opus 117 were composed in 1892 when Brahms was 59 years old. No. 3, the Intermezzo in C sharp minor moves from a solemn, octave melody opening to a bitter sweet middle section that can brings tears to your eye.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/097.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510469584?h=3ccea4c205","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100097,"order":"1"},"1200097":{"title":"Sheet Music of 'Three pieces Opus 117, No. 3, Intermezzo in C sharp minor'","subtitle":"Brahms, Johannes","description":"Some of the most moving works of Brahms\u2019 distinguished composing career are the short piano works he wrote late in his life. The three pieces Opus 117 were composed in 1892 when Brahms was 59 years old. No. 3, the Intermezzo in C sharp minor moves from a solemn, octave melody opening to a bitter sweet middle section that can brings tears to your eye.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/097.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510469584?h=3ccea4c205","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200097,"order":"2"},"1100098":{"title":"How to Play 'Sonata in C, L. 104'","subtitle":"Scarlatti, Domenico","description":"The Sonata in C, L. 104 is one of the most frequently performed of Scarlatti\u2019s sonatas. It has a Spanish influence, using the spirit of Spanish popular dance forms and is similar in style to a Spanish jota. Domenico Scarlatti (1685-1657) wrote over 500 pieces for the harpsichord. Most of these pieces were adapted from the individual dances of the suite. He published only 30 of these pieces in 1738 in a portfolio called Exercises for Harpsichord (Essercizi per Gravicembalo). The one movement pieces each have the title of Sonata. They were conceived not as mere technical exercises, but real Etudes, in the sense of Chopin\u2019s works of the same name. Although he was Italian born, his harpsichord works were mainly composed in Spain, where Scarlatti spent the latter part of his life under the patronage of Queen Mar\u00b0a B rbara. Each sonata is in one movement with two optionally repeated sections. They often have a single theme but sometimes two or three, and these melodies are concise, clear and strikingly elegant. They often display the Spanish influence, not in the lively dance spirit, but also in the use of note repetition, a characteristic of Spanish guitar music. He imitates the strumming of a guitar with broken chords. He also likes to set his basic melody against a steady rhythm, echoing the tune around the keyboard. Scarlatti also likes to have the melody thrown around in imitation between the two hands. He makes the hands cross and, although he doesn\u2019t use a lot of melodic ornaments, has a special love for trills. Today, these sonatas appear as piano solos, although they truly are conceived for the sound of a harpsichord. ","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/098.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510469603?h=4301ce202c","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100098,"order":"1"},"1200098":{"title":"Sheet Music of 'Sonata in C, L. 104'","subtitle":"Scarlatti, Domenico","description":"The Sonata in C, L. 104 is one of the most frequently performed of Scarlatti\u2019s sonatas. It has a Spanish influence, using the spirit of Spanish popular dance forms and is similar in style to a Spanish jota. Domenico Scarlatti (1685-1657) wrote over 500 pieces for the harpsichord. Most of these pieces were adapted from the individual dances of the suite. He published only 30 of these pieces in 1738 in a portfolio called Exercises for Harpsichord (Essercizi per Gravicembalo). The one movement pieces each have the title of Sonata. They were conceived not as mere technical exercises, but real Etudes, in the sense of Chopin\u2019s works of the same name. Although he was Italian born, his harpsichord works were mainly composed in Spain, where Scarlatti spent the latter part of his life under the patronage of Queen Mar\u00b0a B rbara. Each sonata is in one movement with two optionally repeated sections. They often have a single theme but sometimes two or three, and these melodies are concise, clear and strikingly elegant. They often display the Spanish influence, not in the lively dance spirit, but also in the use of note repetition, a characteristic of Spanish guitar music. He imitates the strumming of a guitar with broken chords. He also likes to set his basic melody against a steady rhythm, echoing the tune around the keyboard. Scarlatti also likes to have the melody thrown around in imitation between the two hands. He makes the hands cross and, although he doesn\u2019t use a lot of melodic ornaments, has a special love for trills. Today, these sonatas appear as piano solos, although they truly are conceived for the sound of a harpsichord. ","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/098.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510469603?h=4301ce202c","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200098,"order":"2"},"1100099":{"title":"How to Play 'Scarlatti Sonata in E major K.380 '","subtitle":"Scarlatti, Domenico","description":"Domenico Scarlatti (1685-1657) wrote over 500 pieces for the harpsichord. Most of these pieces were adapted from the individual dances of the suite. He published only 30 of these pieces in 1738 in a portfolio called Exercises for Harpsichord. The one movement pieces each have the title of Sonata. They were conceived not as mere technical exercises, but real Etudes, in the sense of Chopin\u2019s works of the same name. They often have a single theme but sometimes two or three, and these melodies are concise, clear and strikingly elegant. They often display the Spanish influence, not in the lively dance spirit, but also in the use of note repetition, a characteristic of Spanish guitar music. He imitates the strumming of a guitar with broken chords. He also likes to set his basic melody against a steady rhythm, echoing the tune around the keyboard. Scarlatti also likes to have the melody thrown around in imitation between the two hands. He makes the hands cross and, although he doesn\u2019t use a lot of melodic ornaments, has a special love for trills. The Sonata in F is one of the composer\u2019s most charming, with little imitative drum-like passages and a tuneful melody. ","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/099.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510469620?h=7c2c4ede3f","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100099,"order":"1"},"1200099":{"title":"Sheet Music of 'Scarlatti Sonata in E major K.380 '","subtitle":"Scarlatti, Domenico","description":"Domenico Scarlatti (1685-1657) wrote over 500 pieces for the harpsichord. Most of these pieces were adapted from the individual dances of the suite. He published only 30 of these pieces in 1738 in a portfolio called Exercises for Harpsichord. The one movement pieces each have the title of Sonata. They were conceived not as mere technical exercises, but real Etudes, in the sense of Chopin\u2019s works of the same name. They often have a single theme but sometimes two or three, and these melodies are concise, clear and strikingly elegant. They often display the Spanish influence, not in the lively dance spirit, but also in the use of note repetition, a characteristic of Spanish guitar music. He imitates the strumming of a guitar with broken chords. He also likes to set his basic melody against a steady rhythm, echoing the tune around the keyboard. Scarlatti also likes to have the melody thrown around in imitation between the two hands. He makes the hands cross and, although he doesn\u2019t use a lot of melodic ornaments, has a special love for trills. The Sonata in F is one of the composer\u2019s most charming, with little imitative drum-like passages and a tuneful melody. ","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/099.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510469620?h=7c2c4ede3f","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200099,"order":"2"},"1100100":{"title":"How to Play 'Sonata in D minor, K 9, L 413'","subtitle":"Scarlatti, Domenico","description":"Domenico Scarlatti (1685-1657) wrote over 500 pieces for the harpsichord. Most of these pieces were adapted from the individual dances of the suite. He published only 30 of these pieces in 1738 in a portfolio called Exercises for Harpsichord. The one movement pieces each have the title of Sonata. They were conceived not as mere technical exercises, but real Etudes, in the sense of Chopin\u2019s works of the same name. They often have a single theme but sometimes two or three, and these melodies are concise, clear and strikingly elegant. They often display the Spanish influence, not in the lively dance spirit, but also in the use of note repetition, a characteristic of Spanish guitar music. He imitates the strumming of a guitar with broken chords. He also likes to set his basic melody against a steady rhythm, echoing the tune around the keyboard. Scarlatti also likes to have the melody thrown around in imitation between the two hands. He makes the hands cross and, although he doesn\u2019t use a lot of melodic ornaments, has a special love for trills. The Sonata in D minor is one of the most popular with students. It has a memorable melody and some charming upward scale runs in thirds. ","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/100.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510469637?h=1838658adb","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100100,"order":"1"},"1200100":{"title":"Sheet Music of 'Sonata in D minor, K 9, L 413'","subtitle":"Scarlatti, Domenico","description":"Domenico Scarlatti (1685-1657) wrote over 500 pieces for the harpsichord. Most of these pieces were adapted from the individual dances of the suite. He published only 30 of these pieces in 1738 in a portfolio called Exercises for Harpsichord. The one movement pieces each have the title of Sonata. They were conceived not as mere technical exercises, but real Etudes, in the sense of Chopin\u2019s works of the same name. They often have a single theme but sometimes two or three, and these melodies are concise, clear and strikingly elegant. They often display the Spanish influence, not in the lively dance spirit, but also in the use of note repetition, a characteristic of Spanish guitar music. He imitates the strumming of a guitar with broken chords. He also likes to set his basic melody against a steady rhythm, echoing the tune around the keyboard. Scarlatti also likes to have the melody thrown around in imitation between the two hands. He makes the hands cross and, although he doesn\u2019t use a lot of melodic ornaments, has a special love for trills. The Sonata in D minor is one of the most popular with students. It has a memorable melody and some charming upward scale runs in thirds. ","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/100.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510469637?h=1838658adb","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200100,"order":"2"},"1100101":{"title":"How to Play 'Irish Tune from County Derry (1911)'","subtitle":"Grainger, Percy","description":"In one of his British Folk-Music Settings, Australian pianist Percy Grainger did great justice to the Irish tune from County Derry we more commonly know as Danny Boy. He wrote this arrangement between 1902- 11. His detailed performance notes on the printed music leave no doubt as to his preferred interpretation.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/101.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510470065?h=9ce6c10904","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100101,"order":"1"},"1200101":{"title":"Sheet Music of 'Irish Tune from County Derry (1911)'","subtitle":"Grainger, Percy","description":"In one of his British Folk-Music Settings, Australian pianist Percy Grainger did great justice to the Irish tune from County Derry we more commonly know as Danny Boy. He wrote this arrangement between 1902- 11. His detailed performance notes on the printed music leave no doubt as to his preferred interpretation.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/101.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510470065?h=9ce6c10904","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200101,"order":"2"},"1100102":{"title":"How to Play 'Shepherd\u2019s Hey'","subtitle":"Grainger, Percy","description":"One of his British Folk-Music Settings, Percy Grainger calls Shepherd\u2019s Hey an English Morris Dance Tune, taken &quot;from the playing of the fiddler of the Bidford Morris Dancers (1906)&quot; set for piano by him using four variants. It is a silly bit of fluff, sure to pick up anyone\u2019s spirits.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/102.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510470112?h=22b271a5ba","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100102,"order":"1"},"1200102":{"title":"Sheet Music of 'Shepherd\u2019s Hey'","subtitle":"Grainger, Percy","description":"One of his British Folk-Music Settings, Percy Grainger calls Shepherd\u2019s Hey an English Morris Dance Tune, taken &quot;from the playing of the fiddler of the Bidford Morris Dancers (1906)&quot; set for piano by him using four variants. It is a silly bit of fluff, sure to pick up anyone\u2019s spirits.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/102.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510470112?h=22b271a5ba","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200102,"order":"2"},"1100103":{"title":"How to Play 'Impromptu in E flat, Op. 90, No. 2'","subtitle":"Schubert, Franz","description":"Although Schubert had trouble with large scale works of music, he excelled in the creation of both songs and short works for the piano, such as the Impromptus. His set of Impromptus, Op. 90 were composed in 1828, just one year before Schubert\u2019s death. The Impromptu in E flat, Op. 90, No. 2 flows with a seemingly continuous scale melody that rolls up and down the keyboard. It has vigorous contrasting middle section and coda.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/103.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510470170?h=c46185d88b","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100103,"order":"1"},"1200103":{"title":"Sheet Music of 'Impromptu in E flat, Op. 90, No. 2'","subtitle":"Schubert, Franz","description":"Although Schubert had trouble with large scale works of music, he excelled in the creation of both songs and short works for the piano, such as the Impromptus. His set of Impromptus, Op. 90 were composed in 1828, just one year before Schubert\u2019s death. The Impromptu in E flat, Op. 90, No. 2 flows with a seemingly continuous scale melody that rolls up and down the keyboard. It has vigorous contrasting middle section and coda.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/103.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510470170?h=c46185d88b","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200103,"order":"2"},"1100104":{"title":"How to Play 'Impromptu in G flat, Op. 90, No. 3'","subtitle":"Schubert, Franz","description":"Although Schubert had trouble with large scale works of music, he excelled in the creation of both songs and short works for the piano, such as the Impromptus. His set of Impromptus, Op. 90 were composed in 1828, just one year before his death. The Impromptu in G flat, Op. 90, No. 3, is a virtual song for the piano. It is an exercise in sensitivity and tonal balance.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/104.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510470229?h=9b835614c7","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100104,"order":"1"},"1200104":{"title":"Sheet Music of 'Impromptu in G flat, Op. 90, No. 3'","subtitle":"Schubert, Franz","description":"Although Schubert had trouble with large scale works of music, he excelled in the creation of both songs and short works for the piano, such as the Impromptus. His set of Impromptus, Op. 90 were composed in 1828, just one year before his death. The Impromptu in G flat, Op. 90, No. 3, is a virtual song for the piano. It is an exercise in sensitivity and tonal balance.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/104.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510470229?h=9b835614c7","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200104,"order":"2"},"1100105":{"title":"How to Play 'Impromptu in A-flat minor, Op. 90, No. 4'","subtitle":"Schubert, Franz","description":"Although Schubert had trouble with large scale works of music, he excelled in the creation of both songs and short works for the piano, such as the Impromptus. His set of Impromptus, Op. 90 were composed in 1828, just one year before his death. The impromptu in A-flat minor, Op. 90, No. 4, maintains a background of arpeggio-like chord patterns interspersed with singing melodies.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/105.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510470300?h=a2c3080584","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100105,"order":"1"},"1200105":{"title":"Sheet Music of 'Impromptu in A-flat minor, Op. 90, No. 4'","subtitle":"Schubert, Franz","description":"Although Schubert had trouble with large scale works of music, he excelled in the creation of both songs and short works for the piano, such as the Impromptus. His set of Impromptus, Op. 90 were composed in 1828, just one year before his death. The impromptu in A-flat minor, Op. 90, No. 4, maintains a background of arpeggio-like chord patterns interspersed with singing melodies.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/105.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510470300?h=a2c3080584","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200105,"order":"2"},"1100106":{"title":"How to Play 'Polonaise in A, Op. 40, No. 1'","subtitle":"Chopin, Fr\u00e9d\u00e9ric ","description":"Chopin\u2019s Polonaise in A, Op. 40, No. 1 is often referred to as the &quot;Military Polonaise&quot; because of its brisk, march-like quality. Initially bright and quick, it becomes broadly melodic toward the middle of the piece. It was composed in 1838 and first published in 1840.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/106.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510470357?h=d22563564b","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100106,"order":"1"},"1200106":{"title":"Sheet Music of 'Polonaise in A, Op. 40, No. 1'","subtitle":"Chopin, Fr\u00e9d\u00e9ric ","description":"Chopin\u2019s Polonaise in A, Op. 40, No. 1 is often referred to as the &quot;Military Polonaise&quot; because of its brisk, march-like quality. Initially bright and quick, it becomes broadly melodic toward the middle of the piece. It was composed in 1838 and first published in 1840.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/106.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510470357?h=d22563564b","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200106,"order":"2"},"1100107":{"title":"How to Play 'Four Ballades, Op. 10, No.1'","subtitle":"Brahms, Johannes","description":"Brahms\u2019 Four Ballades, Op. 10 (composed in 1856) were inspired by the Scotch Ballade &quot;Edward&quot;. No.1, the Ballade in D minor blends feelings of sad tragedy with heroism.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/107.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510470408?h=42534e2375","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100107,"order":"1"},"1200107":{"title":"Sheet Music of 'Four Ballades, Op. 10, No.1'","subtitle":"Brahms, Johannes","description":"Brahms\u2019 Four Ballades, Op. 10 (composed in 1856) were inspired by the Scotch Ballade &quot;Edward&quot;. No.1, the Ballade in D minor blends feelings of sad tragedy with heroism.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/107.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510470408?h=42534e2375","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200107,"order":"2"},"1100108":{"title":"How to Play 'Prelude and Fugue No. 3 in C-sharp, Prelude (Well-Tempered Clavier, Book I)'","subtitle":"Bach, J.S","description":"Wohltemperiertes Klavier, or Well-Tempered Clavier, was published by Bach in two volumes of 24 Preludes and Fugues each. The first was released in 1722, and the second around 1740. By using all major and minor keys, this collection of works was taking advantage of a new advance in keyboard technology: tempered tuning. A &quot;tempered&quot; keyboard allowed performance in any key without retuning the instrument-- something that had previously been impossible. Prelude No. 3 in C-sharp from Book 1 of the WTC is a sparkling little gem that seems a continuous flow of sixteenth notes.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/108.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510470470?h=5804c0ca39","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100108,"order":"1"},"1200108":{"title":"Sheet Music of 'Prelude and Fugue No. 3 in C-sharp, Prelude (Well-Tempered Clavier, Book I)'","subtitle":"Bach, J.S","description":"Wohltemperiertes Klavier, or Well-Tempered Clavier, was published by Bach in two volumes of 24 Preludes and Fugues each. The first was released in 1722, and the second around 1740. By using all major and minor keys, this collection of works was taking advantage of a new advance in keyboard technology: tempered tuning. A &quot;tempered&quot; keyboard allowed performance in any key without retuning the instrument-- something that had previously been impossible. Prelude No. 3 in C-sharp from Book 1 of the WTC is a sparkling little gem that seems a continuous flow of sixteenth notes.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/108.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510470470?h=5804c0ca39","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200108,"order":"2"},"1100109":{"title":"How to Play 'Prelude and Fugue No. 3 in C-sharp, Fugue (Well-Tempered Clavier, Book I)'","subtitle":"Bach, J.S","description":"The matching fugue to Prelude No. 3 (WTC Bk. 1) is in three voices and is both rhymically vigorous and cheerful.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/109.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510470547?h=484efbe270","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100109,"order":"1"},"1200109":{"title":"Sheet Music of 'Prelude and Fugue No. 3 in C-sharp, Fugue (Well-Tempered Clavier, Book I)'","subtitle":"Bach, J.S","description":"The matching fugue to Prelude No. 3 (WTC Bk. 1) is in three voices and is both rhymically vigorous and cheerful.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/109.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510470547?h=484efbe270","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200109,"order":"2"},"1100110":{"title":"How to Play 'Prelude and Fugue No. 5, Prelude (Well-Tempered Clavier, Book I)'","subtitle":"Bach, J.S","description":"Bach\u2019s Prelude from the Prelude and Fugue No. 5 (from Book 1 of the Well-Tempered Clavier) is a masterpiece of contrast. The lilting Prelude contrasts sharply with the dotted rhythms of the Fugue. Wohltemperiertes Klavier, or Well-Tempered Clavier, was published by Bach in two volumes of 24 Preludes and Fugues each. The first was released in 1722, and the second around 1740. By using all major and minor keys, this collection of works was taking advantage of a new advance in keyboard technology: tempered tuning. A &quot;tempered&quot; keyboard allowed performance in any key without retuning the instrument-- something that had previously been impossible.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/110.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510470609?h=a53aea851d","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100110,"order":"1"},"1200110":{"title":"Sheet Music of 'Prelude and Fugue No. 5, Prelude (Well-Tempered Clavier, Book I)'","subtitle":"Bach, J.S","description":"Bach\u2019s Prelude from the Prelude and Fugue No. 5 (from Book 1 of the Well-Tempered Clavier) is a masterpiece of contrast. The lilting Prelude contrasts sharply with the dotted rhythms of the Fugue. Wohltemperiertes Klavier, or Well-Tempered Clavier, was published by Bach in two volumes of 24 Preludes and Fugues each. The first was released in 1722, and the second around 1740. By using all major and minor keys, this collection of works was taking advantage of a new advance in keyboard technology: tempered tuning. A &quot;tempered&quot; keyboard allowed performance in any key without retuning the instrument-- something that had previously been impossible.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/110.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510470609?h=a53aea851d","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200110,"order":"2"},"1100111":{"title":"How to Play 'Prelude and Fugue No. 5, Fugue (Well-Tempered Clavier, Book I)'","subtitle":"Bach, J.S","description":"The matching four voice Fugue to Bach\u2019s Prelude No. 5 (WTC, Bk. 1) has a rhythmically agressive, snapping theme which energizes then whole thing.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/111.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510470672?h=594a661ac4","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100111,"order":"1"},"1200111":{"title":"Sheet Music of 'Prelude and Fugue No. 5, Fugue (Well-Tempered Clavier, Book I)'","subtitle":"Bach, J.S","description":"The matching four voice Fugue to Bach\u2019s Prelude No. 5 (WTC, Bk. 1) has a rhythmically agressive, snapping theme which energizes then whole thing.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/111.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510470672?h=594a661ac4","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200111,"order":"2"},"1100112":{"title":"How to Play 'Prelude and Fugue No. 7, Prelude (Well-Tempered Clavier, Book I)'","subtitle":"Bach, J.S","description":"The Prelude No. 7 in E flat from Book 1 of the Well-Tempered Clavier is both melodic and inspired. Its wide variety of textures include both improvised-sounding and imitative passages. Wohltemperiertes Klavier, or Well-Tempered Clavier, was published by Bach in two volumes of 24 Preludes and Fugues each. The first was released in 1722, and the second around 1740. By using all major and minor keys, this collection of works was taking advantage of a new advance in keyboard technology: tempered tuning. A &quot;tempered&quot; keyboard allowed performance in any key without retuning the instrument-- something that had previously been impossible.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/112.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510470723?h=5098130b46","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100112,"order":"1"},"1200112":{"title":"Sheet Music of 'Prelude and Fugue No. 7, Prelude (Well-Tempered Clavier, Book I)'","subtitle":"Bach, J.S","description":"The Prelude No. 7 in E flat from Book 1 of the Well-Tempered Clavier is both melodic and inspired. Its wide variety of textures include both improvised-sounding and imitative passages. Wohltemperiertes Klavier, or Well-Tempered Clavier, was published by Bach in two volumes of 24 Preludes and Fugues each. The first was released in 1722, and the second around 1740. By using all major and minor keys, this collection of works was taking advantage of a new advance in keyboard technology: tempered tuning. A &quot;tempered&quot; keyboard allowed performance in any key without retuning the instrument-- something that had previously been impossible.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/112.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510470723?h=5098130b46","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200112,"order":"2"},"1100113":{"title":"How to Play 'Prelude and Fugue No. 7, Fugue (Well-Tempered Clavier, Book I)'","subtitle":"Bach, J.S","description":"The Fugue from the Prelude and Fugue No. 7, Book 1 of the Well- Tempered Clavier is cheerful and spritely. It is in three voices.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/113.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510470773?h=8d305d3eab","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100113,"order":"1"},"1200113":{"title":"Sheet Music of 'Prelude and Fugue No. 7, Fugue (Well-Tempered Clavier, Book I)'","subtitle":"Bach, J.S","description":"The Fugue from the Prelude and Fugue No. 7, Book 1 of the Well- Tempered Clavier is cheerful and spritely. It is in three voices.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/113.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510470773?h=8d305d3eab","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200113,"order":"2"},"1100114":{"title":"How to Play '8 Fantasy Pieces (Op. 12), The Song\u2019s End (No.8)'","subtitle":"Schumann, Robert","description":"Schumann used the term Fantasy Piece (Phantasiestueck) to describe the many little piano works that portrayed his flights of fancy or flashes of inspiration. The eight Fantasy Pieces, Opus 12, were composed in 1837 and are a marvellous display of Schumann\u2019s imaginative best. The Song\u2019s End, Op. 12, No. 8, with its uplifting chords and happily rhythmic middle section, finishes the set in good spirits.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/114.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510470839?h=41d9fec15e","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100114,"order":"1"},"1200114":{"title":"Sheet Music of '8 Fantasy Pieces (Op. 12), The Song\u2019s End (No.8)'","subtitle":"Schumann, Robert","description":"Schumann used the term Fantasy Piece (Phantasiestueck) to describe the many little piano works that portrayed his flights of fancy or flashes of inspiration. The eight Fantasy Pieces, Opus 12, were composed in 1837 and are a marvellous display of Schumann\u2019s imaginative best. The Song\u2019s End, Op. 12, No. 8, with its uplifting chords and happily rhythmic middle section, finishes the set in good spirits.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/114.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510470839?h=41d9fec15e","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200114,"order":"2"},"1100115":{"title":"How to Play 'Album for the Young, Op. 68, No.10, Froehlicher Landmann, von der Arbeit zurueckkehrend (The Happy Farmer Returning from Work)'","subtitle":"Schumann, Robert","description":"Froehlicher Landmann, von der Arbeit zurueckkehrend (The Happy Farmer Returning from Work) is one of the most familiar and lively short pieces from Schumann\u2019s Album for the Young, Op. 68. All the pieces are within the technical range of younger students but present mature musical problems.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/115.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510470918?h=fd9a112684","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100115,"order":"1"},"1200115":{"title":"Sheet Music of 'Album for the Young, Op. 68, No.10, Froehlicher Landmann, von der Arbeit zurueckkehrend (The Happy Farmer Returning from Work)'","subtitle":"Schumann, Robert","description":"Froehlicher Landmann, von der Arbeit zurueckkehrend (The Happy Farmer Returning from Work) is one of the most familiar and lively short pieces from Schumann\u2019s Album for the Young, Op. 68. All the pieces are within the technical range of younger students but present mature musical problems.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/115.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510470918?h=fd9a112684","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200115,"order":"2"},"1100116":{"title":"How to Play 'Claire de lune, Op. 46, No. 2'","subtitle":"Faure, Gabriel","description":"While Debussy\u2019s Claire de lune is considered one of the world\u2019s most famous piano pieces, the composer was actually imitating a piece of the same name by Gabriel Faure. Faure\u2019s Claire de lune, Op. 46, No. 2 is technically simple but has a lovely singing melody and sense of sadness.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/116.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510470979?h=4a6445e6ca","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100116,"order":"1"},"1200116":{"title":"Sheet Music of 'Claire de lune, Op. 46, No. 2'","subtitle":"Faure, Gabriel","description":"While Debussy\u2019s Claire de lune is considered one of the world\u2019s most famous piano pieces, the composer was actually imitating a piece of the same name by Gabriel Faure. Faure\u2019s Claire de lune, Op. 46, No. 2 is technically simple but has a lovely singing melody and sense of sadness.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/116.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510470979?h=4a6445e6ca","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200116,"order":"2"},"1100117":{"title":"How to Play 'Prelude, Op. 12, No. 7'","subtitle":"Prokofiev, Sergei","description":"The opening of Prokofiev\u2019s Prelude, Op. 12, No. 7 has a child-like sense of wonder and charm. There is a sparkling background of notes while a melody in thirds threads its way through it all. There is a mechanical middle section which is characteristic of the composer.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/117.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510471063?h=6987ce8ad3","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100117,"order":"1"},"1200117":{"title":"Sheet Music of 'Prelude, Op. 12, No. 7'","subtitle":"Prokofiev, Sergei","description":"The opening of Prokofiev\u2019s Prelude, Op. 12, No. 7 has a child-like sense of wonder and charm. There is a sparkling background of notes while a melody in thirds threads its way through it all. There is a mechanical middle section which is characteristic of the composer.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/117.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510471063?h=6987ce8ad3","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200117,"order":"2"},"1100118":{"title":"How to Play 'Waltz in E flat, Op. 18'","subtitle":"Chopin, Fr\u00e9d\u00e9ric ","description":"In many ways, Chopin\u2019s treatment of the waltz is akin to the way Baroque composers treated the court dances of their time. The layout of the music is simple, the music elegant and charming, but the waltzes are not intended to be great artistic statements.  The Waltz in E flat, Op. 18 opens with a trumpet-like fanfare and than vigorously steps right into the swing of things. The leggieremente second melody with its repeated notes is delightful. This one of the most brilliant of all the waltzes.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/118.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510471131?h=c72e026673","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100118,"order":"1"},"1200118":{"title":"Sheet Music of 'Waltz in E flat, Op. 18'","subtitle":"Chopin, Fr\u00e9d\u00e9ric ","description":"In many ways, Chopin\u2019s treatment of the waltz is akin to the way Baroque composers treated the court dances of their time. The layout of the music is simple, the music elegant and charming, but the waltzes are not intended to be great artistic statements.  The Waltz in E flat, Op. 18 opens with a trumpet-like fanfare and than vigorously steps right into the swing of things. The leggieremente second melody with its repeated notes is delightful. This one of the most brilliant of all the waltzes.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/118.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510471131?h=c72e026673","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200118,"order":"2"},"1100119":{"title":"How to Play 'Midsummer Night\u2019s Dream'","subtitle":"Mendelssohn, Felix","description":"When Mendelssohn composed incidental music to Shakespeare\u2019s Midsummer Night\u2019s Dream, I\u2019m sure he had no idea that thousands of future couples would be using the 6th number to run down the church aisle after their weddings. Apparently the trend started in England in 1847 and got a further boost when Queen Victoria\u2019s daughter used it at Windsor in 1858. This piano arrangement should lift your spirits.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/119.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510471187?h=5cf05af2d4","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100119,"order":"1"},"1200119":{"title":"Sheet Music of 'Midsummer Night\u2019s Dream'","subtitle":"Mendelssohn, Felix","description":"When Mendelssohn composed incidental music to Shakespeare\u2019s Midsummer Night\u2019s Dream, I\u2019m sure he had no idea that thousands of future couples would be using the 6th number to run down the church aisle after their weddings. Apparently the trend started in England in 1847 and got a further boost when Queen Victoria\u2019s daughter used it at Windsor in 1858. This piano arrangement should lift your spirits.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/119.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510471187?h=5cf05af2d4","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200119,"order":"2"},"1100120":{"title":"How to Play 'Automne (Etude de concert), Op. 35, No. 2'","subtitle":"Chaminade, Cecil","description":"Cecile Chaminade (b. Paris 1857; d Monte Carlo, 1944) was a pianist and composer known for her graceful &quot;salon&quot; piano music. She was a student of French violinist and composer Benjamin Godard and began composing at the age of eight. From 1875, she began to give regular piano recitals, including her own compositions. Her compositions include comic opera, ballet, orchestral suites, a concert piece for piano and orchestra. Her many piano pieces include Automne (Etude de concert), Op. 35, No. 2. Its sentimental melody has made it popular.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/120.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510471245?h=d7e215fd51","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100120,"order":"1"},"1200120":{"title":"Sheet Music of 'Automne (Etude de concert), Op. 35, No. 2'","subtitle":"Chaminade, Cecil","description":"Cecile Chaminade (b. Paris 1857; d Monte Carlo, 1944) was a pianist and composer known for her graceful &quot;salon&quot; piano music. She was a student of French violinist and composer Benjamin Godard and began composing at the age of eight. From 1875, she began to give regular piano recitals, including her own compositions. Her compositions include comic opera, ballet, orchestral suites, a concert piece for piano and orchestra. Her many piano pieces include Automne (Etude de concert), Op. 35, No. 2. Its sentimental melody has made it popular.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/120.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510471245?h=d7e215fd51","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200120,"order":"2"},"1100121":{"title":"How to Play 'In a Monastery Garden'","subtitle":"Ketelbey, Albert","description":"English composer and conductor Albert Ketelbey (1875-1959) was best known for orchestral works such as In a Persian Market and In a Monastery Garden, which we hear now in piano version.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/121.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510471298?h=71a0d75a83","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100121,"order":"1"},"1200121":{"title":"Sheet Music of 'In a Monastery Garden'","subtitle":"Ketelbey, Albert","description":"English composer and conductor Albert Ketelbey (1875-1959) was best known for orchestral works such as In a Persian Market and In a Monastery Garden, which we hear now in piano version.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/121.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510471298?h=71a0d75a83","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200121,"order":"2"},"1100122":{"title":"How to Play 'Ave Maria'","subtitle":"Schubert, Franz","description":"Franz Schubert made a setting of Ave Maria based on a German translation of Walter Scott's poem from The Lady of the Lake (1810). As an accompaniment, he used the Prelude in C from Bach's Well-Tempered Clavier, Book 1 (included in The Pianist). Franz Liszt later arranged this piano version.  ","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/122.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510471360?h=6f75c0ca5f","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100122,"order":"1"},"1200122":{"title":"Sheet Music of 'Ave Maria'","subtitle":"Schubert, Franz","description":"Franz Schubert made a setting of Ave Maria based on a German translation of Walter Scott's poem from The Lady of the Lake (1810). As an accompaniment, he used the Prelude in C from Bach's Well-Tempered Clavier, Book 1 (included in The Pianist). Franz Liszt later arranged this piano version.  ","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/122.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510471360?h=6f75c0ca5f","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200122,"order":"2"},"1100123":{"title":"How to Play 'Mephisto Waltz'","subtitle":"Liszt, Franz","description":"Liszt's Mephisto Waltz, subitlted A Dance in the Village Inn, was composed between 1858-61. In fact, Liszt seems to have been fascinated with the Faustian legend, composing a second Mephisto Waltz 20 years later, a Mephisto Polka a few years later still and even starting yet another. All of it was inspired by the poem Faust by poet Nicholas Lenau.  The basic story is this: a peasant wedding is being celebrated in a village inn when Mephistopheles and Faust, in disguise, enter. Faust is attracted to one of the women but is too shy to make a move. The devil laughs, then after critizing the musicians for playing too lethargically, grabs a fiddle and begins to play. The dancing becomes wilder and wilder. Faust presses the hand of the young woman, then together they dance out of the room into the night and into the forest, as the devil's violin fades and becomes mingled with the songs of nightingales.  As one might expect from the pen of history's great piano virtuoso, Mephisto Waltz is a torrent of sensuous and demonic piano virtuosity.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/123.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510471425?h=0be48cc9ee","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100123,"order":"1"},"1200123":{"title":"Sheet Music of 'Mephisto Waltz'","subtitle":"Liszt, Franz","description":"Liszt's Mephisto Waltz, subitlted A Dance in the Village Inn, was composed between 1858-61. In fact, Liszt seems to have been fascinated with the Faustian legend, composing a second Mephisto Waltz 20 years later, a Mephisto Polka a few years later still and even starting yet another. All of it was inspired by the poem Faust by poet Nicholas Lenau.  The basic story is this: a peasant wedding is being celebrated in a village inn when Mephistopheles and Faust, in disguise, enter. Faust is attracted to one of the women but is too shy to make a move. The devil laughs, then after critizing the musicians for playing too lethargically, grabs a fiddle and begins to play. The dancing becomes wilder and wilder. Faust presses the hand of the young woman, then together they dance out of the room into the night and into the forest, as the devil's violin fades and becomes mingled with the songs of nightingales.  As one might expect from the pen of history's great piano virtuoso, Mephisto Waltz is a torrent of sensuous and demonic piano virtuosity.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/123.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510471425?h=0be48cc9ee","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200123,"order":"2"},"1100124":{"title":"How to Play 'Scherzo No. 3 in C sharp minor'","subtitle":"Chopin, Fr\u00e9d\u00e9ric ","description":"Chopin's Scherzo No. 3 in C sharp minor was composed around 1839. Unlike the typical scherzo found as a movement in symphonies and sonatas by Beethoven, Chopin's Scherzos are unique compositions, filled with drama, tragedy and inspiration. In No. 3, the opening bare octave principal theme rivets your attention. When he reaches the chords of the Meno Mosso, the glittering cascade of falling broken chords creates a magical effect. While this is not the most technically demanding of Chopin's major works, it has an originallity and persuasive narrative power which is enduring.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/124.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510471488?h=c984d17111","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100124,"order":"1"},"1200124":{"title":"Sheet Music of 'Scherzo No. 3 in C sharp minor'","subtitle":"Chopin, Fr\u00e9d\u00e9ric ","description":"Chopin's Scherzo No. 3 in C sharp minor was composed around 1839. Unlike the typical scherzo found as a movement in symphonies and sonatas by Beethoven, Chopin's Scherzos are unique compositions, filled with drama, tragedy and inspiration. In No. 3, the opening bare octave principal theme rivets your attention. When he reaches the chords of the Meno Mosso, the glittering cascade of falling broken chords creates a magical effect. While this is not the most technically demanding of Chopin's major works, it has an originallity and persuasive narrative power which is enduring.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/124.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510471488?h=c984d17111","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200124,"order":"2"},"1100125":{"title":"How to Play 'Pomp and Circumstance No. 1 in D, op. 39'","subtitle":"Elgar, Sir Edward","description":"Sir Edward Elgar (1857-1934) named his set of 5 marches for symphonic orchestra Pomp and Circumstance, quote Act 3 of Shakespeare's Othello. Pomp and Circumstance No. 1 in D, op. 39 was first performed in Liverpool in 1901. Today, it is more commonly known as music for college graduations.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/125.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510471543?h=9e0882139d","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100125,"order":"1"},"1200125":{"title":"Sheet Music of 'Pomp and Circumstance No. 1 in D, op. 39'","subtitle":"Elgar, Sir Edward","description":"Sir Edward Elgar (1857-1934) named his set of 5 marches for symphonic orchestra Pomp and Circumstance, quote Act 3 of Shakespeare's Othello. Pomp and Circumstance No. 1 in D, op. 39 was first performed in Liverpool in 1901. Today, it is more commonly known as music for college graduations.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/125.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510471543?h=9e0882139d","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200125,"order":"2"},"1100126":{"title":"How to Play '12 Danzas Espa\u00f1olas, Op. 5, No.2 Oriental'","subtitle":"Granados, Enrique","description":"Granados' Oriental is from the composer's collection of 12 Danzas Espanolas (Spanish Dances), Op. 5. It is sombre with hauntingly memorable melodies.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/126.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510471605?h=3c45f252c6","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100126,"order":"1"},"1200126":{"title":"Sheet Music of '12 Danzas Espa\u00f1olas, Op. 5, No.2 Oriental'","subtitle":"Granados, Enrique","description":"Granados' Oriental is from the composer's collection of 12 Danzas Espanolas (Spanish Dances), Op. 5. It is sombre with hauntingly memorable melodies.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/126.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510471605?h=3c45f252c6","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200126,"order":"2"},"1100127":{"title":"How to Play 'Six Paganini Etudes, No.3, La Campanella'","subtitle":"Liszt, Franz","description":"La Campanella is the most famous of Liszt's six Paganini Etudes. Paganini, a contemporary of Liszt, was of the great violin virtuoso of his time. Liszt arranged some of Paganini's violin etudes for the piano, bringing an equivalent difficult and brilliance. La Campanella is a dazzling display of piano technique which glitters particularly in the upper range of the instrument.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/127.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510471667?h=5e7ca712d1","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100127,"order":"1"},"1200127":{"title":"Sheet Music of 'Six Paganini Etudes, No.3, La Campanella'","subtitle":"Liszt, Franz","description":"La Campanella is the most famous of Liszt's six Paganini Etudes. Paganini, a contemporary of Liszt, was of the great violin virtuoso of his time. Liszt arranged some of Paganini's violin etudes for the piano, bringing an equivalent difficult and brilliance. La Campanella is a dazzling display of piano technique which glitters particularly in the upper range of the instrument.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/127.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510471667?h=5e7ca712d1","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200127,"order":"2"},"1100128":{"title":"How to Play 'Hungarian Rhapsodie No.2'","subtitle":"Liszt, Franz","description":"No. 2 is the most famous of Liszt's Hungarian Rhapsodies. Its familiar dramatic opening evolves into a wide range of pianistic exhibitionism, both playful and virtuosic.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/128.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510471717?h=1df36cc017","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100128,"order":"1"},"1200128":{"title":"Sheet Music of 'Hungarian Rhapsodie No.2'","subtitle":"Liszt, Franz","description":"No. 2 is the most famous of Liszt's Hungarian Rhapsodies. Its familiar dramatic opening evolves into a wide range of pianistic exhibitionism, both playful and virtuosic.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/128.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510471717?h=1df36cc017","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200128,"order":"2"},"1100129":{"title":"How to Play 'Le Polichinelle'","subtitle":"Villa-Lobos, Heitor","description":"Villa-Lobos' Le Polichinelle (Punch) is an exciting little work with rapidly alternating hands, the right hand playing white key chords, the left playing black keys. It is from his set of pieces called Prole do Bebe (The Baby Dolls).","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/129.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510471764?h=1984cb809a","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100129,"order":"1"},"1200129":{"title":"Sheet Music of 'Le Polichinelle'","subtitle":"Villa-Lobos, Heitor","description":"Villa-Lobos' Le Polichinelle (Punch) is an exciting little work with rapidly alternating hands, the right hand playing white key chords, the left playing black keys. It is from his set of pieces called Prole do Bebe (The Baby Dolls).","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/129.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510471764?h=1984cb809a","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200129,"order":"2"},"1100130":{"title":"How to Play 'Islamey'","subtitle":"Balakirev, Mily","description":"Islamey by Mily Balakirev (1837-1910) may be one of the most difficult piano works ever composed and is thus rarely heard in concert. It was composed in 1869 and based on themes from Armenia and the Caucasus region. There is an abundance of Lisztian technical challenges. Two oriental-type themes are given a series of difficult variations. In 1908, Islamey was orchestrated by Alfredo Casella.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/130.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510471822?h=cc973fc6d6","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100130,"order":"1"},"1200130":{"title":"Sheet Music of 'Islamey'","subtitle":"Balakirev, Mily","description":"Islamey by Mily Balakirev (1837-1910) may be one of the most difficult piano works ever composed and is thus rarely heard in concert. It was composed in 1869 and based on themes from Armenia and the Caucasus region. There is an abundance of Lisztian technical challenges. Two oriental-type themes are given a series of difficult variations. In 1908, Islamey was orchestrated by Alfredo Casella.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/130.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510471822?h=cc973fc6d6","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200130,"order":"2"},"1100131":{"title":"How to Play 'Italian Concerto, No.1, Allegro'","subtitle":"Bach, J.S","description":"The Italian Concerto, regarded as one of Bach's best single pieces, was published in 1735 as Concerto in the Italian Manner. It is a piece meant for solo performance on a harpsichord with two keyboards. One keyboard emulates the orchestral tutti against which the other keyboard plays the solo part. In typical Italian concerto style, the piece is written in three movements: the Allegro, the Andante, and the Presto. The first movement is played at an allegro tempo. The solo melodic voice is played against a battery of robust, Italian-style chords.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/131.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510473490?h=d8078f9700","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100131,"order":"1"},"1200131":{"title":"Sheet Music of 'Italian Concerto, No.1, Allegro'","subtitle":"Bach, J.S","description":"The Italian Concerto, regarded as one of Bach's best single pieces, was published in 1735 as Concerto in the Italian Manner. It is a piece meant for solo performance on a harpsichord with two keyboards. One keyboard emulates the orchestral tutti against which the other keyboard plays the solo part. In typical Italian concerto style, the piece is written in three movements: the Allegro, the Andante, and the Presto. The first movement is played at an allegro tempo. The solo melodic voice is played against a battery of robust, Italian-style chords.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/131.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510473490?h=d8078f9700","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200131,"order":"2"},"1100132":{"title":"How to Play 'Italian Concerto, No.2, Andante'","subtitle":"Bach, J.S","description":"The Italian Concerto, regarded as one of Bach's best single pieces, was published in 1735 as Concerto in the Italian Manner. It is a piece meant for solo performance on a harpsichord with two keyboards. One keyboard emulates the orchestral tutti against which the other keyboard plays the solo part. In typical Italian concerto style, the piece is written in three movements: the Allegro, the Andante, and the Presto. The Andante movement of Bach's Italian-style concerto uses syncopation and recitatives to create a dramatic mood and lyrical melody.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/132.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510473523?h=75745e38bb","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100132,"order":"1"},"1200132":{"title":"Sheet Music of 'Italian Concerto, No.2, Andante'","subtitle":"Bach, J.S","description":"The Italian Concerto, regarded as one of Bach's best single pieces, was published in 1735 as Concerto in the Italian Manner. It is a piece meant for solo performance on a harpsichord with two keyboards. One keyboard emulates the orchestral tutti against which the other keyboard plays the solo part. In typical Italian concerto style, the piece is written in three movements: the Allegro, the Andante, and the Presto. The Andante movement of Bach's Italian-style concerto uses syncopation and recitatives to create a dramatic mood and lyrical melody.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/132.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510473523?h=75745e38bb","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200132,"order":"2"},"1100133":{"title":"How to Play 'Italian Concerto, No.3, Presto'","subtitle":"Bach, J.S","description":"The Italian Concerto, regarded as one of Bach's best single pieces, was published in 1735 as Concerto in the Italian Manner. It is a piece meant for solo performance on a harpsichord with two keyboards. One keyboard emulates the orchestral tutti against which the other keyboard plays the solo part. In typical Italian concerto style, the piece is written in three movements: the Allegro, the Andante, and the Presto. In this joyful Presto final movement, Bach deliberately and skillfully places musical opposition between the soloist and tutti accompaniment.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/133.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510473558?h=eb6c10c125","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100133,"order":"1"},"1200133":{"title":"Sheet Music of 'Italian Concerto, No.3, Presto'","subtitle":"Bach, J.S","description":"The Italian Concerto, regarded as one of Bach's best single pieces, was published in 1735 as Concerto in the Italian Manner. It is a piece meant for solo performance on a harpsichord with two keyboards. One keyboard emulates the orchestral tutti against which the other keyboard plays the solo part. In typical Italian concerto style, the piece is written in three movements: the Allegro, the Andante, and the Presto. In this joyful Presto final movement, Bach deliberately and skillfully places musical opposition between the soloist and tutti accompaniment.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/133.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510473558?h=eb6c10c125","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200133,"order":"2"},"1100134":{"title":"How to Play 'Sonata in C minor, op. 13 \u201cPathetique\u201d, No.1, Allegro'","subtitle":"Beethoven, Ludwig Van","description":"The Sonata in C minor, op. 13, is one of Beethoven's most celebrated and popular works. Subtitled Path tique by Beethoven's publishers, it was originally dedicated to Prince Karl von Lichnowski in 1799. Its subtitle, a French adjective meaning &quot;moving&quot; or &quot;touching&quot;, describes the prevailing mood of this sonata. At once, the sonata expresses Beethoven's sadness, and defiance of the deafness which was gradually engulfing him. The first movement is prefaced by a slow and dramatic introduction, intended to dominate the entire piece with tragic and melancholy overtones. This powerful introduction is echoed in the Allegro second theme, an agitated illustration of sadness and futility.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/134.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510473595?h=3087c606a1","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100134,"order":"1"},"1200134":{"title":"Sheet Music of 'Sonata in C minor, op. 13 \u201cPathetique\u201d, No.1, Allegro'","subtitle":"Beethoven, Ludwig Van","description":"The Sonata in C minor, op. 13, is one of Beethoven's most celebrated and popular works. Subtitled Path tique by Beethoven's publishers, it was originally dedicated to Prince Karl von Lichnowski in 1799. Its subtitle, a French adjective meaning &quot;moving&quot; or &quot;touching&quot;, describes the prevailing mood of this sonata. At once, the sonata expresses Beethoven's sadness, and defiance of the deafness which was gradually engulfing him. The first movement is prefaced by a slow and dramatic introduction, intended to dominate the entire piece with tragic and melancholy overtones. This powerful introduction is echoed in the Allegro second theme, an agitated illustration of sadness and futility.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/134.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510473595?h=3087c606a1","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200134,"order":"2"},"1100135":{"title":"How to Play 'Sonata in C minor, op. 13 \u201cPathetique\u201d, No.2, Adagio Cantabile'","subtitle":"Beethoven, Ludwig Van","description":"The Sonata in C minor, op. 13, is one of Beethoven's most celebrated and popular works. Subtitled Path tique by Beethoven's publishers, it was originally dedicated to Prince Karl von Lichnowski in 1799. Its subtitle, a French adjective meaning &quot;moving&quot; or &quot;touching&quot;, describes the prevailing mood of this sonata. At once, the sonata expresses Beethoven's sadness, and defiance of the deafness which was gradually engulfing him. The second movement of the Path tique, in magnificent rondo form, is played Adagio cantabile. It has a definite lyrical quality.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/135.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510473624?h=1889093a1e","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100135,"order":"1"},"1200135":{"title":"Sheet Music of 'Sonata in C minor, op. 13 \u201cPathetique\u201d, No.2, Adagio Cantabile'","subtitle":"Beethoven, Ludwig Van","description":"The Sonata in C minor, op. 13, is one of Beethoven's most celebrated and popular works. Subtitled Path tique by Beethoven's publishers, it was originally dedicated to Prince Karl von Lichnowski in 1799. Its subtitle, a French adjective meaning &quot;moving&quot; or &quot;touching&quot;, describes the prevailing mood of this sonata. At once, the sonata expresses Beethoven's sadness, and defiance of the deafness which was gradually engulfing him. The second movement of the Path tique, in magnificent rondo form, is played Adagio cantabile. It has a definite lyrical quality.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/135.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510473624?h=1889093a1e","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200135,"order":"2"},"1100136":{"title":"How to Play 'Sonata in C minor, op. 13 \u201cPathetique\u201d, No.3, Rondo'","subtitle":"Beethoven, Ludwig Van","description":"The Sonata in C minor, op. 13, is one of Beethoven's most celebrated and popular works. Subtitled Path tique by Beethoven's publishers, it was originally dedicated to Prince Karl von Lichnowski in 1799. Its subtitle, a French adjective meaning &quot;moving&quot; or &quot;touching&quot;, describes the prevailing mood of this sonata. At once, the sonata expresses Beethoven's sadness, and defiance of the deafness which was gradually engulfing him. The third and final movement of the Path tique is a classic Rondo and is consummated by a grandiose coda.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/136.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510473663?h=89a6da32f0","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100136,"order":"1"},"1200136":{"title":"Sheet Music of 'Sonata in C minor, op. 13 \u201cPathetique\u201d, No.3, Rondo'","subtitle":"Beethoven, Ludwig Van","description":"The Sonata in C minor, op. 13, is one of Beethoven's most celebrated and popular works. Subtitled Path tique by Beethoven's publishers, it was originally dedicated to Prince Karl von Lichnowski in 1799. Its subtitle, a French adjective meaning &quot;moving&quot; or &quot;touching&quot;, describes the prevailing mood of this sonata. At once, the sonata expresses Beethoven's sadness, and defiance of the deafness which was gradually engulfing him. The third and final movement of the Path tique is a classic Rondo and is consummated by a grandiose coda.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/136.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510473663?h=89a6da32f0","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200136,"order":"2"},"1100137":{"title":"How to Play 'Moonlight Sonata in C sharp minor, Op. 27, No.1, Adagio sostenuto'","subtitle":"Beethoven, Ludwig Van","description":"In 1802, Beethoven's Sonatina Quasi una Fantasia was published under the subtitle Moonlight. Beethoven's publishers were prompted to dub the sonata &quot;Moonlight&quot; by Heinrich Rellstab, who wrote that the first movement inspired the vision &quot;of a boat on Lake Lucerne by a luminous night.&quot; The Moonlight Sonata in C sharp minor, Op. 27, was dedicated to one of Beethoven's many loves: the Countess Giulietta Guicciardi. Upon hearing the Moonlight Sonata, the listener is repeatedly reminded of Beethoven's remarkable emotive humanity. By beginning the Moonlight Sonata with a movement played Adagio sostenuto, Beethoven broke with traditional sonata form. Expessively lyric, this first movement is written in slow, melodic, eighth-note triplets, giving the piece a tranquil sadness.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/137.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510473690?h=b5347603b6","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100137,"order":"1"},"1200137":{"title":"Sheet Music of 'Moonlight Sonata in C sharp minor, Op. 27, No.1, Adagio sostenuto'","subtitle":"Beethoven, Ludwig Van","description":"In 1802, Beethoven's Sonatina Quasi una Fantasia was published under the subtitle Moonlight. Beethoven's publishers were prompted to dub the sonata &quot;Moonlight&quot; by Heinrich Rellstab, who wrote that the first movement inspired the vision &quot;of a boat on Lake Lucerne by a luminous night.&quot; The Moonlight Sonata in C sharp minor, Op. 27, was dedicated to one of Beethoven's many loves: the Countess Giulietta Guicciardi. Upon hearing the Moonlight Sonata, the listener is repeatedly reminded of Beethoven's remarkable emotive humanity. By beginning the Moonlight Sonata with a movement played Adagio sostenuto, Beethoven broke with traditional sonata form. Expessively lyric, this first movement is written in slow, melodic, eighth-note triplets, giving the piece a tranquil sadness.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/137.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510473690?h=b5347603b6","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200137,"order":"2"},"1100138":{"title":"How to Play 'Moonlight Sonata in C sharp minor, Op. 27, No.2, Allegretto'","subtitle":"Beethoven, Ludwig Van","description":"In 1802, Beethoven's Sonatina Quasi una Fantasia was published under the subtitle Moonlight. Beethoven's publishers were prompted to dub the sonata &quot;Moonlight&quot; by Heinrich Rellstab, who wrote that the first movement inspired the vision &quot;of a boat on Lake Lucerne by a luminous night.&quot; The Moonlight Sonata in C sharp minor, Op. 27, was dedicated to one of Beethoven's many loves: the Countess Giulietta Guicciardi. Upon hearing the Moonlight Sonata, the listener is repeatedly reminded of Beethoven's remarkable emotive humanity. Franz Liszt described the second movement of Beethoven's Moonlight Sonata as &quot;a flower between abysses&quot;. The lively and invigorating scherzo is played Allegretto and contrasts brightly against the darker first and second movements that surround it.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/138.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510473725?h=1e5512496d","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100138,"order":"1"},"1200138":{"title":"Sheet Music of 'Moonlight Sonata in C sharp minor, Op. 27, No.2, Allegretto'","subtitle":"Beethoven, Ludwig Van","description":"In 1802, Beethoven's Sonatina Quasi una Fantasia was published under the subtitle Moonlight. Beethoven's publishers were prompted to dub the sonata &quot;Moonlight&quot; by Heinrich Rellstab, who wrote that the first movement inspired the vision &quot;of a boat on Lake Lucerne by a luminous night.&quot; The Moonlight Sonata in C sharp minor, Op. 27, was dedicated to one of Beethoven's many loves: the Countess Giulietta Guicciardi. Upon hearing the Moonlight Sonata, the listener is repeatedly reminded of Beethoven's remarkable emotive humanity. Franz Liszt described the second movement of Beethoven's Moonlight Sonata as &quot;a flower between abysses&quot;. The lively and invigorating scherzo is played Allegretto and contrasts brightly against the darker first and second movements that surround it.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/138.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510473725?h=1e5512496d","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200138,"order":"2"},"1100139":{"title":"How to Play 'Children's Corner Suite, No.1, Doctor Gradys ad Parnassum'","subtitle":"Debussy, Claude","description":"Doctor Gradys ad Parnassum, the first piece in Debussy's Children's Corner suite, is a humorous poke at the set of piano exercises by Clementi of the same name. One imagines a child seated at the keyboard, diligently practising the scale-like exercises, although it is itself a brilliant sounding, delightful piece of music. The Children's Corner suite (or Coin des Enfants) of six little piano pieces was published in July 1908 and musically describes things from a child's point of view. The front cover of the first edition had a drawing of an elephant holding the string of a balloon or golliwogg, as well as a stamped autograph of Debussy. Included is a dedication to the composer's daughter Claude-Emma (&quot;to my dear Chou-Chou, with the tender apologies of her father for what is to follow&quot;).  The suite was composed between 1906 and 1908, and performed in Paris on Dec. 18, 1908. All the titles are in English (apparently &quot;Anglomania&quot; was the rage in Paris at the time. Debussy's second wife Emma Bardac insisted that Chou-Chou be raised by an English nanny and surrounded her with English engravings of children's scenes).","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/139.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510473767?h=236ba2b23e","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100139,"order":"1"},"1200139":{"title":"Sheet Music of 'Children's Corner Suite, No.1, Doctor Gradys ad Parnassum'","subtitle":"Debussy, Claude","description":"Doctor Gradys ad Parnassum, the first piece in Debussy's Children's Corner suite, is a humorous poke at the set of piano exercises by Clementi of the same name. One imagines a child seated at the keyboard, diligently practising the scale-like exercises, although it is itself a brilliant sounding, delightful piece of music. The Children's Corner suite (or Coin des Enfants) of six little piano pieces was published in July 1908 and musically describes things from a child's point of view. The front cover of the first edition had a drawing of an elephant holding the string of a balloon or golliwogg, as well as a stamped autograph of Debussy. Included is a dedication to the composer's daughter Claude-Emma (&quot;to my dear Chou-Chou, with the tender apologies of her father for what is to follow&quot;).  The suite was composed between 1906 and 1908, and performed in Paris on Dec. 18, 1908. All the titles are in English (apparently &quot;Anglomania&quot; was the rage in Paris at the time. Debussy's second wife Emma Bardac insisted that Chou-Chou be raised by an English nanny and surrounded her with English engravings of children's scenes).","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/139.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510473767?h=236ba2b23e","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200139,"order":"2"},"1100140":{"title":"How to Play 'Children's Corner Suite, No.2, Jimbo's Lullaby'","subtitle":"Debussy, Claude","description":"In Jimbo's Lullaby, the second piece in Debussy's Children's Corner suite, Jimbo (actually, Debussy misspelled Jumbo) is a toy elephant. One can imagine the animal taking clumsy steps in this little child's cradle song. The Children's Corner suite (or Coin des Enfants) of six little piano pieces was published in July 1908 and musically describes things from a child's point of view. The front cover of the first edition had a drawing of an elephant holding the string of a balloon or golliwogg, as well as a stamped autograph of Debussy. Included is a dedication to the composer's daughter Claude-Emma (&quot;to my dear Chou-Chou, with the tender apologies of her father for what is to follow&quot;).  The suite was composed between 1906 and 1908, and performed in Paris on Dec. 18, 1908. All the titles are in English (apparently &quot;Anglomania&quot; was the rage in Paris at the time. Debussy's second wife Emma Bardac insisted that Chou-Chou be raised by an English nanny and surrounded her with English engravings of children's scenes).","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/140.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510458726?h=b7339432be","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100140,"order":"1"},"1200140":{"title":"Sheet Music of 'Children's Corner Suite, No.2, Jimbo's Lullaby'","subtitle":"Debussy, Claude","description":"In Jimbo's Lullaby, the second piece in Debussy's Children's Corner suite, Jimbo (actually, Debussy misspelled Jumbo) is a toy elephant. One can imagine the animal taking clumsy steps in this little child's cradle song. The Children's Corner suite (or Coin des Enfants) of six little piano pieces was published in July 1908 and musically describes things from a child's point of view. The front cover of the first edition had a drawing of an elephant holding the string of a balloon or golliwogg, as well as a stamped autograph of Debussy. Included is a dedication to the composer's daughter Claude-Emma (&quot;to my dear Chou-Chou, with the tender apologies of her father for what is to follow&quot;).  The suite was composed between 1906 and 1908, and performed in Paris on Dec. 18, 1908. All the titles are in English (apparently &quot;Anglomania&quot; was the rage in Paris at the time. Debussy's second wife Emma Bardac insisted that Chou-Chou be raised by an English nanny and surrounded her with English engravings of children's scenes).","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/140.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510458726?h=b7339432be","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200140,"order":"2"},"1100141":{"title":"How to Play 'Children's Corner Suite, No.3, Serenade for the Doll'","subtitle":"Debussy, Claude","description":"Serenade for the Doll, the third piece in Debussy's Children's Corner suite, is a tribute to the composer's daughter Chou-Chou's most prized possession. The Children's Corner suite (or Coin des Enfants) of six little piano pieces was published in July 1908 and musically describes things from a child's point of view. The front cover of the first edition had a drawing of an elephant holding the string of a balloon or golliwogg, as well as a stamped autograph of Debussy. Included is a dedication to the composer's daughter Claude-Emma (&quot;to my dear Chou-Chou, with the tender apologies of her father for what is to follow&quot;).  The suite was composed between 1906 and 1908, and performed in Paris on Dec. 18, 1908. All the titles are in English (apparently &quot;Anglomania&quot; was the rage in Paris at the time. Debussy's second wife Emma Bardac insisted that Chou-Chou be raised by an English nanny and surrounded her with English engravings of children's scenes).","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/141.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510458687?h=1b1e5cfcb6","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100141,"order":"1"},"1200141":{"title":"Sheet Music of 'Children's Corner Suite, No.3, Serenade for the Doll'","subtitle":"Debussy, Claude","description":"Serenade for the Doll, the third piece in Debussy's Children's Corner suite, is a tribute to the composer's daughter Chou-Chou's most prized possession. The Children's Corner suite (or Coin des Enfants) of six little piano pieces was published in July 1908 and musically describes things from a child's point of view. The front cover of the first edition had a drawing of an elephant holding the string of a balloon or golliwogg, as well as a stamped autograph of Debussy. Included is a dedication to the composer's daughter Claude-Emma (&quot;to my dear Chou-Chou, with the tender apologies of her father for what is to follow&quot;).  The suite was composed between 1906 and 1908, and performed in Paris on Dec. 18, 1908. All the titles are in English (apparently &quot;Anglomania&quot; was the rage in Paris at the time. Debussy's second wife Emma Bardac insisted that Chou-Chou be raised by an English nanny and surrounded her with English engravings of children's scenes).","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/141.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510458687?h=1b1e5cfcb6","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200141,"order":"2"},"1100142":{"title":"How to Play 'Moonlight Sonata in C sharp minor, Op. 27, No.3, Presto agitato'","subtitle":"Beethoven, Ludwig Van","description":"In 1802, Beethoven's Sonatina Quasi una Fantasia was published under the subtitle Moonlight. Beethoven's publishers were prompted to dub the sonata &quot;Moonlight&quot; by Heinrich Rellstab, who wrote that the first movement inspired the vision &quot;of a boat on Lake Lucerne by a luminous night.&quot; The Moonlight Sonata in C sharp minor, Op. 27, was dedicated to one of Beethoven's many loves: the Countess Giulietta Guicciardi. Upon hearing the Moonlight Sonata, the listener is repeatedly reminded of Beethoven's remarkable emotive humanity. The third movement, a restless Presto agitato, expresses the drama found in the first movement, but in a more animated fashion. It is tumultuous and stormy, as well as tragic.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/142.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510458639?h=63b546b49f","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100142,"order":"1"},"1200142":{"title":"Sheet Music of 'Moonlight Sonata in C sharp minor, Op. 27, No.3, Presto agitato'","subtitle":"Beethoven, Ludwig Van","description":"In 1802, Beethoven's Sonatina Quasi una Fantasia was published under the subtitle Moonlight. Beethoven's publishers were prompted to dub the sonata &quot;Moonlight&quot; by Heinrich Rellstab, who wrote that the first movement inspired the vision &quot;of a boat on Lake Lucerne by a luminous night.&quot; The Moonlight Sonata in C sharp minor, Op. 27, was dedicated to one of Beethoven's many loves: the Countess Giulietta Guicciardi. Upon hearing the Moonlight Sonata, the listener is repeatedly reminded of Beethoven's remarkable emotive humanity. The third movement, a restless Presto agitato, expresses the drama found in the first movement, but in a more animated fashion. It is tumultuous and stormy, as well as tragic.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/142.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510458639?h=63b546b49f","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200142,"order":"2"},"1100143":{"title":"How to Play 'Children's Corner Suite, No.4, The Snow is Dancing'","subtitle":"Debussy, Claude","description":"The fourth piece in Debussy's Children's Corner suite, The Snow is Dancing, is a vision of snowflakes dancing in the wind as a child looks out the window. The Children's Corner suite (or Coin des Enfants) of six little piano pieces was published in July 1908 and musically describes things from a child's point of view. The front cover of the first edition had a drawing of an elephant holding the string of a balloon or golliwogg, as well as a stamped autograph of Debussy. Included is a dedication to the composer's daughter Claude-Emma (&quot;to my dear Chou-Chou, with the tender apologies of her father for what is to follow&quot;).  The suite was composed between 1906 and 1908, and performed in Paris on Dec. 18, 1908. All the titles are in English (apparently &quot;Anglomania&quot; was the rage in Paris at the time. Debussy's second wife Emma Bardac insisted that Chou-Chou be raised by an English nanny and surrounded her with English engravings of children's scenes).","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/143.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510458601?h=d6f99a6db5","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100143,"order":"1"},"1200143":{"title":"Sheet Music of 'Children's Corner Suite, No.4, The Snow is Dancing'","subtitle":"Debussy, Claude","description":"The fourth piece in Debussy's Children's Corner suite, The Snow is Dancing, is a vision of snowflakes dancing in the wind as a child looks out the window. The Children's Corner suite (or Coin des Enfants) of six little piano pieces was published in July 1908 and musically describes things from a child's point of view. The front cover of the first edition had a drawing of an elephant holding the string of a balloon or golliwogg, as well as a stamped autograph of Debussy. Included is a dedication to the composer's daughter Claude-Emma (&quot;to my dear Chou-Chou, with the tender apologies of her father for what is to follow&quot;).  The suite was composed between 1906 and 1908, and performed in Paris on Dec. 18, 1908. All the titles are in English (apparently &quot;Anglomania&quot; was the rage in Paris at the time. Debussy's second wife Emma Bardac insisted that Chou-Chou be raised by an English nanny and surrounded her with English engravings of children's scenes).","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/143.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510458601?h=d6f99a6db5","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200143,"order":"2"},"1100144":{"title":"How to Play 'Children's Corner Suite, No.5 The Little Shepherd'","subtitle":"Debussy, Claude","description":"Debussy's The Little Shepherd is the fifth piece from the Children's Corner suite. It is a description of another of the composer's daughter Chou-Chou's toys. The Children's Corner suite (or Coin des Enfants) of six little piano pieces was published in July 1908 and musically describes things from a child's point of view. The front cover of the first edition had a drawing of an elephant holding the string of a balloon or golliwogg, as well as a stamped autograph of Debussy. Included is a dedication to the composer's daughter Claude-Emma (&quot;to my dear Chou-Chou, with the tender apologies of her father for what is to follow&quot;).  The suite was composed between 1906 and 1908, and performed in Paris on Dec. 18, 1908. All the titles are in English (apparently &quot;Anglomania&quot; was the rage in Paris at the time. Debussy's second wife Emma Bardac insisted that Chou-Chou be raised by an English nanny and surrounded her with English engravings of children's scenes).","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/144.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510458571?h=cc4eebbca2","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100144,"order":"1"},"1200144":{"title":"Sheet Music of 'Children's Corner Suite, No.5 The Little Shepherd'","subtitle":"Debussy, Claude","description":"Debussy's The Little Shepherd is the fifth piece from the Children's Corner suite. It is a description of another of the composer's daughter Chou-Chou's toys. The Children's Corner suite (or Coin des Enfants) of six little piano pieces was published in July 1908 and musically describes things from a child's point of view. The front cover of the first edition had a drawing of an elephant holding the string of a balloon or golliwogg, as well as a stamped autograph of Debussy. Included is a dedication to the composer's daughter Claude-Emma (&quot;to my dear Chou-Chou, with the tender apologies of her father for what is to follow&quot;).  The suite was composed between 1906 and 1908, and performed in Paris on Dec. 18, 1908. All the titles are in English (apparently &quot;Anglomania&quot; was the rage in Paris at the time. Debussy's second wife Emma Bardac insisted that Chou-Chou be raised by an English nanny and surrounded her with English engravings of children's scenes).","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/144.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510458571?h=cc4eebbca2","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200144,"order":"2"},"1100145":{"title":"How to Play 'Children's Corner Suite, No.6 Golliwog's Cake Walk'","subtitle":"Debussy, Claude","description":"Golliwog's Cake Walk, the last piece in Debussy's Children's Corner suite, describes a wind-up mechanical toy, although this piece conjures up visions of the American &quot;minstrel shows&quot; popular in Paris at the time. The Children's Corner suite (or Coin des Enfants) of six little piano pieces was published in July 1908 and musically describes things from a child's point of view. The front cover of the first edition had a drawing of an elephant holding the string of a balloon or golliwogg, as well as a stamped autograph of Debussy. Included is a dedication to the composer's daughter Claude-Emma (&quot;to my dear Chou-Chou, with the tender apologies of her father for what is to follow&quot;).  The suite was composed between 1906 and 1908, and performed in Paris on Dec. 18, 1908. All the titles are in English (apparently &quot;Anglomania&quot; was the rage in Paris at the time. Debussy's second wife Emma Bardac insisted that Chou-Chou be raised by an English nanny and surrounded her with English engravings of children's scenes).","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/145.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510458528?h=dd5bdd6198","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100145,"order":"1"},"1200145":{"title":"Sheet Music of 'Children's Corner Suite, No.6 Golliwog's Cake Walk'","subtitle":"Debussy, Claude","description":"Golliwog's Cake Walk, the last piece in Debussy's Children's Corner suite, describes a wind-up mechanical toy, although this piece conjures up visions of the American &quot;minstrel shows&quot; popular in Paris at the time. The Children's Corner suite (or Coin des Enfants) of six little piano pieces was published in July 1908 and musically describes things from a child's point of view. The front cover of the first edition had a drawing of an elephant holding the string of a balloon or golliwogg, as well as a stamped autograph of Debussy. Included is a dedication to the composer's daughter Claude-Emma (&quot;to my dear Chou-Chou, with the tender apologies of her father for what is to follow&quot;).  The suite was composed between 1906 and 1908, and performed in Paris on Dec. 18, 1908. All the titles are in English (apparently &quot;Anglomania&quot; was the rage in Paris at the time. Debussy's second wife Emma Bardac insisted that Chou-Chou be raised by an English nanny and surrounded her with English engravings of children's scenes).","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/145.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510458528?h=dd5bdd6198","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200145,"order":"2"},"1100146":{"title":"How to Play 'Holberg Suite, No.1, Preludium'","subtitle":"Grieg, Edvard","description":"Grieg's Holberg Suite has achieved great popularity in its string orchestra version. But it seems the piano version heard here is the original. Grieg himself gave the first public performance in Bergen on December7, 1884. And in February 1885, he wrote to a friend that he had &quot;set the poor Holberg Suite for string orchestra. Perhaps it will not sound all that bad.&quot;  The Preludium opens with exciting broken chords in the right hand while the left hand sustains bass octaves. The broken chords maintain the energy of the movement as fragments of lyrical melody are heard.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/146.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510458510?h=feaf6d470a","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100146,"order":"1"},"1200146":{"title":"Sheet Music of 'Holberg Suite, No.1, Preludium'","subtitle":"Grieg, Edvard","description":"Grieg's Holberg Suite has achieved great popularity in its string orchestra version. But it seems the piano version heard here is the original. Grieg himself gave the first public performance in Bergen on December7, 1884. And in February 1885, he wrote to a friend that he had &quot;set the poor Holberg Suite for string orchestra. Perhaps it will not sound all that bad.&quot;  The Preludium opens with exciting broken chords in the right hand while the left hand sustains bass octaves. The broken chords maintain the energy of the movement as fragments of lyrical melody are heard.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/146.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510458510?h=feaf6d470a","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200146,"order":"2"},"1100147":{"title":"How to Play 'Holberg Suite, No.2, Sarabande'","subtitle":"Grieg, Edvard","description":"Grieg's Holberg Suite has achieved great popularity in its string orchestra version. But it seems the piano version heard hear is the original. Grieg himself gave the first public performance in Bergen on December7, 1884. And in February 1885, he wrote to a friend that he had &quot;set the poor Holberg Suite for string orchestra. Perhaps it will not sound all that bad.&quot;  The second movement Sarabande has an expressive cantabile melody and simple accompaniment.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/147.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510458483?h=02d0abe5a5","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100147,"order":"1"},"1200147":{"title":"Sheet Music of 'Holberg Suite, No.2, Sarabande'","subtitle":"Grieg, Edvard","description":"Grieg's Holberg Suite has achieved great popularity in its string orchestra version. But it seems the piano version heard hear is the original. Grieg himself gave the first public performance in Bergen on December7, 1884. And in February 1885, he wrote to a friend that he had &quot;set the poor Holberg Suite for string orchestra. Perhaps it will not sound all that bad.&quot;  The second movement Sarabande has an expressive cantabile melody and simple accompaniment.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/147.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510458483?h=02d0abe5a5","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200147,"order":"2"},"1100148":{"title":"How to Play 'Holberg Suite, No.3, Gavotte'","subtitle":"Grieg, Edvard","description":"Grieg's Holberg Suite has achieved great popularity in its string orchestra version. But it seems the piano version heard here is the original. Grieg himself gave the first public performance in Bergen on December7, 1884. And in February 1885, he wrote to a friend that he had &quot;set the poor Holberg Suite for string orchestra. Perhaps it will not sound all that bad.&quot;  The melody of the third movement Gavotte has become very popular. The music has a happy lilt that carries into the little Musette second half.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/148.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510458463?h=9066ac1d5d","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100148,"order":"1"},"1200148":{"title":"Sheet Music of 'Holberg Suite, No.3, Gavotte'","subtitle":"Grieg, Edvard","description":"Grieg's Holberg Suite has achieved great popularity in its string orchestra version. But it seems the piano version heard here is the original. Grieg himself gave the first public performance in Bergen on December7, 1884. And in February 1885, he wrote to a friend that he had &quot;set the poor Holberg Suite for string orchestra. Perhaps it will not sound all that bad.&quot;  The melody of the third movement Gavotte has become very popular. The music has a happy lilt that carries into the little Musette second half.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/148.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510458463?h=9066ac1d5d","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200148,"order":"2"},"1100149":{"title":"How to Play 'Holberg Suite, No.4, Air'","subtitle":"Grieg, Edvard","description":"Grieg's Holberg Suite has achieved great popularity in its string orchestra version. But it seems the piano version heard here is the original. Grieg himself gave the first public performance in Bergen on December7, 1884. And in February 1885, he wrote to a friend that he had &quot;set the poor Holberg Suite for string orchestra. Perhaps it will not sound all that bad.&quot;  The fourth movement Air has a mournful melody and deliberate pacing.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/149.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510458438?h=b9a246210c","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100149,"order":"1"},"1200149":{"title":"Sheet Music of 'Holberg Suite, No.4, Air'","subtitle":"Grieg, Edvard","description":"Grieg's Holberg Suite has achieved great popularity in its string orchestra version. But it seems the piano version heard here is the original. Grieg himself gave the first public performance in Bergen on December7, 1884. And in February 1885, he wrote to a friend that he had &quot;set the poor Holberg Suite for string orchestra. Perhaps it will not sound all that bad.&quot;  The fourth movement Air has a mournful melody and deliberate pacing.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/149.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510458438?h=b9a246210c","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200149,"order":"2"},"1100150":{"title":"How to Play 'Holberg Suite, No.5, Rigaudon'","subtitle":"Grieg, Edvard","description":"Grieg's Holberg Suite has achieved great popularity in its string orchestra version. But it seems the piano version heard hear is the original. Grieg himself gave the first public performance in Bergen on December7, 1884. And in February 1885, he wrote to a friend that he had &quot;set the poor Holberg Suite for string orchestra. Perhaps it will not sound all that bad.&quot;  The fifth movement Rigaudon is a spritely selection that sparkles from beginning to end, interrupted only briefly by a more sombre Trio section.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/150.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510458424?h=df184657f4","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100150,"order":"1"},"1200150":{"title":"Sheet Music of 'Holberg Suite, No.5, Rigaudon'","subtitle":"Grieg, Edvard","description":"Grieg's Holberg Suite has achieved great popularity in its string orchestra version. But it seems the piano version heard hear is the original. Grieg himself gave the first public performance in Bergen on December7, 1884. And in February 1885, he wrote to a friend that he had &quot;set the poor Holberg Suite for string orchestra. Perhaps it will not sound all that bad.&quot;  The fifth movement Rigaudon is a spritely selection that sparkles from beginning to end, interrupted only briefly by a more sombre Trio section.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/150.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510458424?h=df184657f4","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200150,"order":"2"},"1100151":{"title":"How to Play 'Peer Gynt Suite No.1, Op. 46, No. 1, Morning Mood'","subtitle":"Grieg, Edvard","description":"Composed as incidental music for Ibsen's play Peer Gynt, Grieg's Peer Gynt Suite was originally conceived for orchestra (first performed in 1876) and later arranged by the composer for piano duet and piano solo. This First Suite, Op. 46, is the most famous. Morning Mood opens the Suite. It is a soothing pastorale that unfolds as the sun rises.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/151.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510458393?h=23080016d6","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100151,"order":"1"},"1200151":{"title":"Sheet Music of 'Peer Gynt Suite No.1, Op. 46, No. 1, Morning Mood'","subtitle":"Grieg, Edvard","description":"Composed as incidental music for Ibsen's play Peer Gynt, Grieg's Peer Gynt Suite was originally conceived for orchestra (first performed in 1876) and later arranged by the composer for piano duet and piano solo. This First Suite, Op. 46, is the most famous. Morning Mood opens the Suite. It is a soothing pastorale that unfolds as the sun rises.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/151.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510458393?h=23080016d6","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200151,"order":"2"},"1100152":{"title":"How to Play 'Peer Gynt Suite No.1, Op. 46, No. 2, Ase's Death'","subtitle":"Grieg, Edvard","description":"Composed as incidental music for Ibsen's play Peer Gynt, Grieg's Peer Gynt Suite was originally conceived for orchestra (first performed in 1876) and later arranged by the composer for piano duet and piano solo. This First Suite, Op. 46, is the most famous. Ase's Death is No. 2 in the Suite. In it, Peer Gynt returns home from his wanderings to be at the deathbed of his mother, Ase.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/152.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510458359?h=b41d473fc6","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100152,"order":"1"},"1200152":{"title":"Sheet Music of 'Peer Gynt Suite No.1, Op. 46, No. 2, Ase's Death'","subtitle":"Grieg, Edvard","description":"Composed as incidental music for Ibsen's play Peer Gynt, Grieg's Peer Gynt Suite was originally conceived for orchestra (first performed in 1876) and later arranged by the composer for piano duet and piano solo. This First Suite, Op. 46, is the most famous. Ase's Death is No. 2 in the Suite. In it, Peer Gynt returns home from his wanderings to be at the deathbed of his mother, Ase.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/152.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510458359?h=b41d473fc6","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200152,"order":"2"},"1100153":{"title":"How to Play 'Peer Gynt Suite No.1, Op. 46, No. 3, Anitra's Dance'","subtitle":"Grieg, Edvard","description":"Composed as incidental music for Ibsen's play Peer Gynt, Grieg's Peer Gynt Suite was originally conceived for orchestra (first performed in 1876) and later arranged by the composer for piano duet and piano solo. This First Suite, Op. 46, is the most famous. In the third movement, Anitra's Dance, Peer Gynt visits an Arab chieftain in his tent on an oasis. Peer is in Eastrern dress, resting on cushions. Anitra and a troupe of girls dance and sing for him.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/153.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510458329?h=ad0a130f88","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100153,"order":"1"},"1200153":{"title":"Sheet Music of 'Peer Gynt Suite No.1, Op. 46, No. 3, Anitra's Dance'","subtitle":"Grieg, Edvard","description":"Composed as incidental music for Ibsen's play Peer Gynt, Grieg's Peer Gynt Suite was originally conceived for orchestra (first performed in 1876) and later arranged by the composer for piano duet and piano solo. This First Suite, Op. 46, is the most famous. In the third movement, Anitra's Dance, Peer Gynt visits an Arab chieftain in his tent on an oasis. Peer is in Eastrern dress, resting on cushions. Anitra and a troupe of girls dance and sing for him.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/153.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510458329?h=ad0a130f88","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200153,"order":"2"},"1100154":{"title":"How to Play 'Peer Gynt Suite No.1, Op. 46, No. 4, In the Hall of the Mountain King'","subtitle":"Grieg, Edvard","description":"Composed as incidental music for Ibsen's play Peer Gynt, Grieg's Peer Gynt Suite was originally conceived for orchestra (first performed in 1876) and later arranged by the composer for piano duet and piano solo. This First Suite, Op. 46, is the most famous. No. 4, In the Hall of the Mountain King, finds Peer at a wedding ceremony. He abducts Ingrid, the bride of one of the villagers, and vanishes with her in an invisible cloak. He quickly tires of her and sends her back home. As he wanders about, Peer finds the royal hall of the legendary Mountain-King, whose daughter falls in love with him. After Peer spurns her, the enraged mountain-folk, trolls, elves and other magical creatures show their displeasure in the ghoulish dances depicted in this music.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/154.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510458303?h=0f4f4d70b3","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100154,"order":"1"},"1200154":{"title":"Sheet Music of 'Peer Gynt Suite No.1, Op. 46, No. 4, In the Hall of the Mountain King'","subtitle":"Grieg, Edvard","description":"Composed as incidental music for Ibsen's play Peer Gynt, Grieg's Peer Gynt Suite was originally conceived for orchestra (first performed in 1876) and later arranged by the composer for piano duet and piano solo. This First Suite, Op. 46, is the most famous. No. 4, In the Hall of the Mountain King, finds Peer at a wedding ceremony. He abducts Ingrid, the bride of one of the villagers, and vanishes with her in an invisible cloak. He quickly tires of her and sends her back home. As he wanders about, Peer finds the royal hall of the legendary Mountain-King, whose daughter falls in love with him. After Peer spurns her, the enraged mountain-folk, trolls, elves and other magical creatures show their displeasure in the ghoulish dances depicted in this music.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/154.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510458303?h=0f4f4d70b3","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200154,"order":"2"},"1100155":{"title":"How to Play 'Sonata in E-flat, Hob. XVI\/No. 52, First Movement'","subtitle":"Haydn, Joseph","description":"The Sonata in E-flat, Hob. XVI\/No. 52 was composed around 1794 and is one of Haydn's last piano sonatas. While he had tinkered with the form throughout his lifetime and wrote many refreshing examples, this is undoubtedly his masterwork. It is composed on grand scale far and above all his others. In many ways, this may be considered the first true Piano Sonata, that is, conceived for the bigger sonorities of the new fortepiano.  The first movement is huge proportions, right from the opening chords through the marvellous development of the material.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/155.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510458280?h=2a9be81a15","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100155,"order":"1"},"1200155":{"title":"Sheet Music of 'Sonata in E-flat, Hob. XVI\/No. 52, First Movement'","subtitle":"Haydn, Joseph","description":"The Sonata in E-flat, Hob. XVI\/No. 52 was composed around 1794 and is one of Haydn's last piano sonatas. While he had tinkered with the form throughout his lifetime and wrote many refreshing examples, this is undoubtedly his masterwork. It is composed on grand scale far and above all his others. In many ways, this may be considered the first true Piano Sonata, that is, conceived for the bigger sonorities of the new fortepiano.  The first movement is huge proportions, right from the opening chords through the marvellous development of the material.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/155.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510458280?h=2a9be81a15","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200155,"order":"2"},"1100156":{"title":"How to Play 'Sonata in E-flat, Hob. XVI\/No. 52, Adagio'","subtitle":"Haydn, Joseph","description":"The Sonata in E-flat, Hob. XVI\/No. 52 was composed around 1794 and is one of Haydn's last piano sonatas. While he had tinkered with the form throughout his lifetime and wrote many refreshing examples, this is undoubtedly his masterwork. It is composed on grand scale far and above all his others. In many ways, this may be considered the first true Piano Sonata, that is, conceived for the bigger sonorities of the new fortepiano.  The second movement Adagio is more longer and more emotionally moving that usual for Haydn. They is plenty of room for the performer to find expression.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/156.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510458256?h=d3830b2bf0","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100156,"order":"1"},"1200156":{"title":"Sheet Music of 'Sonata in E-flat, Hob. XVI\/No. 52, Adagio'","subtitle":"Haydn, Joseph","description":"The Sonata in E-flat, Hob. XVI\/No. 52 was composed around 1794 and is one of Haydn's last piano sonatas. While he had tinkered with the form throughout his lifetime and wrote many refreshing examples, this is undoubtedly his masterwork. It is composed on grand scale far and above all his others. In many ways, this may be considered the first true Piano Sonata, that is, conceived for the bigger sonorities of the new fortepiano.  The second movement Adagio is more longer and more emotionally moving that usual for Haydn. They is plenty of room for the performer to find expression.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/156.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510458256?h=d3830b2bf0","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200156,"order":"2"},"1100157":{"title":"How to Play 'Sonata in E-flat, Hob. XVI\/No. 52, Presto finale'","subtitle":"Haydn, Joseph","description":"The Sonata in E-flat, Hob. XVI\/No. 52 was composed around 1794 and is one of Haydn's last piano sonatas. While he had tinkered with the form throughout his lifetime and wrote many refreshing examples, this is undoubtedly his masterwork. It is composed on grand scale far and above all his others. In many ways, this may be considered the first true Piano Sonata, that is, conceived for the bigger sonorities of the new fortepiano.  The third movement Presto finale has great energy and pursues its climax with vigour and determination. There is virtuosity, maturity and style in abundance.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/157.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510458154?h=9b1c8fbbdf","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100157,"order":"1"},"1200157":{"title":"Sheet Music of 'Sonata in E-flat, Hob. XVI\/No. 52, Presto finale'","subtitle":"Haydn, Joseph","description":"The Sonata in E-flat, Hob. XVI\/No. 52 was composed around 1794 and is one of Haydn's last piano sonatas. While he had tinkered with the form throughout his lifetime and wrote many refreshing examples, this is undoubtedly his masterwork. It is composed on grand scale far and above all his others. In many ways, this may be considered the first true Piano Sonata, that is, conceived for the bigger sonorities of the new fortepiano.  The third movement Presto finale has great energy and pursues its climax with vigour and determination. There is virtuosity, maturity and style in abundance.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/157.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510458154?h=9b1c8fbbdf","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200157,"order":"2"},"1100158":{"title":"How to Play 'In Parisian Style Sonata in A, K. 331, Theme and Variations'","subtitle":"Mozart, Amadeus","description":"In Parisian style, this Mozart's Sonata in A, K. 331 begins with a theme and variations movement. The theme and variations opening movement replaces the Allegro which usually opens a traditional Sonata. Except for minor variations, the theme remains constant through the movement, resulting in an expressive melodic line.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/158.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510458045?h=a4a108ff85","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100158,"order":"1"},"1200158":{"title":"Sheet Music of 'In Parisian Style Sonata in A, K. 331, Theme and Variations'","subtitle":"Mozart, Amadeus","description":"In Parisian style, this Mozart's Sonata in A, K. 331 begins with a theme and variations movement. The theme and variations opening movement replaces the Allegro which usually opens a traditional Sonata. Except for minor variations, the theme remains constant through the movement, resulting in an expressive melodic line.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/158.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510458045?h=a4a108ff85","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200158,"order":"2"},"1100159":{"title":"How to Play 'In Parisian Style Sonata in A, K. 331, Minuet'","subtitle":"Mozart, Amadeus","description":"In Parisian style, this second movement of this Mozart's Sonata in A, K. 331 is a Minuet. The Minuet replaces the slow movement in the middle of a traditional Sonata.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/159.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510457935?h=4b982ce0dc","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100159,"order":"1"},"1200159":{"title":"Sheet Music of 'In Parisian Style Sonata in A, K. 331, Minuet'","subtitle":"Mozart, Amadeus","description":"In Parisian style, this second movement of this Mozart's Sonata in A, K. 331 is a Minuet. The Minuet replaces the slow movement in the middle of a traditional Sonata.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/159.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510457935?h=4b982ce0dc","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200159,"order":"2"},"1100160":{"title":"How to Play 'In Parisian Style Sonata in A, K. 331, Alla Turca'","subtitle":"Mozart, Amadeus","description":"This final movement from Mozart's Sonata in A, K. 331, dubbed &quot;Alla Turca&quot;, is well known among music-lovers. It is a perfect example of the French rondo, containing major and minor sections, and concluding with a da capo.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/160.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510457835?h=6afcbffe02","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100160,"order":"1"},"1200160":{"title":"Sheet Music of 'In Parisian Style Sonata in A, K. 331, Alla Turca'","subtitle":"Mozart, Amadeus","description":"This final movement from Mozart's Sonata in A, K. 331, dubbed &quot;Alla Turca&quot;, is well known among music-lovers. It is a perfect example of the French rondo, containing major and minor sections, and concluding with a da capo.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/160.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510457835?h=6afcbffe02","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200160,"order":"2"},"1100161":{"title":"How to Play 'Sonata in C, K.545, Movement 1'","subtitle":"Mozart, Amadeus","description":"Mozart's Sonata in C, K. 545, Movement 1. The Sonata in C, K.545, was written by Mozart primarily as an instructional piece. It contains elements of piano technique that Mozart expected his beginner students to master. Nonetheless, it gives hints as to the brilliant nature of its composer.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/161.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510457736?h=3f5a58a06c","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100161,"order":"1"},"1200161":{"title":"Sheet Music of 'Sonata in C, K.545, Movement 1'","subtitle":"Mozart, Amadeus","description":"Mozart's Sonata in C, K. 545, Movement 1. The Sonata in C, K.545, was written by Mozart primarily as an instructional piece. It contains elements of piano technique that Mozart expected his beginner students to master. Nonetheless, it gives hints as to the brilliant nature of its composer.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/161.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510457736?h=3f5a58a06c","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200161,"order":"2"},"1100162":{"title":"How to Play 'Sonata in C, K.545, Movement 2'","subtitle":"Mozart, Amadeus","description":"Mozart's Sonata in C, K. 545, Movement 2. The Sonata in C, K.545, was written by Mozart primarily as an instructional piece. It contains elements of piano technique that Mozart expected his beginner students to master. Nonetheless, it gives hints as to the brilliant nature of its composer.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/162.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510457644?h=d78fa731f2","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100162,"order":"1"},"1200162":{"title":"Sheet Music of 'Sonata in C, K.545, Movement 2'","subtitle":"Mozart, Amadeus","description":"Mozart's Sonata in C, K. 545, Movement 2. The Sonata in C, K.545, was written by Mozart primarily as an instructional piece. It contains elements of piano technique that Mozart expected his beginner students to master. Nonetheless, it gives hints as to the brilliant nature of its composer.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/162.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510457644?h=d78fa731f2","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200162,"order":"2"},"1100163":{"title":"How to Play 'Sonata in C, K.545, Movement 3'","subtitle":"Mozart, Amadeus","description":"Mozart's Sonata in C, K. 545, Movement 3. The Sonata in C, K.545, was written by Mozart primarily as an instructional piece. It contains elements of piano technique that Mozart expected his beginner students to master. Nonetheless, it gives hints as to the brilliant nature of its composer.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/163.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510457562?h=cab4756971","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100163,"order":"1"},"1200163":{"title":"Sheet Music of 'Sonata in C, K.545, Movement 3'","subtitle":"Mozart, Amadeus","description":"Mozart's Sonata in C, K. 545, Movement 3. The Sonata in C, K.545, was written by Mozart primarily as an instructional piece. It contains elements of piano technique that Mozart expected his beginner students to master. Nonetheless, it gives hints as to the brilliant nature of its composer.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/163.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510457562?h=cab4756971","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200163,"order":"2"},"1100164":{"title":"How to Play 'Pictures at an Exhibition, Promenade'","subtitle":"Mussorgsky, Modest","description":"The march-like Promenade (from Mussorgsky's Pictures at an Exhibition) is repeated before the examination of each &quot;picture&quot; in the exhibit. Each time it is played, it is subjected to different alterations and moods. Mussorgsky's collection of piano pieces originally entitled &quot;Katrinsky&quot; or &quot;Pictures&quot;, was inspired by a set of paintings done by Russian artist Viktor Alexandrovich Hartman. Mussorgsky and Hartman had worked closely to regenerate Russian art, which they felt had become disunified with its native country. After Hartman's death, Mussorgsky attempted to honor his friend by transforming the paintings into music. The work, although the finest of Mussorgsky's, was not published until five years after his death. The popularity of the collection grew with its 1923 orchestration by Maurice Ravel.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/164.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510457479?h=42bc92cdb6","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100164,"order":"1"},"1200164":{"title":"Sheet Music of 'Pictures at an Exhibition, Promenade'","subtitle":"Mussorgsky, Modest","description":"The march-like Promenade (from Mussorgsky's Pictures at an Exhibition) is repeated before the examination of each &quot;picture&quot; in the exhibit. Each time it is played, it is subjected to different alterations and moods. Mussorgsky's collection of piano pieces originally entitled &quot;Katrinsky&quot; or &quot;Pictures&quot;, was inspired by a set of paintings done by Russian artist Viktor Alexandrovich Hartman. Mussorgsky and Hartman had worked closely to regenerate Russian art, which they felt had become disunified with its native country. After Hartman's death, Mussorgsky attempted to honor his friend by transforming the paintings into music. The work, although the finest of Mussorgsky's, was not published until five years after his death. The popularity of the collection grew with its 1923 orchestration by Maurice Ravel.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/164.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510457479?h=42bc92cdb6","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200164,"order":"2"},"1100165":{"title":"How to Play 'Pictures at an Exhibition, The Old Castle'","subtitle":"Mussorgsky, Modest","description":"Mussorgsky's The Old Castle (from Pictures at an Exhibition) is reminiscent of troubadour love songs. It paints the picture of a singing minstrel in a castle courtyard. Mussorgsky's collection of piano pieces originally entitled &quot;Katrinsky&quot; or &quot;Pictures&quot;, was inspired by a set of paintings done by Russian artist Viktor Alexandrovich Hartman. Mussorgsky and Hartman had worked closely to regenerate Russian art, which they felt had become disunified with its native country. After Hartman's death, Mussorgsky attempted to honor his friend by transforming the paintings into music. The work, although the finest of Mussorgsky's, was not published until five years after his death. The popularity of the collection grew with its 1923 orchestration by Maurice Ravel.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/165.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510457378?h=e9cd5c6999","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100165,"order":"1"},"1200165":{"title":"Sheet Music of 'Pictures at an Exhibition, The Old Castle'","subtitle":"Mussorgsky, Modest","description":"Mussorgsky's The Old Castle (from Pictures at an Exhibition) is reminiscent of troubadour love songs. It paints the picture of a singing minstrel in a castle courtyard. Mussorgsky's collection of piano pieces originally entitled &quot;Katrinsky&quot; or &quot;Pictures&quot;, was inspired by a set of paintings done by Russian artist Viktor Alexandrovich Hartman. Mussorgsky and Hartman had worked closely to regenerate Russian art, which they felt had become disunified with its native country. After Hartman's death, Mussorgsky attempted to honor his friend by transforming the paintings into music. The work, although the finest of Mussorgsky's, was not published until five years after his death. The popularity of the collection grew with its 1923 orchestration by Maurice Ravel.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/165.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510457378?h=e9cd5c6999","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200165,"order":"2"},"1100166":{"title":"How to Play 'Pictures at an Exhibition, Tuileries'","subtitle":"Mussorgsky, Modest","description":"While in Paris, the painter found his subject in children playing in the park of Tuileries. Listen for the children (represented by minor thirds) singing in Mussorgsky's Tuileries (from Pictures at an Exhibition). Mussorgsky's collection of piano pieces originally entitled &quot;Katrinsky&quot; or &quot;Pictures&quot;, was inspired by a set of paintings done by Russian artist Viktor Alexandrovich Hartman. Mussorgsky and Hartman had worked closely to regenerate Russian art, which they felt had become disunified with its native country. After Hartman's death, Mussorgsky attempted to honor his friend by transforming the paintings into music. The work, although the finest of Mussorgsky's, was not published until five years after his death. The popularity of the collection grew with its 1923 orchestration by Maurice Ravel.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/166.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510457285?h=812bc13793","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100166,"order":"1"},"1200166":{"title":"Sheet Music of 'Pictures at an Exhibition, Tuileries'","subtitle":"Mussorgsky, Modest","description":"While in Paris, the painter found his subject in children playing in the park of Tuileries. Listen for the children (represented by minor thirds) singing in Mussorgsky's Tuileries (from Pictures at an Exhibition). Mussorgsky's collection of piano pieces originally entitled &quot;Katrinsky&quot; or &quot;Pictures&quot;, was inspired by a set of paintings done by Russian artist Viktor Alexandrovich Hartman. Mussorgsky and Hartman had worked closely to regenerate Russian art, which they felt had become disunified with its native country. After Hartman's death, Mussorgsky attempted to honor his friend by transforming the paintings into music. The work, although the finest of Mussorgsky's, was not published until five years after his death. The popularity of the collection grew with its 1923 orchestration by Maurice Ravel.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/166.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510457285?h=812bc13793","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200166,"order":"2"},"1100167":{"title":"How to Play 'Pictures at an Exhibition, Bydlo'","subtitle":"Mussorgsky, Modest","description":"In Mussorgsky's Bydlo (from Pictures at an Exhibition), a &quot;bydlo&quot; is a heavy Polish two-wheeled cart drawn by two oxen. As it approaches, its sound gets louder. As the cart passes, the sound recedes. Mussorgsky's collection of piano pieces originally entitled &quot;Katrinsky&quot; or &quot;Pictures&quot;, was inspired by a set of paintings done by Russian artist Viktor Alexandrovich Hartman. Mussorgsky and Hartman had worked closely to regenerate Russian art, which they felt had become disunified with its native country. After Hartman's death, Mussorgsky attempted to honor his friend by transforming the paintings into music. The work, although the finest of Mussorgsky's, was not published until five years after his death. The popularity of the collection grew with its 1923 orchestration by Maurice Ravel.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/167.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510485645?h=28fddfffe9","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100167,"order":"1"},"1200167":{"title":"Sheet Music of 'Pictures at an Exhibition, Bydlo'","subtitle":"Mussorgsky, Modest","description":"In Mussorgsky's Bydlo (from Pictures at an Exhibition), a &quot;bydlo&quot; is a heavy Polish two-wheeled cart drawn by two oxen. As it approaches, its sound gets louder. As the cart passes, the sound recedes. Mussorgsky's collection of piano pieces originally entitled &quot;Katrinsky&quot; or &quot;Pictures&quot;, was inspired by a set of paintings done by Russian artist Viktor Alexandrovich Hartman. Mussorgsky and Hartman had worked closely to regenerate Russian art, which they felt had become disunified with its native country. After Hartman's death, Mussorgsky attempted to honor his friend by transforming the paintings into music. The work, although the finest of Mussorgsky's, was not published until five years after his death. The popularity of the collection grew with its 1923 orchestration by Maurice Ravel.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/167.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510485645?h=28fddfffe9","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200167,"order":"2"},"1100168":{"title":"How to Play 'Pictures at an Exhibition, Ballet of the Unhatched Chickens'","subtitle":"Mussorgsky, Modest","description":"In the Ballet of the Unhatched Chickens (from Pictures at an Exhibition), Mussorgsky was inspired for this piece by costumes designed by Hartman for a children's play called &quot;Trilby&quot;. Listen for the chickens pecking at the inside of their shells. Mussorgsky's collection of piano pieces originally entitled &quot;Katrinsky&quot; or &quot;Pictures&quot;, was inspired by a set of paintings done by Russian artist Viktor Alexandrovich Hartman. Mussorgsky and Hartman had worked closely to regenerate Russian art, which they felt had become disunified with its native country. After Hartman's death, Mussorgsky attempted to honor his friend by transforming the paintings into music. The work, although the finest of Mussorgsky's, was not published until five years after his death. The popularity of the collection grew with its 1923 orchestration by Maurice Ravel.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/168.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510457197?h=cc887a4de1","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100168,"order":"1"},"1200168":{"title":"Sheet Music of 'Pictures at an Exhibition, Ballet of the Unhatched Chickens'","subtitle":"Mussorgsky, Modest","description":"In the Ballet of the Unhatched Chickens (from Pictures at an Exhibition), Mussorgsky was inspired for this piece by costumes designed by Hartman for a children's play called &quot;Trilby&quot;. Listen for the chickens pecking at the inside of their shells. Mussorgsky's collection of piano pieces originally entitled &quot;Katrinsky&quot; or &quot;Pictures&quot;, was inspired by a set of paintings done by Russian artist Viktor Alexandrovich Hartman. Mussorgsky and Hartman had worked closely to regenerate Russian art, which they felt had become disunified with its native country. After Hartman's death, Mussorgsky attempted to honor his friend by transforming the paintings into music. The work, although the finest of Mussorgsky's, was not published until five years after his death. The popularity of the collection grew with its 1923 orchestration by Maurice Ravel.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/168.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510457197?h=cc887a4de1","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200168,"order":"2"},"1100169":{"title":"How to Play '8 Fantasy Pieces (Op. 12), In the Evening (No. 1, Das Abends)'","subtitle":"Schumann, Robert","description":"Schumann used the term Fantasy Piece (Phantasiestueck) to describe the many little piano works that portrayed his flights of fancy or flashes of inspiration. The eight Fantasy Pieces, Opus 12, were composed in 1837 and are a marvellous display of Schumann's imaginative best.  In the Evening (No. 1, Das Abends) is a beautiful little gem with the melody forming out of gentle cross rhythm in the accompaniment flow.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/169.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510457128?h=4723536ba3","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100169,"order":"1"},"1200169":{"title":"Sheet Music of '8 Fantasy Pieces (Op. 12), In the Evening (No. 1, Das Abends)'","subtitle":"Schumann, Robert","description":"Schumann used the term Fantasy Piece (Phantasiestueck) to describe the many little piano works that portrayed his flights of fancy or flashes of inspiration. The eight Fantasy Pieces, Opus 12, were composed in 1837 and are a marvellous display of Schumann's imaginative best.  In the Evening (No. 1, Das Abends) is a beautiful little gem with the melody forming out of gentle cross rhythm in the accompaniment flow.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/169.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510457128?h=4723536ba3","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200169,"order":"2"},"1100170":{"title":"How to Play '8 Fantasy Pieces (Op. 12), Soaring (No. 2, Aufschwung)'","subtitle":"Schumann, Robert","description":"Schumann used the term Fantasy Piece (Phantasiestueck) to describe the many little piano works that portrayed his flights of fancy or flashes of inspiration. The eight Fantasy Pieces, Opus 12, were composed in 1837 and are a marvellous display of Schumann's imaginative best.  Soaring (No. 2, Aufschwung) is one of the most famous in the set. It literally does soar, not only in the reaching of the melody but in the energy of its rhythm.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/170.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510455984?h=5c672a9eb5","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100170,"order":"1"},"1200170":{"title":"Sheet Music of '8 Fantasy Pieces (Op. 12), Soaring (No. 2, Aufschwung)'","subtitle":"Schumann, Robert","description":"Schumann used the term Fantasy Piece (Phantasiestueck) to describe the many little piano works that portrayed his flights of fancy or flashes of inspiration. The eight Fantasy Pieces, Opus 12, were composed in 1837 and are a marvellous display of Schumann's imaginative best.  Soaring (No. 2, Aufschwung) is one of the most famous in the set. It literally does soar, not only in the reaching of the melody but in the energy of its rhythm.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/170.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510455984?h=5c672a9eb5","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200170,"order":"2"},"1100171":{"title":"How to Play '8 Fantasy Pieces (Op. 12), Why? (No. 3, Warum?)'","subtitle":"Schumann, Robert","description":"Schumann used the term Fantasy Piece (Phantasiestueck) to describe the many little piano works that portrayed his flights of fancy or flashes of inspiration. The eight Fantasy Pieces, Opus 12, were composed in 1837 and are a marvellous display of Schumann's imaginative best.  Why? (No. 3, Warum?) is short and the questioning can be heard in the harmony itself. It has a lovely singing melody and counter melodies.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/171.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510455939?h=b48a2b7050","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100171,"order":"1"},"1200171":{"title":"Sheet Music of '8 Fantasy Pieces (Op. 12), Why? (No. 3, Warum?)'","subtitle":"Schumann, Robert","description":"Schumann used the term Fantasy Piece (Phantasiestueck) to describe the many little piano works that portrayed his flights of fancy or flashes of inspiration. The eight Fantasy Pieces, Opus 12, were composed in 1837 and are a marvellous display of Schumann's imaginative best.  Why? (No. 3, Warum?) is short and the questioning can be heard in the harmony itself. It has a lovely singing melody and counter melodies.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/171.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510455939?h=b48a2b7050","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200171,"order":"2"},"1100172":{"title":"How to Play '8 Fantasy Pieces (Op. 12), Whims (No. 4, Grillen)'","subtitle":"Schumann, Robert","description":"Schumann used the term Fantasy Piece (Phantasiestueck) to describe the many little piano works that portrayed his flights of fancy or flashes of inspiration. The eight Fantasy Pieces, Opus 12, were composed in 1837 and are a marvellous display of Schumann's imaginative best.  Whims (No. 4, Grillen) bubbles with humor and energetic chord jumps.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/172.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510455897?h=9a6791d17e","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100172,"order":"1"},"1200172":{"title":"Sheet Music of '8 Fantasy Pieces (Op. 12), Whims (No. 4, Grillen)'","subtitle":"Schumann, Robert","description":"Schumann used the term Fantasy Piece (Phantasiestueck) to describe the many little piano works that portrayed his flights of fancy or flashes of inspiration. The eight Fantasy Pieces, Opus 12, were composed in 1837 and are a marvellous display of Schumann's imaginative best.  Whims (No. 4, Grillen) bubbles with humor and energetic chord jumps.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/172.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510455897?h=9a6791d17e","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200172,"order":"2"},"1100173":{"title":"How to Play '8 Fantasy Pieces (Op. 12), In the Night (no. 5, In der Nacht)'","subtitle":"Schumann, Robert","description":"Schumann used the term Fantasy Piece (Phantasiestueck) to describe the many little piano works that portrayed his flights of fancy or flashes of inspiration. The eight Fantasy Pieces, Opus 12, were composed in 1837 and are a marvellous display of Schumann's imaginative best.  In the Night (no. 5, In der Nacht) is considered one of Schumann's finest short pieces. It combines seething energy and restlessness. It is the most technically difficult of the set.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/173.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510455855?h=eea31a7ead","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100173,"order":"1"},"1200173":{"title":"Sheet Music of '8 Fantasy Pieces (Op. 12), In the Night (no. 5, In der Nacht)'","subtitle":"Schumann, Robert","description":"Schumann used the term Fantasy Piece (Phantasiestueck) to describe the many little piano works that portrayed his flights of fancy or flashes of inspiration. The eight Fantasy Pieces, Opus 12, were composed in 1837 and are a marvellous display of Schumann's imaginative best.  In the Night (no. 5, In der Nacht) is considered one of Schumann's finest short pieces. It combines seething energy and restlessness. It is the most technically difficult of the set.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/173.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510455855?h=eea31a7ead","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200173,"order":"2"},"1100174":{"title":"How to Play '8 Fantasy Pieces (Op. 12), Restless Dreams (No. 7, Traumes Wirren)'","subtitle":"Schumann, Robert","description":"Schumann used the term Fantasy Piece (Phantasiestueck) to describe the many little piano works that portrayed his flights of fancy or flashes of inspiration. The eight Fantasy Pieces, Opus 12, were composed in 1837 and are a marvellous display of Schumann's imaginative best.  Restless Dreams (No. 7, Traumes Wirren) is buoyantly energetic. The right hand melody scurries about busily, while the left hand accompaniment hops about. ","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/174.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510455665?h=a8bf5ca16c","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100174,"order":"1"},"1200174":{"title":"Sheet Music of '8 Fantasy Pieces (Op. 12), Restless Dreams (No. 7, Traumes Wirren)'","subtitle":"Schumann, Robert","description":"Schumann used the term Fantasy Piece (Phantasiestueck) to describe the many little piano works that portrayed his flights of fancy or flashes of inspiration. The eight Fantasy Pieces, Opus 12, were composed in 1837 and are a marvellous display of Schumann's imaginative best.  Restless Dreams (No. 7, Traumes Wirren) is buoyantly energetic. The right hand melody scurries about busily, while the left hand accompaniment hops about. ","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/174.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510455665?h=a8bf5ca16c","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200174,"order":"2"},"1100175":{"title":"How to Play 'Scenes from Childhood (Kinderscenen), op. 15, About Foreign Lands and People (Von fremden Laendern und Menschen) (No. 1)'","subtitle":"Schumann, Robert","description":"Robert Schumann was known for writing sets of miniatures, each painting a distinct character or psychological feeling. One of his most beautiful sets, Scenes from Childhood (Kinderscenen), op. 15 was written in 1838. What is unique is that Schumann has created music filled with artistry and imagination, suitable in for the concert stage, that can at least be technically approached by young students. The 13 selections are individual pieces yet when played together and in order form a satisfying whole. About Foreign Lands and People (Von fremden Laendern und Menschen) is the first of the set. It has a singing melody with a middle voice accompaniment spread between both hands.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/175.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510455647?h=89a5b85999","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100175,"order":"1"},"1200175":{"title":"Sheet Music of 'Scenes from Childhood (Kinderscenen), op. 15, About Foreign Lands and People (Von fremden Laendern und Menschen) (No. 1)'","subtitle":"Schumann, Robert","description":"Robert Schumann was known for writing sets of miniatures, each painting a distinct character or psychological feeling. One of his most beautiful sets, Scenes from Childhood (Kinderscenen), op. 15 was written in 1838. What is unique is that Schumann has created music filled with artistry and imagination, suitable in for the concert stage, that can at least be technically approached by young students. The 13 selections are individual pieces yet when played together and in order form a satisfying whole. About Foreign Lands and People (Von fremden Laendern und Menschen) is the first of the set. It has a singing melody with a middle voice accompaniment spread between both hands.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/175.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510455647?h=89a5b85999","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200175,"order":"2"},"1100176":{"title":"How to Play 'Nutcracker, Overture'","subtitle":"Tchaikovsky, Pyotr Ilyich","description":"Tchaikovsky's Nutcracker (composed 1891-2) is one of the composer's most successful and enduring ballets. In 1892, Tchaikovsky constructed an orchestral suite or collection of dance movements from the Nutcracker, Op. 71a, which is heard here in the piano solo version. The Overture begins with sparkling energy and dancing chords, followed by a busy, twisting little melody which is contrasted later by a sustained, &quot;dolce cantabile&quot; melody.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/176.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510455621?h=9090b71c4e","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100176,"order":"1"},"1200176":{"title":"Sheet Music of 'Nutcracker, Overture'","subtitle":"Tchaikovsky, Pyotr Ilyich","description":"Tchaikovsky's Nutcracker (composed 1891-2) is one of the composer's most successful and enduring ballets. In 1892, Tchaikovsky constructed an orchestral suite or collection of dance movements from the Nutcracker, Op. 71a, which is heard here in the piano solo version. The Overture begins with sparkling energy and dancing chords, followed by a busy, twisting little melody which is contrasted later by a sustained, &quot;dolce cantabile&quot; melody.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/176.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510455621?h=9090b71c4e","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200176,"order":"2"},"1100177":{"title":"How to Play 'Scenes from Childhood (Kinderscenen), op. 15, Curious Story (Kuriose Geschichte) (No. 2)'","subtitle":"Schumann, Robert","description":"Robert Schumann was known for writing sets of miniatures, each painting a distinct character or psychological feeling. One of his most beautiful sets, Scenes from Childhood (Kinderscenen), op. 15 was written in 1838. What is unique is that Schumann has created music filled with artistry and imagination, suitable in for the concert stage, that can at least be technically approached by young students. The 13 selections are individual pieces yet when played together and in order form a satisfying whole. Curious Story (Kuriose Geschichte) is No. 2 in the set. It has good humored, rhythmic chord passages interspersed with little stretches of legato melody.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/177.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510455610?h=1cc86785ee","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100177,"order":"1"},"1200177":{"title":"Sheet Music of 'Scenes from Childhood (Kinderscenen), op. 15, Curious Story (Kuriose Geschichte) (No. 2)'","subtitle":"Schumann, Robert","description":"Robert Schumann was known for writing sets of miniatures, each painting a distinct character or psychological feeling. One of his most beautiful sets, Scenes from Childhood (Kinderscenen), op. 15 was written in 1838. What is unique is that Schumann has created music filled with artistry and imagination, suitable in for the concert stage, that can at least be technically approached by young students. The 13 selections are individual pieces yet when played together and in order form a satisfying whole. Curious Story (Kuriose Geschichte) is No. 2 in the set. It has good humored, rhythmic chord passages interspersed with little stretches of legato melody.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/177.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510455610?h=1cc86785ee","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200177,"order":"2"},"1100178":{"title":"How to Play 'Nutcracker, Russian Dance (No. 4)'","subtitle":"Tchaikovsky, Pyotr Ilyich","description":"Tchaikovsky's Nutcracker (composed 1891-2) is one of the composer's most successful and enduring ballets. In 1892, Tchaikovsky constructed an orchestral suite or collection of dance movements from the Nutcracker, Op. 71a, which is heard here in the piano solo version. Russian Dance is No. 4 in the suite. It sizzles with energy from its opening shot, through the heavy, left hand middle melody, to the big &quot;crescendo&quot; finish!","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/178.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510455599?h=35110692bd","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100178,"order":"1"},"1200178":{"title":"Sheet Music of 'Nutcracker, Russian Dance (No. 4)'","subtitle":"Tchaikovsky, Pyotr Ilyich","description":"Tchaikovsky's Nutcracker (composed 1891-2) is one of the composer's most successful and enduring ballets. In 1892, Tchaikovsky constructed an orchestral suite or collection of dance movements from the Nutcracker, Op. 71a, which is heard here in the piano solo version. Russian Dance is No. 4 in the suite. It sizzles with energy from its opening shot, through the heavy, left hand middle melody, to the big &quot;crescendo&quot; finish!","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/178.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510455599?h=35110692bd","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200178,"order":"2"},"1100179":{"title":"How to Play 'Scenes from Childhood (Kinderscenen), op. 15, Catch Me! (Hasche-Mann) (No. 3)'","subtitle":"Schumann, Robert","description":"Robert Schumann was known for writing sets of miniatures, each painting a distinct character or psychological feeling. One of his most beautiful sets, Scenes from Childhood (Kinderscenen), op. 15 was written in 1838. What is unique is that Schumann has created music filled with artistry and imagination, suitable in for the concert stage, that can at least be technically approached by young students. The 13 selections are individual pieces yet when played together and in order form a satisfying whole. Catch Me! (Hasche-Mann) is No. 3 in the set. It scampers quickly along in waves of staccatos and chordal accents.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/179.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510455574?h=7321c89891","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100179,"order":"1"},"1200179":{"title":"Sheet Music of 'Scenes from Childhood (Kinderscenen), op. 15, Catch Me! (Hasche-Mann) (No. 3)'","subtitle":"Schumann, Robert","description":"Robert Schumann was known for writing sets of miniatures, each painting a distinct character or psychological feeling. One of his most beautiful sets, Scenes from Childhood (Kinderscenen), op. 15 was written in 1838. What is unique is that Schumann has created music filled with artistry and imagination, suitable in for the concert stage, that can at least be technically approached by young students. The 13 selections are individual pieces yet when played together and in order form a satisfying whole. Catch Me! (Hasche-Mann) is No. 3 in the set. It scampers quickly along in waves of staccatos and chordal accents.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/179.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510455574?h=7321c89891","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200179,"order":"2"},"1100180":{"title":"How to Play 'Nutcracker, Dance of the Sugar Plum Fairy (No. 3)'","subtitle":"Tchaikovsky, Pyotr Ilyich","description":"Tchaikovsky's Nutcracker (composed 1891-2) is one of the composer's most successful and enduring ballets. In 1892, Tchaikovsky constructed an orchestral suite or collection of dance movements from the Nutcracker, Op. 71a, which is heard here in the piano solo version. Dance of the Sugar Plum Fairy is No. 3 in the suite. You might want to set your MIDI output to celeste or bells for this one. That's the way it sounds in the orchestral version. This is a magical selection.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/180.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510455542?h=4c0d9ce290","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100180,"order":"1"},"1200180":{"title":"Sheet Music of 'Nutcracker, Dance of the Sugar Plum Fairy (No. 3)'","subtitle":"Tchaikovsky, Pyotr Ilyich","description":"Tchaikovsky's Nutcracker (composed 1891-2) is one of the composer's most successful and enduring ballets. In 1892, Tchaikovsky constructed an orchestral suite or collection of dance movements from the Nutcracker, Op. 71a, which is heard here in the piano solo version. Dance of the Sugar Plum Fairy is No. 3 in the suite. You might want to set your MIDI output to celeste or bells for this one. That's the way it sounds in the orchestral version. This is a magical selection.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/180.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510455542?h=4c0d9ce290","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200180,"order":"2"},"1100181":{"title":"How to Play 'Nutcracker, March (No. 2)'","subtitle":"Tchaikovsky, Pyotr Ilyich","description":"Tchaikovsky's Nutcracker (composed 1891-2) is one of the composer's most successful and enduring ballets. In 1892, Tchaikovsky constructed an orchestral suite or collection of dance movements from the Nutcracker, Op. 71a, which is heard here in the piano solo version. The energetic March is No. 2 in the suite. Listen for the scurrying little &quot;staccato e leggiero&quot; section in the middle.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/181.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510455521?h=7091bdcc5d","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100181,"order":"1"},"1200181":{"title":"Sheet Music of 'Nutcracker, March (No. 2)'","subtitle":"Tchaikovsky, Pyotr Ilyich","description":"Tchaikovsky's Nutcracker (composed 1891-2) is one of the composer's most successful and enduring ballets. In 1892, Tchaikovsky constructed an orchestral suite or collection of dance movements from the Nutcracker, Op. 71a, which is heard here in the piano solo version. The energetic March is No. 2 in the suite. Listen for the scurrying little &quot;staccato e leggiero&quot; section in the middle.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/181.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510455521?h=7091bdcc5d","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200181,"order":"2"},"1100182":{"title":"How to Play 'Scenes from Childhood (Kinderscenen), op. 15, Pleading Child (Bittendes Kind) (No. 4)'","subtitle":"Schumann, Robert","description":"Robert Schumann was known for writing sets of miniatures, each painting a distinct character or psychological feeling. One of his most beautiful sets, Scenes from Childhood (Kinderscenen), op. 15 was written in 1838. What is unique is that Schumann has created music filled with artistry and imagination, suitable in for the concert stage, that can at least be technically approached by young students. The 13 selections are individual pieces yet when played together and in order form a satisfying whole. Pleading Child (Bittendes Kind) is No. 4 in the set. The right hand shares not only the melody, but also some of the accompaniment notes. The ending chord is a curious unfinished twist.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/182.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510455404?h=594b159818","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100182,"order":"1"},"1200182":{"title":"Sheet Music of 'Scenes from Childhood (Kinderscenen), op. 15, Pleading Child (Bittendes Kind) (No. 4)'","subtitle":"Schumann, Robert","description":"Robert Schumann was known for writing sets of miniatures, each painting a distinct character or psychological feeling. One of his most beautiful sets, Scenes from Childhood (Kinderscenen), op. 15 was written in 1838. What is unique is that Schumann has created music filled with artistry and imagination, suitable in for the concert stage, that can at least be technically approached by young students. The 13 selections are individual pieces yet when played together and in order form a satisfying whole. Pleading Child (Bittendes Kind) is No. 4 in the set. The right hand shares not only the melody, but also some of the accompaniment notes. The ending chord is a curious unfinished twist.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/182.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510455404?h=594b159818","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200182,"order":"2"},"1100183":{"title":"How to Play 'Scenes from Childhood (Kinderscenen), op. 15, Perfect Happiness (Glueckes genug) (No. 5)'","subtitle":"Schumann, Robert","description":"Robert Schumann was known for writing sets of miniatures, each painting a distinct character or psychological feeling. One of his most beautiful sets, Scenes from Childhood (Kinderscenen), op. 15 was written in 1838. What is unique is that Schumann has created music filled with artistry and imagination, suitable in for the concert stage, that can at least be technically approached by young students. The 13 selections are individual pieces yet when played together and in order form a satisfying whole. Perfect Happiness (Glueckes genug) is No. 5 in the set. The surging right melody is chased by an imitative left hand. ","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/183.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510455385?h=2128e8b9c6","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100183,"order":"1"},"1200183":{"title":"Sheet Music of 'Scenes from Childhood (Kinderscenen), op. 15, Perfect Happiness (Glueckes genug) (No. 5)'","subtitle":"Schumann, Robert","description":"Robert Schumann was known for writing sets of miniatures, each painting a distinct character or psychological feeling. One of his most beautiful sets, Scenes from Childhood (Kinderscenen), op. 15 was written in 1838. What is unique is that Schumann has created music filled with artistry and imagination, suitable in for the concert stage, that can at least be technically approached by young students. The 13 selections are individual pieces yet when played together and in order form a satisfying whole. Perfect Happiness (Glueckes genug) is No. 5 in the set. The surging right melody is chased by an imitative left hand. ","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/183.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510455385?h=2128e8b9c6","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200183,"order":"2"},"1100184":{"title":"How to Play 'Nutcracker, Arabian Dance (No. 5)'","subtitle":"Tchaikovsky, Pyotr Ilyich","description":"Tchaikovsky's Nutcracker (composed 1891-2) is one of the composer's most successful and enduring ballets. In 1892, Tchaikovsky constructed an orchestral suite or collection of dance movements from the Nutcracker, Op. 71a, which is heard here in the piano solo version. Arabian Dance is No. 5 in the suite. Imagine the little cymbals in the backround, from behind silky veils, as this sensous little dance caresses you.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/184.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510455361?h=66129d9d4f","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100184,"order":"1"},"1200184":{"title":"Sheet Music of 'Nutcracker, Arabian Dance (No. 5)'","subtitle":"Tchaikovsky, Pyotr Ilyich","description":"Tchaikovsky's Nutcracker (composed 1891-2) is one of the composer's most successful and enduring ballets. In 1892, Tchaikovsky constructed an orchestral suite or collection of dance movements from the Nutcracker, Op. 71a, which is heard here in the piano solo version. Arabian Dance is No. 5 in the suite. Imagine the little cymbals in the backround, from behind silky veils, as this sensous little dance caresses you.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/184.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510455361?h=66129d9d4f","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200184,"order":"2"},"1100185":{"title":"How to Play 'Nutcracker, Chinese Dance (No. 6)'","subtitle":"Tchaikovsky, Pyotr Ilyich","description":"Tchaikovsky's Nutcracker (composed 1891-2) is one of the composer's most successful and enduring ballets. In 1892, Tchaikovsky constructed an orchestral suite or collection of dance movements from the Nutcracker, Op. 71a, which is heard here in the piano solo version. Chinese Dance is No. 6 from the suite. Imagine the piccolo playing the soaring, agile right hand melody. The simple, rhythmic left hand accompaniment helps drive this short dance to its climax.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/185.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510455342?h=a0f21389da","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100185,"order":"1"},"1200185":{"title":"Sheet Music of 'Nutcracker, Chinese Dance (No. 6)'","subtitle":"Tchaikovsky, Pyotr Ilyich","description":"Tchaikovsky's Nutcracker (composed 1891-2) is one of the composer's most successful and enduring ballets. In 1892, Tchaikovsky constructed an orchestral suite or collection of dance movements from the Nutcracker, Op. 71a, which is heard here in the piano solo version. Chinese Dance is No. 6 from the suite. Imagine the piccolo playing the soaring, agile right hand melody. The simple, rhythmic left hand accompaniment helps drive this short dance to its climax.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/185.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510455342?h=a0f21389da","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200185,"order":"2"},"1100186":{"title":"How to Play 'Scenes from Childhood (Kinderscenen), op. 15, Important Event (Wichtige Begebenheit) (No. 6)'","subtitle":"Schumann, Robert","description":"Robert Schumann was known for writing sets of miniatures, each painting a distinct character or psychological feeling. One of his most beautiful sets, Scenes from Childhood (Kinderscenen), op. 15 was written in 1838. What is unique is that Schumann has created music filled with artistry and imagination, suitable in for the concert stage, that can at least be technically approached by young students. The 13 selections are individual pieces yet when played together and in order form a satisfying whole. Important Event (Wichtige Begebenheit) is No. 6 in the set. Its heavy chords glow with the feeling of a pompous public ceremony.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/186.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510455237?h=46623ed010","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100186,"order":"1"},"1200186":{"title":"Sheet Music of 'Scenes from Childhood (Kinderscenen), op. 15, Important Event (Wichtige Begebenheit) (No. 6)'","subtitle":"Schumann, Robert","description":"Robert Schumann was known for writing sets of miniatures, each painting a distinct character or psychological feeling. One of his most beautiful sets, Scenes from Childhood (Kinderscenen), op. 15 was written in 1838. What is unique is that Schumann has created music filled with artistry and imagination, suitable in for the concert stage, that can at least be technically approached by young students. The 13 selections are individual pieces yet when played together and in order form a satisfying whole. Important Event (Wichtige Begebenheit) is No. 6 in the set. Its heavy chords glow with the feeling of a pompous public ceremony.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/186.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510455237?h=46623ed010","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200186,"order":"2"},"1100187":{"title":"How to Play 'Scenes from Childhood (Kinderscenen), op. 15, Reverie (Traeumerei) (No. 7)'","subtitle":"Schumann, Robert","description":"Robert Schumann was known for writing sets of miniatures, each painting a distinct character or psychological feeling. One of his most beautiful sets, Scenes from Childhood (Kinderscenen), op. 15 was written in 1838. What is unique is that Schumann has created music filled with artistry and imagination, suitable in for the concert stage, that can at least be technically approached by young students. The 13 selections are individual pieces yet when played together and in order form a satisfying whole. Reverie (Traeumerei) is No. 7. Its slow sentimental melody has become famous over the years.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/187.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510455212?h=844b5199a3","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100187,"order":"1"},"1200187":{"title":"Sheet Music of 'Scenes from Childhood (Kinderscenen), op. 15, Reverie (Traeumerei) (No. 7)'","subtitle":"Schumann, Robert","description":"Robert Schumann was known for writing sets of miniatures, each painting a distinct character or psychological feeling. One of his most beautiful sets, Scenes from Childhood (Kinderscenen), op. 15 was written in 1838. What is unique is that Schumann has created music filled with artistry and imagination, suitable in for the concert stage, that can at least be technically approached by young students. The 13 selections are individual pieces yet when played together and in order form a satisfying whole. Reverie (Traeumerei) is No. 7. Its slow sentimental melody has become famous over the years.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/187.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510455212?h=844b5199a3","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200187,"order":"2"},"1100188":{"title":"How to Play 'Nutcracker, Dance of the Reed Flutes (No. 7)'","subtitle":"Tchaikovsky, Pyotr Ilyich","description":"Tchaikovsky's Nutcracker (composed 1891-2) is one of the composer's most successful and enduring ballets. In 1892, Tchaikovsky constructed an orchestral suite or collection of dance movements from the Nutcracker, Op. 71a, which is heard here in the piano solo version. Dance of the Reed Flutes is No. 7 in the suite. Tchaikovsky used a group of flutes to play the right hand chordal melody. It has an easy charm, save for a bit of serious excitement past the middle.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/188.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510455186?h=8af68224ab","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100188,"order":"1"},"1200188":{"title":"Sheet Music of 'Nutcracker, Dance of the Reed Flutes (No. 7)'","subtitle":"Tchaikovsky, Pyotr Ilyich","description":"Tchaikovsky's Nutcracker (composed 1891-2) is one of the composer's most successful and enduring ballets. In 1892, Tchaikovsky constructed an orchestral suite or collection of dance movements from the Nutcracker, Op. 71a, which is heard here in the piano solo version. Dance of the Reed Flutes is No. 7 in the suite. Tchaikovsky used a group of flutes to play the right hand chordal melody. It has an easy charm, save for a bit of serious excitement past the middle.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/188.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510455186?h=8af68224ab","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200188,"order":"2"},"1100189":{"title":"How to Play 'Scenes from Childhood (Kinderscenen), op. 15, By the Fireside (Am Kamin) (No. 8)'","subtitle":"Schumann, Robert","description":"Robert Schumann was known for writing sets of miniatures, each painting a distinct character or psychological feeling. One of his most beautiful sets, Scenes from Childhood (Kinderscenen), op. 15 was written in 1838. What is unique is that Schumann has created music filled with artistry and imagination, suitable in for the concert stage, that can at least be technically approached by young students. The 13 selections are individual pieces yet when played together and in order form a satisfying whole. By the Fireside (Am Kamin) is No. 8. Its singing eighth note melody flows smoothly throughout. ","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/189.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510455164?h=cef4377b20","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100189,"order":"1"},"1200189":{"title":"Sheet Music of 'Scenes from Childhood (Kinderscenen), op. 15, By the Fireside (Am Kamin) (No. 8)'","subtitle":"Schumann, Robert","description":"Robert Schumann was known for writing sets of miniatures, each painting a distinct character or psychological feeling. One of his most beautiful sets, Scenes from Childhood (Kinderscenen), op. 15 was written in 1838. What is unique is that Schumann has created music filled with artistry and imagination, suitable in for the concert stage, that can at least be technically approached by young students. The 13 selections are individual pieces yet when played together and in order form a satisfying whole. By the Fireside (Am Kamin) is No. 8. Its singing eighth note melody flows smoothly throughout. ","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/189.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510455164?h=cef4377b20","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200189,"order":"2"},"1100190":{"title":"How to Play 'Nutcracker, Waltz of the Flowers (No. 8)'","subtitle":"Tchaikovsky, Pyotr Ilyich","description":"Tchaikovsky's Nutcracker (composed 1891-2) is one of the composer's most successful and enduring ballets. In 1892, Tchaikovsky constructed an orchestral suite or collection of dance movements from the Nutcracker, Op. 71a, which is heard here in the piano solo version. Waltz of the Flowers (No. 8) is the finale of the suite. It has big introduction, with the harp-like cadenza setting up the waltz introduction. You'll find yourself humming the familiar melodies.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/190.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510455126?h=5cb9faa228","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100190,"order":"1"},"1200190":{"title":"Sheet Music of 'Nutcracker, Waltz of the Flowers (No. 8)'","subtitle":"Tchaikovsky, Pyotr Ilyich","description":"Tchaikovsky's Nutcracker (composed 1891-2) is one of the composer's most successful and enduring ballets. In 1892, Tchaikovsky constructed an orchestral suite or collection of dance movements from the Nutcracker, Op. 71a, which is heard here in the piano solo version. Waltz of the Flowers (No. 8) is the finale of the suite. It has big introduction, with the harp-like cadenza setting up the waltz introduction. You'll find yourself humming the familiar melodies.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/190.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510455126?h=5cb9faa228","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200190,"order":"2"},"1100191":{"title":"How to Play 'No. 9, Knight of the Rocking-Horse (Ritter vom Steckenpferd)'","subtitle":"Schumann, Robert","description":"Robert Schumann was known for writing sets of miniatures, each painting a distinct character or psychological feeling. One of his most beautiful sets, Scenes from Childhood (Kinderscenen), op. 15 was written in 1838. What is unique is that Schumann has created music filled with artistry and imagination, suitable in for the concert stage, that can at least be technically approached by young students. The 13 selections are individual pieces yet when played together and in order form a satisfying whole. Knight of the Rocking-Horse (Ritter vom Steckenpferd) is No. 9. In this fast paced piece, the middle voiced melody is accompanied by galloping, rhythmic chords. ","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/191.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510455078?h=3f56cd2b98","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100191,"order":"1"},"1200191":{"title":"Sheet Music of 'No. 9, Knight of the Rocking-Horse (Ritter vom Steckenpferd)'","subtitle":"Schumann, Robert","description":"Robert Schumann was known for writing sets of miniatures, each painting a distinct character or psychological feeling. One of his most beautiful sets, Scenes from Childhood (Kinderscenen), op. 15 was written in 1838. What is unique is that Schumann has created music filled with artistry and imagination, suitable in for the concert stage, that can at least be technically approached by young students. The 13 selections are individual pieces yet when played together and in order form a satisfying whole. Knight of the Rocking-Horse (Ritter vom Steckenpferd) is No. 9. In this fast paced piece, the middle voiced melody is accompanied by galloping, rhythmic chords. ","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/191.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510455078?h=3f56cd2b98","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200191,"order":"2"},"1100192":{"title":"How to Play 'No. 10, Almost Too Serious (Fast zu ernst)'","subtitle":"Schumann, Robert","description":"Robert Schumann was known for writing sets of miniatures, each painting a distinct character or psychological feeling. One of his most beautiful sets, Scenes from Childhood (Kinderscenen), op. 15 was written in 1838. What is unique is that Schumann has created music filled with artistry and imagination, suitable in for the concert stage, that can at least be technically approached by young students. The 13 selections are individual pieces yet when played together and in order form a satisfying whole. Almost Too Serious (Fast zu ernst) is No. 10. The right hand syncopated melody must keep a good balance with the bass accompaniment.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/192.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510455028?h=e747acfa03","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100192,"order":"1"},"1200192":{"title":"Sheet Music of 'No. 10, Almost Too Serious (Fast zu ernst)'","subtitle":"Schumann, Robert","description":"Robert Schumann was known for writing sets of miniatures, each painting a distinct character or psychological feeling. One of his most beautiful sets, Scenes from Childhood (Kinderscenen), op. 15 was written in 1838. What is unique is that Schumann has created music filled with artistry and imagination, suitable in for the concert stage, that can at least be technically approached by young students. The 13 selections are individual pieces yet when played together and in order form a satisfying whole. Almost Too Serious (Fast zu ernst) is No. 10. The right hand syncopated melody must keep a good balance with the bass accompaniment.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/192.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510455028?h=e747acfa03","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200192,"order":"2"},"1100193":{"title":"How to Play 'No. 11, Frightening (Fuerchtenmachen)'","subtitle":"Schumann, Robert","description":"Robert Schumann was known for writing sets of miniatures, each painting a distinct character or psychological feeling. One of his most beautiful sets, Scenes from Childhood (Kinderscenen), op. 15 was written in 1838. What is unique is that Schumann has created music filled with artistry and imagination, suitable in for the concert stage, that can at least be technically approached by young students. The 13 selections are individual pieces yet when played together and in order form a satisfying whole. Frightening (Fuerchtenmachen) is No. 11. It alternates between lyrical passages and quick, rhythmic outbursts.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/193.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510454985?h=f25a6f7fd7","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100193,"order":"1"},"1200193":{"title":"Sheet Music of 'No. 11, Frightening (Fuerchtenmachen)'","subtitle":"Schumann, Robert","description":"Robert Schumann was known for writing sets of miniatures, each painting a distinct character or psychological feeling. One of his most beautiful sets, Scenes from Childhood (Kinderscenen), op. 15 was written in 1838. What is unique is that Schumann has created music filled with artistry and imagination, suitable in for the concert stage, that can at least be technically approached by young students. The 13 selections are individual pieces yet when played together and in order form a satisfying whole. Frightening (Fuerchtenmachen) is No. 11. It alternates between lyrical passages and quick, rhythmic outbursts.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/193.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510454985?h=f25a6f7fd7","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200193,"order":"2"},"1100194":{"title":"How to Play 'No. 12, Child Falling Asleep (Kind im Einschlummern)'","subtitle":"Schumann, Robert","description":"Robert Schumann was known for writing sets of miniatures, each painting a distinct character or psychological feeling. One of his most beautiful sets, Scenes from Childhood (Kinderscenen), op. 15 was written in 1838. What is unique is that Schumann has created music filled with artistry and imagination, suitable in for the concert stage, that can at least be technically approached by young students. The 13 selections are individual pieces yet when played together and in order form a satisfying whole. No. 12, Child Falling Asleep (Kind im Einschlummern) is one of the most beautiful of the set. There is a gentle imitation between left and right hand, and some exquisitely delicate harmonies.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/194.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510454945?h=487b5e22fe","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100194,"order":"1"},"1200194":{"title":"Sheet Music of 'No. 12, Child Falling Asleep (Kind im Einschlummern)'","subtitle":"Schumann, Robert","description":"Robert Schumann was known for writing sets of miniatures, each painting a distinct character or psychological feeling. One of his most beautiful sets, Scenes from Childhood (Kinderscenen), op. 15 was written in 1838. What is unique is that Schumann has created music filled with artistry and imagination, suitable in for the concert stage, that can at least be technically approached by young students. The 13 selections are individual pieces yet when played together and in order form a satisfying whole. No. 12, Child Falling Asleep (Kind im Einschlummern) is one of the most beautiful of the set. There is a gentle imitation between left and right hand, and some exquisitely delicate harmonies.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/194.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510454945?h=487b5e22fe","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200194,"order":"2"},"1100195":{"title":"How to Play 'No. 13, The Poet Speaks (Der Dichter spricht)'","subtitle":"Schumann, Robert","description":"Robert Schumann was known for writing sets of miniatures, each painting a distinct character or psychological feeling. One of his most beautiful sets, Scenes from Childhood (Kinderscenen), op. 15 was written in 1838. What is unique is that Schumann has created music filled with artistry and imagination, suitable in for the concert stage, that can at least be technically approached by young students. The 13 selections are individual pieces yet when played together and in order form a satisfying whole. No. 13, The Poet Speaks (Der Dichter spricht) finishes the set in the spirit of an operatic recitative, including a brief cadenza in the middle.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/195.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510454906?h=27fbf373bc","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100195,"order":"1"},"1200195":{"title":"Sheet Music of 'No. 13, The Poet Speaks (Der Dichter spricht)'","subtitle":"Schumann, Robert","description":"Robert Schumann was known for writing sets of miniatures, each painting a distinct character or psychological feeling. One of his most beautiful sets, Scenes from Childhood (Kinderscenen), op. 15 was written in 1838. What is unique is that Schumann has created music filled with artistry and imagination, suitable in for the concert stage, that can at least be technically approached by young students. The 13 selections are individual pieces yet when played together and in order form a satisfying whole. No. 13, The Poet Speaks (Der Dichter spricht) finishes the set in the spirit of an operatic recitative, including a brief cadenza in the middle.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/195.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510454906?h=27fbf373bc","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200195,"order":"2"},"1100196":{"title":"How to Play '6 Suites of dances in the French style, No. 5 in G major, No.4 Gavotte'","subtitle":"Bach, J.S","description":"Bach composed six Suites of dances in the French style. No. 5 in G major is considered the finest of the set. The Gavotte movement is clear and delicate, and a delight to the ears.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/196.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510454842?h=0c6c568b1e","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100196,"order":"1"},"1200196":{"title":"Sheet Music of '6 Suites of dances in the French style, No. 5 in G major, No.4 Gavotte'","subtitle":"Bach, J.S","description":"Bach composed six Suites of dances in the French style. No. 5 in G major is considered the finest of the set. The Gavotte movement is clear and delicate, and a delight to the ears.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/196.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510454842?h=0c6c568b1e","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200196,"order":"2"},"1100197":{"title":"How to Play 'Bagatelle in E flat, Op. 33, No. 1'","subtitle":"Beethoven, Ludwig Van","description":"Beethoven wasn't always fire and brimstone. In his little Bagatelles for piano, the old master showed his lighter side. The Bagatelle in E flat, Op. 33, No. 1 has a dance-like lilt punctuated by graceful and sometimes surprising scale runs.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/197.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510454803?h=2413b243fd","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100197,"order":"1"},"1200197":{"title":"Sheet Music of 'Bagatelle in E flat, Op. 33, No. 1'","subtitle":"Beethoven, Ludwig Van","description":"Beethoven wasn't always fire and brimstone. In his little Bagatelles for piano, the old master showed his lighter side. The Bagatelle in E flat, Op. 33, No. 1 has a dance-like lilt punctuated by graceful and sometimes surprising scale runs.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/197.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510454803?h=2413b243fd","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200197,"order":"2"},"1100198":{"title":"How to Play 'Bagatelle in A major, Op. 33, No. 4'","subtitle":"Beethoven, Ludwig Van","description":"Beethoven wasn't always fire and brimstone. In his little Bagatelles for piano, the old master showed his lighter side. The Bagatelle in A major, Op. 33, No. 4 flows at a relaxing pace and with graceful charm.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/198.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510454748?h=d85db117e3","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100198,"order":"1"},"1200198":{"title":"Sheet Music of 'Bagatelle in A major, Op. 33, No. 4'","subtitle":"Beethoven, Ludwig Van","description":"Beethoven wasn't always fire and brimstone. In his little Bagatelles for piano, the old master showed his lighter side. The Bagatelle in A major, Op. 33, No. 4 flows at a relaxing pace and with graceful charm.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/198.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510454748?h=d85db117e3","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200198,"order":"2"},"1100199":{"title":"How to Play 'Capriccio in B minor, Op.76'","subtitle":"Brahms, Johannes","description":"Brahms\u2019s cycle of Eight Piano Pieces, Op. 76, published in 1879,  marked a beginning and an end for Brahms: the end of a hiatus in writing for piano solo and the beginning of Brahms\u2019s new style of writing for piano, where cycles of small miniatures supplanted the earlier monumental works, such as the three sonatas and the Handel Variations. ","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/199.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510454714?h=b24c50f071","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100199,"order":"1"},"1200199":{"title":"Sheet Music of 'Capriccio in B minor, Op.76'","subtitle":"Brahms, Johannes","description":"Brahms\u2019s cycle of Eight Piano Pieces, Op. 76, published in 1879,  marked a beginning and an end for Brahms: the end of a hiatus in writing for piano solo and the beginning of Brahms\u2019s new style of writing for piano, where cycles of small miniatures supplanted the earlier monumental works, such as the three sonatas and the Handel Variations. ","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/199.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510454714?h=b24c50f071","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200199,"order":"2"},"1100200":{"title":"How to Play 'Fifth Symphony'","subtitle":"Liszt, Franz","description":"Very little explanation is needed for the first movement of Beethoven's venerable Fifth Symphony. Liszt, who often wrote difficult but faithful piano arrangements of popular symphonic or operatic works (generally for use in his own concerts), put his pen to paper in this impressive transcription. Incidentally, he did piano arrangements of all the Beethoven symphonies.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/200.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510450352?h=be72638225","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100200,"order":"1"},"1200200":{"title":"Sheet Music of 'Fifth Symphony'","subtitle":"Liszt, Franz","description":"Very little explanation is needed for the first movement of Beethoven's venerable Fifth Symphony. Liszt, who often wrote difficult but faithful piano arrangements of popular symphonic or operatic works (generally for use in his own concerts), put his pen to paper in this impressive transcription. Incidentally, he did piano arrangements of all the Beethoven symphonies.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/200.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510450352?h=be72638225","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200200,"order":"2"},"1100201":{"title":"How to Play 'Prelude No. 4 in E minor'","subtitle":"Chopin, Fr\u00e9d\u00e9ric ","description":"The twenty-four Preludes were composed from 1836-9 and first published in 1839. Like Bach's Preludes from the Well-Tempered Clavier (upon which these were modelled), Chopin composed one in each major and minor key. Often the prelude is based on a single idea, sometimes only a motive. They are true romantic miniatures, each pointedly expressing a feeling or idea. They work as individual pieces, but when played as a set, they display a true, cohesive emotional spectrum of the highest artistry. Prelude No. 4 in E minor is a simple, sadly expressive melody floating over repeated left hand chords.The twenty-four Preludes were composed from 1836-9 and first published in 1839. Like Bach's Preludes from the Well-Tempered Clavier (upon which these were modelled), Chopin composed one in each major and minor key. Often the prelude is based on a single idea, sometimes only a motive. They are true romantic miniatures, each pointedly expressing a feeling or idea. They work as individual pieces, but when played as a set, they display a true, cohesive emotional spectrum of the highest artistry. Prelude No. 4 in E minor is a simple, sadly expressive melody floating over repeated left hand chords.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/201.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510450336?h=fc79978d59","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100201,"order":"1"},"1200201":{"title":"Sheet Music of 'Prelude No. 4 in E minor'","subtitle":"Chopin, Fr\u00e9d\u00e9ric ","description":"The twenty-four Preludes were composed from 1836-9 and first published in 1839. Like Bach's Preludes from the Well-Tempered Clavier (upon which these were modelled), Chopin composed one in each major and minor key. Often the prelude is based on a single idea, sometimes only a motive. They are true romantic miniatures, each pointedly expressing a feeling or idea. They work as individual pieces, but when played as a set, they display a true, cohesive emotional spectrum of the highest artistry. Prelude No. 4 in E minor is a simple, sadly expressive melody floating over repeated left hand chords.The twenty-four Preludes were composed from 1836-9 and first published in 1839. Like Bach's Preludes from the Well-Tempered Clavier (upon which these were modelled), Chopin composed one in each major and minor key. Often the prelude is based on a single idea, sometimes only a motive. They are true romantic miniatures, each pointedly expressing a feeling or idea. They work as individual pieces, but when played as a set, they display a true, cohesive emotional spectrum of the highest artistry. Prelude No. 4 in E minor is a simple, sadly expressive melody floating over repeated left hand chords.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/201.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510450336?h=fc79978d59","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200201,"order":"2"},"1100202":{"title":"How to Play 'Prelude in B minor, op. 28, no. 6'","subtitle":"Chopin, Fr\u00e9d\u00e9ric ","description":"The twenty-four Preludes were composed from 1836-9 and first published in 1839. Like Bach's Preludes from the Well-Tempered Clavier (upon which these were modelled), Chopin composed one in each major and minor key. Often the prelude is based on a single idea, sometimes only a motive. They are true romantic miniatures, each pointedly expressing a feeling or idea. They work as individual pieces, but when played as a set, they display a true, cohesive emotional spectrum of the highest artistry. The Prelude in B minor, op. 28, no. 6 has been nicknamed the &quot;Cello&quot; Prelude because of its left hand melody. It has in fact been arranged for cello with piano accompaniment, and it is indeed easy for the pianist to imagine the tonal qualities and phrasing of a cello as he plays the melody.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/202.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510450325?h=aa85558c25","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100202,"order":"1"},"1200202":{"title":"Sheet Music of 'Prelude in B minor, op. 28, no. 6'","subtitle":"Chopin, Fr\u00e9d\u00e9ric ","description":"The twenty-four Preludes were composed from 1836-9 and first published in 1839. Like Bach's Preludes from the Well-Tempered Clavier (upon which these were modelled), Chopin composed one in each major and minor key. Often the prelude is based on a single idea, sometimes only a motive. They are true romantic miniatures, each pointedly expressing a feeling or idea. They work as individual pieces, but when played as a set, they display a true, cohesive emotional spectrum of the highest artistry. The Prelude in B minor, op. 28, no. 6 has been nicknamed the &quot;Cello&quot; Prelude because of its left hand melody. It has in fact been arranged for cello with piano accompaniment, and it is indeed easy for the pianist to imagine the tonal qualities and phrasing of a cello as he plays the melody.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/202.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510450325?h=aa85558c25","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200202,"order":"2"},"1100203":{"title":"How to Play 'Toccata and Fugue in D minor'","subtitle":"Bach, J.S","description":"The celebrated Toccata and Fugue in D minor for organ has long considered to be one of J.S. Bach's most accessible and popular works. Today, there is some question as to whether Bach actually wrote the work. Nevertheless, its drama and brilliance remain. Virtuoso pianist Ferruccio Busoni (1866-1924) wrote this difficult piano transcription.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/203.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510450315?h=1c44ffe3aa","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100203,"order":"1"},"1200203":{"title":"Sheet Music of 'Toccata and Fugue in D minor'","subtitle":"Bach, J.S","description":"The celebrated Toccata and Fugue in D minor for organ has long considered to be one of J.S. Bach's most accessible and popular works. Today, there is some question as to whether Bach actually wrote the work. Nevertheless, its drama and brilliance remain. Virtuoso pianist Ferruccio Busoni (1866-1924) wrote this difficult piano transcription.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/203.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510450315?h=1c44ffe3aa","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200203,"order":"2"},"1100204":{"title":"How to Play 'Prelude No. 8 in F-sharp minor'","subtitle":"Chopin, Fr\u00e9d\u00e9ric ","description":"The twenty-four Preludes were composed from 1836-9 and first published in 1839. Like Bach's Preludes from the Well-Tempered Clavier (upon which these were modelled), Chopin composed one in each major and minor key. Often the prelude is based on a single idea, sometimes only a motive. They are true romantic miniatures, each pointedly expressing a feeling or idea. They work as individual pieces, but when played as a set, they display a true, cohesive emotional spectrum of the highest artistry. No. 8 in F-sharp minor is one of the more technically difficult of the Preludes. The right hand must ring out a thumb melody amidst an incessant cascade of rapid notes. There is no let up in intensity from beginning to end.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/204.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510450301?h=fb9c46ea91","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100204,"order":"1"},"1200204":{"title":"Sheet Music of 'Prelude No. 8 in F-sharp minor'","subtitle":"Chopin, Fr\u00e9d\u00e9ric ","description":"The twenty-four Preludes were composed from 1836-9 and first published in 1839. Like Bach's Preludes from the Well-Tempered Clavier (upon which these were modelled), Chopin composed one in each major and minor key. Often the prelude is based on a single idea, sometimes only a motive. They are true romantic miniatures, each pointedly expressing a feeling or idea. They work as individual pieces, but when played as a set, they display a true, cohesive emotional spectrum of the highest artistry. No. 8 in F-sharp minor is one of the more technically difficult of the Preludes. The right hand must ring out a thumb melody amidst an incessant cascade of rapid notes. There is no let up in intensity from beginning to end.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/204.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510450301?h=fb9c46ea91","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200204,"order":"2"},"1100205":{"title":"How to Play 'Ah! Vous dirai-je, maman'","subtitle":"Mozart, Amadeus","description":"The melody which we commonly know as &quot;Twinkle Twinkle Little Star&quot; first appeared without words in 1761 as &quot;Ah! Vous dirai-je, maman&quot;. While keeping in mind that Variations on a theme often reveals the essence of a composer's creativity, it is fun to listen to Mozart's 12 Variations on this children's melody.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/205.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510450285?h=b665b11cd7","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100205,"order":"1"},"1200205":{"title":"Sheet Music of 'Ah! Vous dirai-je, maman'","subtitle":"Mozart, Amadeus","description":"The melody which we commonly know as &quot;Twinkle Twinkle Little Star&quot; first appeared without words in 1761 as &quot;Ah! Vous dirai-je, maman&quot;. While keeping in mind that Variations on a theme often reveals the essence of a composer's creativity, it is fun to listen to Mozart's 12 Variations on this children's melody.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/205.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510450285?h=b665b11cd7","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200205,"order":"2"},"1100206":{"title":"How to Play 'La plus'","subtitle":"Debussy, Claude","description":"Debussy's La plus que lente is a swaggering, waltz-like salon piece. There actually is a player piano recording of Debussy playing this himself! It has little musical value except to entertain. ","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/206.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510450266?h=2df83e408c","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100206,"order":"1"},"1200206":{"title":"Sheet Music of 'La plus'","subtitle":"Debussy, Claude","description":"Debussy's La plus que lente is a swaggering, waltz-like salon piece. There actually is a player piano recording of Debussy playing this himself! It has little musical value except to entertain. ","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/206.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510450266?h=2df83e408c","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200206,"order":"2"},"1100207":{"title":"How to Play 'Aria, Goldberg Variations'","subtitle":"Bach, J.S","description":"Because of the two recordings by the late pianist Glenn Gould, J.S. Bach's Goldberg Variations have achieved a virtual &quot;pop&quot; music status. Gould's original version was actually the first classical hit record the 1960's. Bach, it is said, was commissioned to compose these 30 variations for performance by Johann Goldberg (to help cure his patron Count Keyserling of insomnia). It is this Aria which begins and ends the whole cycle.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/207.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510450244?h=2ede633778","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100207,"order":"1"},"1200207":{"title":"Sheet Music of 'Aria, Goldberg Variations'","subtitle":"Bach, J.S","description":"Because of the two recordings by the late pianist Glenn Gould, J.S. Bach's Goldberg Variations have achieved a virtual &quot;pop&quot; music status. Gould's original version was actually the first classical hit record the 1960's. Bach, it is said, was commissioned to compose these 30 variations for performance by Johann Goldberg (to help cure his patron Count Keyserling of insomnia). It is this Aria which begins and ends the whole cycle.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/207.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510450244?h=2ede633778","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200207,"order":"2"},"1100208":{"title":"How to Play 'Hankerchief Dance'","subtitle":"Grainger, Percy","description":"The melody for Country Gardens first appeared under that title in The Quaker's Opera (printed in London, 1728). The tune was collected by Cecil J. Sharp and Herbert C. MacIlwaine in 1907 as the Hankerchief Dance, and it is Sharpe that Australian pianist\/composer Percy Grainger credits in the preface to his piano arrangement.  In his detailed performance notes, Grainger also mentions that he &quot;rough- sketched for 2 whistlers and a few instruments about 1908&quot; and &quot;worked out for piano, spring 1918&quot;. It is a delightful and perhaps best known arrangement of this popular classic.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/208.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510450228?h=c17e89f289","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100208,"order":"1"},"1200208":{"title":"Sheet Music of 'Hankerchief Dance'","subtitle":"Grainger, Percy","description":"The melody for Country Gardens first appeared under that title in The Quaker's Opera (printed in London, 1728). The tune was collected by Cecil J. Sharp and Herbert C. MacIlwaine in 1907 as the Hankerchief Dance, and it is Sharpe that Australian pianist\/composer Percy Grainger credits in the preface to his piano arrangement.  In his detailed performance notes, Grainger also mentions that he &quot;rough- sketched for 2 whistlers and a few instruments about 1908&quot; and &quot;worked out for piano, spring 1918&quot;. It is a delightful and perhaps best known arrangement of this popular classic.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/208.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510450228?h=c17e89f289","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200208,"order":"2"},"1100209":{"title":"How to Play 'Fantasy in C minor, K. 475'","subtitle":"Mozart, Amadeus","description":"The Fantasy in C minor, K. 475, is one of Mozart's most astonishing works for solo piano. It covers an enormous range of emotion, from its starkly dramatic opening to typical Mozartian cheerfulness.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/209.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510450213?h=542c939d29","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100209,"order":"1"},"1200209":{"title":"Sheet Music of 'Fantasy in C minor, K. 475'","subtitle":"Mozart, Amadeus","description":"The Fantasy in C minor, K. 475, is one of Mozart's most astonishing works for solo piano. It covers an enormous range of emotion, from its starkly dramatic opening to typical Mozartian cheerfulness.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/209.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510450213?h=542c939d29","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200209,"order":"2"},"1100210":{"title":"How to Play 'Mouvement perpetuels'","subtitle":"Poulenc, Francis","description":"Poulenc's Mouvement perpetuels was composed in 1918. The three movements (Assez modere; Tres modere; Alerte) are short and not difficult to play. ","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/210.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510450202?h=c282d92b60","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100210,"order":"1"},"1200210":{"title":"Sheet Music of 'Mouvement perpetuels'","subtitle":"Poulenc, Francis","description":"Poulenc's Mouvement perpetuels was composed in 1918. The three movements (Assez modere; Tres modere; Alerte) are short and not difficult to play. ","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/210.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510450202?h=c282d92b60","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200210,"order":"2"},"1100211":{"title":"How to Play 'Valse triste'","subtitle":"Sibelius, Jean","description":"Sibelius' Valse triste is a short salon piece with a truly melancholic opening mood, which switches grudgingly to a smile in the middle.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/211.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510450191?h=5b59646a2b","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100211,"order":"1"},"1200211":{"title":"Sheet Music of 'Valse triste'","subtitle":"Sibelius, Jean","description":"Sibelius' Valse triste is a short salon piece with a truly melancholic opening mood, which switches grudgingly to a smile in the middle.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/211.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510450191?h=5b59646a2b","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200211,"order":"2"},"1100212":{"title":"How to Play 'Prelude in C (WTC Bk. 1)'","subtitle":"Bach, J.S","description":"J.S. Bach's Prelude in C (WTC Bk. 1) is made up of a simple but subtly stirring series of arpeggiated chords. There is no actual melody, however, one can feel melodic movement. In the 19th century, Franz Schubert used this Prelude as the accompaniment for his song Ave Maria (Liszt's arrangement of his arrangement is included in The Pianist). Wohltemperiertes Klavier, or Well Tempered Clavier, was published by Bach in two volumes of 24 Preludes and Fugues each. The first was released in 1722, and the second around 1740. By using all major and minor keys, this collection of works was taking advantage of a new advance in keyboard technology: tempered tuning. A &quot;tempered&quot; keyboard allowed performance in any key without retuning the instrument-- something that had previously been impossible. ","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/212.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510450162?h=8a14927cf6","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100212,"order":"1"},"1200212":{"title":"Sheet Music of 'Prelude in C (WTC Bk. 1)'","subtitle":"Bach, J.S","description":"J.S. Bach's Prelude in C (WTC Bk. 1) is made up of a simple but subtly stirring series of arpeggiated chords. There is no actual melody, however, one can feel melodic movement. In the 19th century, Franz Schubert used this Prelude as the accompaniment for his song Ave Maria (Liszt's arrangement of his arrangement is included in The Pianist). Wohltemperiertes Klavier, or Well Tempered Clavier, was published by Bach in two volumes of 24 Preludes and Fugues each. The first was released in 1722, and the second around 1740. By using all major and minor keys, this collection of works was taking advantage of a new advance in keyboard technology: tempered tuning. A &quot;tempered&quot; keyboard allowed performance in any key without retuning the instrument-- something that had previously been impossible. ","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/212.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510450162?h=8a14927cf6","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200212,"order":"2"},"1100213":{"title":"How to Play 'Etude in C-sharp minor, op. 2, no. 1'","subtitle":"Scriabin, Alexander","description":"Scriabin's Etude in C-sharp minor, op. 2, no. 1 (1887), while not a difficult work, offers challenges in chordal balance and tonal color. It is a strikingly beautiful little piece.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/213.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510450153?h=bf398e0037","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100213,"order":"1"},"1200213":{"title":"Sheet Music of 'Etude in C-sharp minor, op. 2, no. 1'","subtitle":"Scriabin, Alexander","description":"Scriabin's Etude in C-sharp minor, op. 2, no. 1 (1887), while not a difficult work, offers challenges in chordal balance and tonal color. It is a strikingly beautiful little piece.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/213.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510450153?h=bf398e0037","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200213,"order":"2"},"1100214":{"title":"How to Play 'Etude in A minor, op. 25, no. 11'","subtitle":"Chopin, Fr\u00e9d\u00e9ric ","description":"The twelve etudes of Opus 10 were written 1829-32 (and completed when Chopin was only 22 years old). They were published in 1833. The twelve Opus 25 etudes were composed from 1832-6. They are all marvels of composition and unique in the way Chopin has managed to parcel exercises in specific technical difficulties into a fully integreted and artistic miniature of music. They are such remarkable pieces of music that it is impossible to think of theme as mere etudes. The Etude in A minor, op. 25, no. 11 has been nicknamed the &quot;Wind Study&quot; because of the swirling chromatic figuration in the right hand. Rhythmic left hand chords and melody hold everything together. While not easy, the music sounds more difficult than it actually is.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/214.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510545565?h=7cf69a9649","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100214,"order":"1"},"1200214":{"title":"Sheet Music of 'Etude in A minor, op. 25, no. 11'","subtitle":"Chopin, Fr\u00e9d\u00e9ric ","description":"The twelve etudes of Opus 10 were written 1829-32 (and completed when Chopin was only 22 years old). They were published in 1833. The twelve Opus 25 etudes were composed from 1832-6. They are all marvels of composition and unique in the way Chopin has managed to parcel exercises in specific technical difficulties into a fully integreted and artistic miniature of music. They are such remarkable pieces of music that it is impossible to think of theme as mere etudes. The Etude in A minor, op. 25, no. 11 has been nicknamed the &quot;Wind Study&quot; because of the swirling chromatic figuration in the right hand. Rhythmic left hand chords and melody hold everything together. While not easy, the music sounds more difficult than it actually is.","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/214.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510545565?h=7cf69a9649","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200214,"order":"2"},"1100215":{"title":"How to Play 'Rondo Brillant in E-flat, op. 62'","subtitle":"Von Weber, Carl Maria","description":"Carl Maria Von Weber (1786-1826) has been largely ignored as a serious composer, except for his operas, coming across as sounding somewhat trivial. The Rondo Brillant in E-flat, op. 62 (1819) is a rapid fire fantasy piece that has that &quot;old-fashioned&quot; elegance and technical variety which can be pleasing to the ear. ","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/215.mid.jpg","type":"interactive-video","content":"https:\/\/player.vimeo.com\/video\/510446919?h=1cf83f5613","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1100215,"order":"1"},"1200215":{"title":"Sheet Music of 'Rondo Brillant in E-flat, op. 62'","subtitle":"Von Weber, Carl Maria","description":"Carl Maria Von Weber (1786-1826) has been largely ignored as a serious composer, except for his operas, coming across as sounding somewhat trivial. The Rondo Brillant in E-flat, op. 62 (1819) is a rapid fire fantasy piece that has that &quot;old-fashioned&quot; elegance and technical variety which can be pleasing to the ear. ","image":"https:\/\/learn.pianoencyclopedia.com\/hydra\/HydraCreator\/live-editor\/modules-assets\/app-the-ultimate-collection-of-piano-music\/img\/big\/215.mid.jpg","type":"interactive-pdf","content":"https:\/\/player.vimeo.com\/video\/510446919?h=1cf83f5613","attachmentType":"","attachmentTitle":"","attachmentUrl":"","parentChapter":1200215,"order":"2"}},"chapter":{"1100000":{"title":"Interactive Videos","parentCourse":1000000,"order":1},"1100001":{"title":"Interactive Videos","parentCourse":1000001,"order":1},"1200001":{"title":"Books","parentCourse":1000001,"order":2},"1100002":{"title":"Interactive Videos","parentCourse":1000002,"order":1},"1200002":{"title":"Books","parentCourse":1000002,"order":2},"1100003":{"title":"Interactive Videos","parentCourse":1000003,"order":1},"1200003":{"title":"Books","parentCourse":1000003,"order":2},"1100004":{"title":"Interactive 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class=\"row\">\n\t<div class=\"col-sm-12 col-xs-12\" data-value=\"close\" data-href-target=\"_blank\" data-href=\"https:\/\/pianoencyclopedia.com\/en\/the-ultimate-collection-of-piano-music\/?overrideCustomDialog=yes#!\/lesson\/1100000\">\n\t\t\t<div class=\"materialCard materialCardProgress materialThemeDark materialCardSizeMega\" style=\"margin: 0;background-size: initial !important;border: 4px solid #572700;\">\n\t\t\t\t <div class=\"container-fluid\">\n\t\t\t\t\t<div class=\"row\">\n\t\t\t\t\t\t<div class=\"materialCardProgressRight materialCardProgressRightDouble\">\n\t\t\t\t\t\t   <h3 class=\"materialHeader materialThemeDark\" style=\"margin-bottom: 20px;color: wheat;text-shadow: 0 0 15px #ffcd00;font-size: 34px;\">Free Access Granted<\/h3>\n<h3 class=\"materialHeader materialThemeDark\" style=\"margin-bottom: 20px;\">The Ultimate Collection of Piano Music<\/h3>\n\t\t\t\t\t\t\t<p class=\"materialParagraph materialThemeDark\">Get ready to explore over three centuries worth of compositions from history\u2019s all-time most iconic musicians. 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