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ornithology.ly
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\version "2.18.2"
#(set-global-staff-size 18)
\include "jazzchords.ily"
\include "lilyjazz.ily"
\include "jazzextras.ily"
\include "common.ily"
\paper {
#(set-paper-size "letter")
% paper-height = 11\in
% paper-width = 8.5\in
indent = 0\mm
between-system-space = 2.5\cm
between-system-padding = #0
%%set to ##t if your score is less than one page:
ragged-last-bottom = ##t
ragged-bottom = ##f
markup-system-spacing = #'((basic-distance . 23)
(minimum-distance . 8)
(padding . 1))
}
title = #"Ornithology"
composer = #"Charlie Parker"
meter = #"Uptempo"
realBookTitle = \markup {
\score {
{
\override TextScript.extra-offset = #'(0 . -4.5)
s4
s^\markup {
\fill-line {
\fontsize #1 \lower #1 \rotate #7 \concat { " " #meter }
\fontsize #8
\override #'(offset . 7)
\override #'(thickness . 6)
\underline \larger \larger #title
\fontsize #1 \lower #1 \concat { #composer " " }
}
}
s
}
\layout {
\omit Staff.Clef
\omit Staff.TimeSignature
\omit Staff.KeySignature
ragged-right = ##f
}
}
}
\header {
title = \realBookTitle
tagline = ##f
}
theNotes = \relative c'' {
\set Staff.midiInstrument = "flute"
\key g \major
\section
\sectionLabel "solo"
r2 r4 r8 a8 |
fis8 a d c b g e ees |
d c \tuplet 3/2 { b d fis } a4 r8 bes ~ |
bes8 c16 bes a8 g c g r4 |
r1 | \break
f4 c a'8 bes a g |
f d c bes a c d aes' ~ |
aes4 ees8 c g' f ~ f4 |
r1 | \break
r8 d \tuplet 3/2 { e g bes } f'4 ees8 d~
d4 c16 d c bes a8 g fis a |
e8 bes c ees d bes g a |
c a r8 a' bes fis ees d | \break
a'8 fis r2. |
r4 a8 fis aes des ~ des4 |
c8 g e d b' bes a aes |
g8 e c16 a g'8 ~ g ees16 b aes8 fis' ~ | \break
fis8 e4 e8 ~ e8 fis4 e16 d |
b16 g e'8 ~ e4 r4 r8 f8 ~ |
f d16 bes a g e'8 ~ e f ~ f8 d16 bes |
a16 g e'8 ~ e4 r2 | \break
r8 e \tuplet 3/2 { f a c } e ees d des |
c a bes c16 bes a8 f d c |
c'4 g8 aes ~ aes4 r4 |
r4. ees8 g bes ees d ~ | \break
d bes8 c bes aes g8 ~ g4 |
r8 bes \tuplet 3/2 { a16 bes a } g8 fis8 a e a, |
c8 ees d c b4 r4 |
r2 r4 r8 e'8 | \break
f a, g gis e' ees d des |
c8 g \tuplet 3/2 {e c ees ~ } ees r4 d'16 c |
bes8 a aes c, d f e ees |
d b \tuplet 3/2 {c e g} b4 d8 e, ~ | \break
e4 r2. | r1 | r1 | r1 |
}
theChords = \chordmode {
\set chordChanges = ##t
g1:maj7 |
g1:maj7 | g1:maj7 | g1:m7 | c1:7 |
f1:maj7 | f1:maj7 | f1:m7 | bes:7 |
ees:7 | a2:m7.5- d2:7 | g1:m7 | d1:7 |
b:m7 | e:7 | b2:m7 bes2:m7 | a2:m7 d2:7 | \break
g1:maj7 | g1:maj7 | g1:m7 | c1:7 |
f1:maj7 | f1:maj7 | f1:m7 | bes:7 |
ees:7 | a2:m7 d2:7 | g1:7 | c2:m7 f2:7 |
b2:m7 e:7 | a2:m7 d:7 | g1:7 | a2:m7 d2:7 | \break
g1:maj7 | r1 | r1 | r1 |
}
\score {
<<
\new ChordNames \tpose \theChords
\new Voice = soloist \tpose \theNotes
>>
\layout {
\override Score.Clef. #'break-visibility = #'#(#f #f #f) % make only the first clef visible
\override Score.KeySignature. #'break-visibility = #'#(#f #f #f) % make only the first time signature visible
\override Score.SystemStartBar. #'collapse-height = #1 % allow single-staff system bars
}
\midi {
\tempo 4 = 160
}
}